Deconstructing Comics

In 1993, the Image revolution was underway, itself a result of the 1986 earthquake brought about by Alan Moore’s Watchmen and Frank Miller’s The Dark Knight Returns. Moore was on a mission to counteract the wave of “grim and gritty” comics he had inadvertently helped to start. This led to Moore’s 1963 series, a combination … Continue reading #788 Alan Moore’s “1963”

FLASHBACK! Originating out of the same ’80s black-and-white/anthropomorphic boom that brought us the Ninja Turtles, Usagi Yojimbo is one of the few comics of that batch that are still going today. Stan Sakai’s work combines historical drama, understated violence, light comedy, and even some explanations of 17th century Japanese culture — and he can pack … Continue reading #462 Usagi Yojimbo

The run of Jack Kirby’s OMAC: One Man Army Corps was bright but short, lasting only through eight bi-monthly issues. This time Tim and Emmet discuss issues 5 through eight, covering a shocking, brilliant two-parter, another two-parter that brings the series to a crashing halt, and more evidence that Kirby was great at wild ideas, … Continue reading #787 Jack Kirby’s “OMAC”: The World That’s Going

One of Kirby’s late efforts at DC was OMAC: One-Man Army Corps, which focuses on “the world that’s coming”: what miracles, and horrors, technology would bring. Of course, some of it seems ridiculous, but other parts seem prescient. Tim and Emmet discuss the book’s crazy Kirby concepts — or are they crazy? Brought to you … Continue reading #786 Jack Kirby’s “OMAC”: The World That’s Coming

Paul of “To the Batpoles” joins Tim and Mulele to discuss 2018’s “Black Panther” film, trying to separate political filmmaking from good filmmaking, and having different experiences based on whether they went in knowing the comics, the comics AND the film’s marketing, or neither. Brought to you by: The Quarter-Bin podcast Our supporters on Patreon

After covering the first four volumes of Kentaro Miura’s Berserk a few months back, Tim and Kumar decided to keep going. In volumes 5 and 6, the lengthy (volumes 3 to 14!) flashback to Guts’s origin story continues, but why does the flashback seem to exist in a magic-free world? In the early volumes, in … Continue reading #785 “Berserk”: The Prosaic Past

There’s a new sheriff in town in post-Great Disaster Earth: Gerry Conway took over as writer in Kamandi: The Last Boy on Earth issue 38. Jack Kirby stayed on as artist for issues 38-40 before leaving D.C. So while the interior art looks the same as always (aside from covers by Joe Kubert), everything feels … Continue reading #784 Jack Kirby’s “Kamandi”: Wipeout

Jack Kirby reaches the end of his writing run on Kamandi: The Last Boy on Earth. After top-shelf stories about a Soviet spacecraft and an “eviction battle” in a resort hotel with crocs in the pool, Kirby’s swan song leaves something to be desired, with an … uncomfortable plot point, and myriad threads dangling. Tim … Continue reading #783 Jack Kirby’s “Kamandi” #35-37: Off the deep end

Kevin Eastman and Peter Laird’s Teenage Mutant Ninja Turtles first appeared in 1984 as a violent, gory homage to/parody of Frank Miller’s Daredevil, among other popular mainstream titles of the time (X-men, Teen Titans). The comic hit at the right time for Kumar, but for the younger Emmet, the 1987 TV cartoon was the business. … Continue reading #782 Ninja Turtles: “Mutant Mayhem”

This time we look once again at new books coming from British publisher Avery Hill Press. Owen D. Pomery’s The Hard Switch is a nice slice of indy sci-fi; Tim and Kumar review. Then, Emmet joins Tim to discuss Nicole Goux’s Pet Peeves: Emmet loves it, but Tim needs some convincing. Brought to you by: … Continue reading #781 “The Hard Switch” and “Pet Peeves”