Pursued by a Bear

As part of Rebecca Atkinson-Lord's ongoing series of interviews about ideas of legacy in theatre, she talks to Paul Hunter, artistic director of Told by an Idiot.

Hosted on Acast. See acast.com/privacy for more information.

As part of her podcast series on ideas of legacy, Rebecca Atkinson-Lord interviews playwright David Eldridge

Hosted on Acast. See acast.com/privacy for more information.

Rebecca Atkinson-Lord interviews experimental theatremaker Chris Goode, as part of her ongoing series of discussions about leaving a legacy in an ephemeral medium.

Hosted on Acast. See acast.com/privacy for more information.

Rebecca Atkinson-Lord interviews the longtime director of HighTide, Steven Atkinson, after his announcement that he's stepping down from the annual new writing festival.

Hosted on Acast. See acast.com/privacy for more information.

Rebecca Atkinson-Lord interviews participatory theatre company Clean Break.

Hosted on Acast. See acast.com/privacy for more information.

Rebecca Atkinson-Lord interviews Rupert Goold, artistic director of the Almeida Theatre

Hosted on Acast. See acast.com/privacy for more information.

Rebecca Atkinson-Lord interviews Richard Twyman, artistic director of English Touring Theatre.

Hosted on Acast. See acast.com/privacy for more information.

Rebecca Atkinson-Lord talks to artistic director David Jubb about ideas of legacy, following his announcement that he's stepping down from his role at the helm of Battersea Arts Centre.

Hosted on Acast. See acast.com/privacy for more information.

Rebecca Atkinson-Lord opens the new season of her podcast, Legacy Tapes, with a conversation with theatre critic Lyn Gardner.

Hosted on Acast. See acast.com/privacy for more information.

In February, the new book The World Only Spins Forward: The Ascent of Angels in America was published. Exeunt critics Nicole Serratore, Lane Williamson, and Alex Barasch gathered for a book club discussion to talk about this oral history of Angels in America and our relationships with the play itself. 

Hosted on Acast. See acast.com/privacy for more information.