This Cultural Life

Winner of the Turner Prize in 2004 and Britain’s official representative at the 2013 Venice Biennale, Jeremy Deller is an unconventional artist whose work is as likely to be seen in streets or fields as in museums and galleries. In his work The Battle of Orgreave he restaged a modern civil conflict; a clash between striking miners and police officers. He persuaded a traditional brass band to play Acid House tunes in his work Acid Brass. Perhaps most memorably, on the centenary of the first day of the Battle of they Somme he conjured ghostly platoons of young soldiers all around the UK in his work We’re Here because We’re Here. Jeremy talks to John Wilson about some of his most formative creative influences. Seeing The Who's rock musical film Tommy as a teenager was an unforgettable experience that revealed to him the power of imaginative vision. A chance encounter with one of his artist heroes Francis Bacon strengthened his interest in art history, and time spent with Andy Warhol in New York encouraged him to think of art as multi-dimensional and unlimited. He also recounts how P J Harvey's album Let England Shake and the play Jerusalem by Jez Butterworth crystallised ideas he was forming about notions of Englishness which he used in both his work at the British pavilion at the 2013 Venice Biennale, and his work to mark the anniversary of the Battle of the Somme. Producer: Edwina Pitman

Errollyn Wallen is one of Britain's most acclaimed and widely performed contemporary composers. Born in Belize and brought up in north London, she was first ever woman to win a Ivor Novello Award for a body of work, and the first ever black woman to have a composition played at the BBC Proms. Errollyn has written 22 operas, as well as orchestral, chamber and choral works which are performed around the world. She was commissioned to write pieces to commemorate the Queen’s Golden and Diamond jubilees, and for the opening of the 2012 London Paralympic Games. She lives and works in a lighthouse in the far north of Scotland. Errollyn tells John Wilson how, after to moving to London from Belize with her parents at a young age, she was brought up by an aunt and uncle in Tottenham. An early love of ballet led her to discover the music of Chopin, and she started to learn the piano at home. She describes the huge influence of Bach on her compositions, but also how her work is influenced by a wide range of music, from avant garde composers to jazz and funk. Producer: Edwina Pitman

John Wilson talks to fashion designer and sculptor Nicole Farhi. Born in the south of France, she designed for various labels before teaming up with Stephen Marks in the early 1970s to establish French Connection as a worldwide clothing brand. She launched her own label Nicole Farhi in 1982 and was one of the biggest names in UK fashion for three decades. Nicole started studying sculpture whilst still in the fashion world, and staged her first solo exhibition in 2014. She has been married to the playwright David Hare since 1992. Nicole recalls the influence of her glamourous and well-dressed aunt Visa who sparked Nicole's early interest in fashion by taking her to the Parisian couture shows. Meeting her partner Stephen Marks proved to be a major turning point and they went on to found two successful fashion labels together. But alongside her life as a designer, Nicole also had a passion for sculpture which had been ignited seeing the work of Giacometti at the Fondation Maeght in the south of France. Her own work in clay was encouraged by the Pop Art pioneer, sculptor and printmaker Sir Eduardo Paolozzi, who became her friend and mentor. Producer: Edwina Pitman

Nick Cave, the Australian born singer-songwriter and author, reveals the formative influences and experiences that have inspired his own creativity. With his band The Bad Seeds, Cave is renowned for the darkness and drama of his narrative based work. His lyrics are often populated by flawed people doing bad things, but seeking redemption in love or God, or both. His musical output is diverse, ranging from rock’n’roll, to piano-based love songs. The tragic death of his 15 year old son Arthur in 2015 has informed recent work, with songs about devastating loss, grief and love explored throughout the albums Ghosteen and Carnage. Nick Cave has also written novels, poetry, a screenplay, and has recently published Faith, Hope and Carnage - a book exploring his ideas about creativity and belief. Nick Cave talks to John Wilson about the influences of his father, an English teacher, and his mother, a school librarian, in encouraging his love of literature from a young age. He recalls seeing The Johnny Cash Show on television at the age of 10 and being spellbound by the country music star, with whom he later worked. He also remembers the life-changing effect of hearing Leonard Cohen’s Songs Of Life and Death album for the first time, and the profound influence the Canadian poet and songwriter had own his own lyrics. He reveals that fellow Australian Barry Humphries was another artist who inspired his own work, having seen a Dame Edna Everage show in Melbourne in the early 1970s. Nick Cave also discusses the impact that the death of his son had on his life, work and marriage. Producer: Edwina Pitman

An inseparable duo for over 55 years, Gilbert Prousch and George Passmore are the artistic couple known as Gilbert & George. Always formally dressed in matching suits, Gilbert & George have described themselves as ‘living sculptures’, and are usually the subject of their own work, which has involved sexual imagery, scatological humour and profane language. They’re best known for brightly coloured imagery depicting contemporary urban life, framed within large scale panels that evoke the stained-glass windows of churches. They won the Turner Prize in 1986, represented Britain at the Venice Biennale in 2005, and were the subject of a major retrospective show at Tate Modern in 2007. They talk to John Wilson about meeting in 1967 while studying sculpture at Saint Martin's School of Art, their first notable work The Singing Sculpture; which launched their career internationally; and the importance of Spitalfields, east London where they have lived and worked together since the late 1960s. Producer: Edwina Pitman

Now one of West Africa’s most internationally acclaimed musicians, Baaba Maal trained at a Paris conservatoire and went on to become a kind of musical ambassador, taking stories of his homeland all around the world. He has collaborated with Brian Eno and film composer Hans Zimmer, recorded an album with Mumford and Sons, and was a key member of the Africa Express touring project led by Damon Albarn. A festival favourite, Baaba Maal has energized crowds at Glastonbury and the BBC Proms alike. More recently, Marvel fans know him as the voice of Wakanda, having sung on the Black Panther movie soundtracks. Baaba Maal talks about his early life in Senegal where, as the son of a fisherman, he wasn’t expected to become a singer. He discusses the role of the griot in Senegalese storytelling and musical culture. He recalls early song-gathering trips around West Africa with his friend and collaborator Mansour Seck, his formal musical training in Paris, the powerful voice of Senegalese singer Sory Kandia Kouyaté, and meeting Nelson Mandela. Producer: Edwina Pitman

The internationally bestselling crime writer Donna Leon talks to John Wilson about her career. Although American born, Donna is most associated with Venice, the city in which her Italian police detective protagonist, the mild-mannered family man Guido Brunetti, lives and works. She has so far written 32 novels, has sold nearly eight million copies in English, and been translated into 35 languages. Donna Leon tells John Wilson about her love for Italy and particularly Venice, which until very recently was her home. She recalls her experiences teaching English in Saudi Arabia, and how she began her bestselling Brunetti series after a night at the opera. Producer: Edwina Pitman

Award-winning television dramatist and director Sally Wainwright talks to John Wilson about her formative cultural influences. After learning the art of screenwriting whilst working on Coronation Street, she made her name with her suburban comedy drama At Home With The Braithwaites. Her stories are usually set in the north of England including Last Tango in Halifax, and her 19th century historical series Gentleman Jack. Her most recent hit is Happy Valley, a crime drama that spanned a decade and three series, winning huge acclaim, viewing figures and multiple awards. Sally talks about her early obsession with television, and how the 1970s musical drama Rock Follies inspired her to become a television writer at a young age. She recalls her early career writing for BBC Radio 4's The Archers and the ITV soap Coronation Street and discusses the inspirations behind some of her biggest hits. Producer: Edwina Pitman

Reggae poet Linton Kwesi Johnson reveals the influences and experiences that inspired his own creativity. Born in Jamaica, he moved to south London in 1963 at the age of eleven. He made his name as a performance poet, reciting politically motivated verse to a dub-reggae backbeat, and becoming a powerful voice of resistance and protest in response to racism on the streets of Britain in the 1970s. He became the first black poet to be published in the Penguin Modern Classics series, was awarded the PEN Pinter Prize in 2020, and recently published a collection of prose under the title Time Come. On stage and on record, he is renowned for angry and uncompromising works such as Five Nights Of Bleeding, Sonny’s Lettah, and Iglan Is a Bitch. For This Cultural Life, Linton Kwesi Johnson recalls growing up in poverty in rural Jamaica, where his grandmother told him ghost stories and read The Bible. Appalled at the racism he experienced, he joined the Black Panthers whilst still at school and became a political activist. He began to write and perform poetry, set to music and delivered in Jamaican patois, after being inspired by reggae artists such as Prince Buster and U-Roy, and the American group The Last Poets. Johnson also talks about the tragic fire that killed 13 young partygoers in New Cross, south London in 1981, an event that he commemorated in one of his best known works, New Craas Massahkah. Producer: Edwina Pitman

John Wilson talks to photographer Martin Parr about the formative influences and experiences that inspired his own creativity. Globally renowned for his witty and satirical scenes of British life, Parr made his name in the 1970s with a series of monochrome photographs documenting the community of Hebden Bridge, West Yorkshire. His fame grew with his 1985 project The Last Resort, which captured the spirit of the great British holiday in images of ice-cream, chips, and sunburnt bodies on the litter-strewn concrete promenade of New Brighton, Liverpool. Since then, his instantly recognisable work has examined subjects including global consumerism, mass tourism and class. He has published over a hundred books of his work, exhibited all round the world, and is regarded as one of Britain’s greatest photographers. Parr is celebrated as Master Of Photography at the 2023 Photo London fair, and has recently opened his own Foundation to exhibit the work of emerging photographers alongside his own. Martin Parr reveals how, growing up in suburban Surrey, he was introduced to photography by his Yorkshire grandfather during holiday visits. He remembers seeing exhibitions by Bill Brandt and Henri Cartier-Bresson in the late 1960s, but it was the work of British street photographer Tony Ray-Jones, whose images he first saw whilst studying photography at Manchester Polytechnic, that was most influential. Martin Parr further developed his distinctive documentary style, and his use of saturated colour processing techniques, after seeing work by American photographer William Egglestone. Martin Parr also chooses the 1991 film Night On Earth by Jim Jarmusch as a key influence on his quirky approach to storytelling, and reflects on how his style and subjects have developed over the years. Producer: Edwina Pitman