New Books in Folklore

The author of this book, David Hopkin, is Professor of European Social History at Hertford College, Oxford. He is also my brother. However, I’m not featuring him on New Books in Folklore because of some misguided sense of nepotism, but rather because although he is historian by training, he is a folklorist by vocation. This duality is amply evident in his book Voices of the People in Nineteenth-Century France (Cambridge University Press, 2017) in which he explicitly states that he is proselytizing for a folkloric turn within the discipline of history. As he explains in his introduction, this turn essentially makes two demands of historians. Firstly, I want them to consider oral literature such as tales and songs as appropriate sources for historical analysis; secondly I want to acquaint them with those aspects of post-war folklore scholarship that provide powerful methodologies for understanding popular culture. The bulk of the book is then given over to a series of case studies in which Hopkin practices what he preaches as he mines folklore collections for material which he then examines and interprets in order to shed light on the lives of ordinary people. The chapter titles indicate his chosen subjects: “Storytelling in a Maritime Community: Saint-Cast, 1879-1882,” “The Sailors Tale: Storytelling on Board the North Atlantic Fishing Fleet,” “Love Riddles and Family Strategies in the Dyemans of Lorraine,” “Storytelling and Family Dynamics in an Extended Household: The Briffaults of Montigny-aux-Amognes,” “Work Songs and Peasant Visions of the Social Order” and “The Visionary World of the Vallave Lacemaker.” His interpretations of the archival records offer ideas about how the folk were able to challenge authority figures from a position of safety, negotiate inequalities within their own families, maintain communal bonds despite often trying conditions, and achieve strategic marital alliances. More broadly, he shows how traditional oral forms stories, songs and riddles—provided viable mechanisms through which the poor were able to assert some degree of control over their own destinies. Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

We tend to think of ourselves—our modern selves–as disenchanted. We have traded magic, myth, and spirits for science, reason, and logic. But this is false. Jason Josephson-Storm, in his exciting new book titled The Myth of Disenchantment: Magic, Modernity, and the Birth of the Human Sciences (University of Chicago Press, 2017) challenges this classical story of modernity. Josephson-Storm, associate professor in and chair of the Department of Religion at Williams College, argues that modernity is riddled with magic, and that attempts to curtail it have often failed. Adding a twist to a well-known expression, he writes that we have never been disenchanted. Josephson-Storm investigates the human sciences—philosophy, psychoanalysis, sociology, and folklore studies, to name a few—which were critical to the creation and spread of the myth of a mythless society. But the human sciences were themselves also deeply entangled with magic. They often, Josephson-Storm reveals, emerged from occult origins, flirted with the paranormal, or even produced new enchantments. As can be surmised from this brief description, the audience of The Myth of Disenchantment will be a broad and eclectic one. The book will be of interest to scholars in religious studies, science and technology studies, and historians of philosophy, science, ideas, culture, and Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

On Second Thought: Learned Women Reflect on Profession, Community, and Purpose (University of Utah Press, 2017) is a collection of thirteen essays by women, all in the second half of their lives, in which they contemplate the ways in which the different facets of their identities—personal, professional and spiritual—have hitherto unfolded and intertwined. Among their number is the folklorist, ethnographer, oral historian, and prolific independent scholar Luisa Del Giudice, who is also the editor of the volume and the driving force behind it. The seed for the book began some years ago, when a career crisis led Del Giudice to question many aspects of her life. In the process, she developed an acute awareness of its often fragmented nature, a fragmentation exacerbated, if not caused, by an academic establishment that tends to looks askance on its members bringing any aspect of their personal lives, still less their spiritual beliefs, into their work. Del Giudice decided to push back against the resulting dichotomous state, which effectively pits the pursuit of knowledge (academia) against the pursuit of wisdom (spirituality). She contacted a number of women, most of whom she knew personally, and asked if they would be willing to provide written reflections on their lives to date often complex and multifaceted lives that encompassed a range of personal and professional identities. She encouraged each to describe how their existence has accrued meaning and purpose, as well as any spiritual leanings underpinning that process. The result is a kind of textual “Wise Women’s Circle.” It includes four folklorists (aside from Del Giudice herself, there is Mary Ellen Brown, Sabina Magliocco, and Christine Zinni) along with contributors whose professional backgrounds embrace a range of other scholarly disciplines, as well as practitioners of law, medicine, public health, and art. The spiritual and cultural leanings expressed are similarly diverse and include Catholicism, Paganism, Episcopalianism, Jungian Psychology, Judaism and Zen Buddhism. The paths of the women have often been shaped by societal and cultural expectations and institutional constraints. Despite the singular nature of each essay, a number of recurring themes emerge, not least the importance of cultural heritage, the challenges of combining a professional role with that of a domestic caregiver, workplace side-lining, the power of story-telling, and, perhaps most notably, an ongoing experience of existing within a creative, albeit uncomfortable, state of betwixt and betweeness. Del Giudice describes the contributors as “masters of bricolage and diverse resources who find meaning in lonely marginalized places, who struggle to weave together disparate aspects of life to make them meaningful” (23). All can speak to lessons learned, rewards gained, and the critical need for women’s voices to be heard. Overall, this collection is designed to inspire its readers to examine their own lives, to help them clarify their own sense of purpose, and then commit to fulfilling it, despite the obstacles which will surely arise. Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

In A Vulgar Art: A New Approach to Stand-Up Comedy (The University Press of Mississippi, 2014), Ian Brodie, an associate professor of folklore at Cape Breton University, brings a folkloristic approach to the study of stand-up comedy. By focusing on comedic performance, Brodie shows stand-up comedy to be a collaborative act between comedian and audience similar to folk performance around the world, even as mediatization sees professional comedians transcend the initial performance to reach mass audiences. Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

Cultivating Community: Interest, Identity, and Ambiguity in an Indian Social Mobilization by Michael Youngblood, a cultural anthropologist based in San Francisco, was published in November, 2016 by the South Asian Studies Association Press. The book is a winner of the Joseph W. Elder Book Prize (conferred by the American Institute of Indian Studies), and has been very well received by reviewers. Cultivating Community is based on the author’s two and a half years of field research in 1996-1999 with the Shetkari Sanghatana, a massive and influential anti-statist movement in India’s Maharashtra state. The book explores the creation of political meaning and the construction of collective identity in a mass social movement. In it, the author address fundamental questions in making sense of mass movements anywhere: Where do movement ideologies come from and what makes them compelling? What motivates diverse groups of ordinary people to rise together in common cause? How can we make sense of individual participants in a movement when their participation sometimes appears irrational and against their own interests? The book argues for a participant-centric view of the Shetkari Sanghatana, digging beneath the movement’s fantastical mythological idiom and the overarching demands that we hear articulated by leadership to see how the Sanghatana is experienced and constructed by individual participants on the ground. An important part of the analysis focuses on ways that participants and leaders together deploy a pool of shared but highly ambiguous spiritual and political symbols in an ongoing competition to define what the movement stands for, whose interests it represents, and what the future should look like. This is an anthropological ethnography that delves into history, political science, economics, cultural geography, folklore, and religion. Mike Youngblood received his PhD in cultural anthropology from the University of Wisconsin-Madison. He has taught at the School for International Training, the Haas School of Business at the University of California-Berkeley, the Masters in Social Design program at the Maryland Institute College of Art, and the Hasso Plattner Institute of Design at Stanford University. Mike’s interests in social innovation, collaborative change, design thinking, and ethnographic methodology are central to his work both inside and outside of academe. His work has received a number of recognitions, including the Sardar Patel Award for Best American Dissertation on Modern India, the Percy H. Buchannan Prize for Writing on Asian Affairs, the Robert Miller Prize for Innovation in Anthropological Research, and the Joseph W. Elder Book Prize. He has been a Fulbright fellow, a Watson fellow, and an American Institute of Indian Studies fellow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

Jewish Magic Before the Rise of Kabbalah (Wayne State University Press, 2017) opens new vistas not only on the history of the practice of magic throughout Jewish history, but on the variety and syncretistic depth of such practices. Its author is Yuval Harari, professor in the Department of Jewish Thought and head of the Program of Folklore Studies at Ben Gurion University. Professor Harari’s work challenges perceptions and categorizations of what Jewish magic is, and what its place in the Judaism of late antiquity was. It thus promises to facilitate a reappraisal of the performative practices, the beliefs and rituals, on which Jewish life as we know it is founded. Professor Harari’s work carefully and systematically examines a wide variety of Jewish texts and artifacts, and reveals the extent to which the practice of magic is woven into Jewish ritual, thought, culture, from Late Antiquity through and beyond the Middle Ages. David Gottlieb is a PhD Candidate in the History of Judaism at the University of Chicago Divinity School. His research interests center on the influence of rabbinic midrash on the formation of Jewish cultural memory. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

The Worlds of Russian Village Women: Tradition, Transgression, Compromise (University of Wisconsin Press, 2013) by Laura J. Olson and Svetlana Adonyeva casts a new look at the traditional representation of Russian women and village life in scholarship. Grounding the imagery of a Russian woman in the network of her relationship with her family and the larger community, Olson and Adonyeva show how age and gender shape village communities and traditional lifestyle. Previously, Olson and Adonyeva argue, women have been excluded from the folklore tradition mainly because their performances took place in private rather than public setting, and thus were either not accessible for, or discounted in scholarship. The private character of these performances, however, endows women with a larger agency in preserving and negotiating tradition. Through the discussions of aspects and practices of village life as marriage and courtship, death, memory, motherhood, magic, or singing over the course of three generations, the images of Russian village woman arise as very different from their habitual depiction as “victims of oppressive patriarchy.” Olson and Adonyeva employ a broad analytical framework relying on a set of tools of anthropology, folklore studies, linguistics, psychology and literature studies to recover the previously silenced female voices and tell a fascinating story which challenges our understanding of the lives and societal roles of Russian women. Olga Breininger is a PhD candidate in Slavic and Middle Eastern Studies at Harvard University. Her research interests include post-Soviet culture and geopolitics, with a special focus on Islam, nation-building, and energy politics. Olga is the author of the novel There Was No Adderall in the Soviet Union and columnist at Literratura. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

When did religion begin in South Asia? Many would argue that it was not until the colonial encounter that South Asians began to understand themselves as religious. In Religion, Science, and Empire: Classifying Hinduism and Islam in British India (Oxford University Press, 2012), Peter Gottschalk, Professor of Religion at Wesleyan University, outlines the contingent and mutual coalescence of science and religion as they were cultivated within the structures of empire. He demonstrates how the categories of Hindu and Muslim were constructed and applied to the residents of the Chainpur nexus of villages by the British despite the fact that these identities were not always how South Asians described themselves. Throughout this study we are made aware of the consequences of comparison and classification in the study of religion. Gottschalk engages Jonathan Z. Smith’s modes of comparison demonstrating that seemingly neutral categories serve ideological purposes and forms of knowledge are not arbitrary in order. Here, we observe this work through imperial forms of knowledge production in South Asia, including the roles of cartographers, statisticians, artists, ethnographers, and photographers. In the end we witness the social consequences of British scientism and its effects on the construction of the category of religion in South Asia. In our conversation we discuss mapmaking, travel writing, Christian theology, the authority of positioning, the census, folklore studies, ethnographies, royal societies, museums, indigenous identifications, and theories for the study of religion. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

Rebecca Williams‘ book Muhammad and the Supernatural: Medieval Arab Views (Routledge, 2013) is one of the newest additions to the Routledge Studies in Classic Islam series. Despite the Qur’anic proclamation that the only “miracle” which served as proof of Muhammad’s propethood was the Qur’an itself, miracles and supernatural events have been ascribed to Muhammad in numerous Islamic literary and intellectual genres. Professor Williams, of the University of South Alabama, delivers a unique and fresh look at the supernatural in Islam. Restricting her analysis to the works of Qur’anic exegesis and the biography, she focuses on four events in the life of Muhammad. Muhammad’s conception, his first occasion of public preaching, a vignette concerning a warning sent by one of Muhammad’s followers to the residents of Mecca prior to an attack, and a failed assassination attempt upon Muhammad’s life each contain some type of supernatural occurrence. Each of these events is connected to an important theme for Muslims in the medieval era, sex, politics, betrayal, and wrath, respectively. Professor William’s fascinating comparative investigation of the treatment of these supernatural occasions demonstrates important similarities and differences between these two scholars. Moreover, the reader becomes conscious of the milieu in which each scholar constructed their texts. While this is a significant contribution to the field of the study of Islam, the topics addressed are of great benefit to scholars of literature and folklore and its contents are accessible to a wide spectrum of readers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

The ability to figure out the mental lives of others – what they want, what they believe, what they know — is basic to our relationships. Sherlock Holmes exemplified this ability by accurately simulating the thought processes of suspects in order to solve mysterious crimes. But folk psychology is not restricted to genius detectives. We all use it: to predict what a friend will feel when we cancel a date, to explain why a child in a playground is crying, to deceive someone else by saying less than the whole story. Its very ubiquity explains why it is called folk psychology. But how in fact does folk psychology work? On standard views in philosophy and psychology, folk psychology just is the practice of ascribing or attributing beliefs and desires to people for explaining and predicting their behavior. A folk psychologist is someone who has this “theory of mind”. In her new book, Do Apes Read Minds?: Toward a New Folk Psychology (MIT Press, 2012), Kristin Andrews, associate professor of philosophy at York University in Toronto, argues that the standard view is far too narrow a construal of what’s going on. It leaves out a wide variety of other mechanisms we use to understand the mental lives of others, and a wide variety of other reasons we have for engaging in this social competence. Moreover, what’s necessary to be a folk psychologist is not a sophisticated metacognitive ability for ascribing beliefs, but an ability to sort the world into agents and non-agents – an ability that greatly expands the class of creatures that can be folk psychologists. Andrews draws on empirical work in psychology and ethology, including her own field work observing wild primates, to critique the standard view and ground her alternative pluralistic view. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore