MIT Comparative Media Studies/Writing

This lecture ties into Jesper Juul's recent book, Half-Real: Video Games between Real Rules and Fictional Worlds.

Panelists: Diane Nelson, danah boyd, Molly Chase Once seen as marginal or niche consumers, Fan communities look more 'mainstream' than ever before. Some have argued that the practices of web 2.0 are really those of fan culture without the stigma. Courted, encouraged, engaged and acknowledged, fans are more and more frequently being recognized as trendsetters, viral marketers, and grassroots intermediaries. Fan affinity is being seized as a form of grassroots marketing, representing the bleeding edge of brand and property commitment. The sophistication of fan-created products rivals the professional products they honor, sometimes keeping defunct properties alive long after their shelf life might otherwise have expired. How is the increasing importance of fan behavior re-writing the media landscape? What kinds of accountability should media companies have to their most committed consumers? What kinds of value do fans create through their activities? What are the sources of tension that still exist between media producers, advertisers, and fans?

The first in a series of six podcasts, recorded during the first Futures of Entertainment Conference hosted by the Convergence Culture Consortium and Comparative Media Studies at MIT.

Panelists: John Lester, Ron Meiners, Todd Cunningham Virtual spaces are more than sites for emulating the real world. They are becoming platforms for thought experiments -- some of which involve fantasies we would not like to enact in the real world, others involve possibilities that we may want to test market before putting into practice. Much more than simulacra of Real Life or a 3D version of text-based Internet communities, online worlds represent new sites for considering questions of community and connectivity. Marked by user- creativity, online worlds balance, sometimes precariously, the rights of users with the rights of sponsoring organizations. As we move closer to the cyberpunk vision of a wholly parallel 'metaverse', questions of power, community, and property are coming to the fore.

Opening presentation for the second day, Viscerality and Web 2.0, given by Joshua Green, Research Manager for the Convergence Culture Consortium.

Transmedia Properties was the third session of the conference. The panelists featured in this recording are Paul Levitz, president and publisher of DC Comics; Michael Lebowitz, co-founder and CEO of Big Spaceship; and Alex Chisholm, ounder of [ICE]3 Studios. The moderator was Henry Jenkins.

The panelists featured in this recording are Caterina Fake, Director of Tech Development at Yahoo! Inc; Ji Lee, founder of the Bubble Project; Rob Tercek, President and Co Founder of MultiMedia Networks; and Kevin Barrett, the Director of Design at BioWare Corp. The moderator was Joshua Green.

This is the second in a series of six podcasts, recorded during the Futures of Entertainment Conference hosted by the Convergence Culture Consortium and Comparative Media Studies at MIT. Television Futures was the first session of the conference. The panelists featured in this recording are Andy Hunter, a Planning Director at GSD&M; Mark Warshaw, founder of FlatWorld Intertainment, Inc; and Josh Bernoff, a vice president at Forrester. The moderator was Henry Jenkins.

The latest MIT Communications Forum, The Craft of Science Fiction, featured Joe Haldeman, four-time Nebula Award winner and author of The Forever War, his forthcoming novel The Accidental Time Machine and many other books. This forum was moderated by CMS Director Henry Jenkins.

Timothy Stoneman, National Science Foundation Postdoctoral Fellow in the Science, Technology, and Society Program at MIT, discusses his research on missionary and evangelical radio in America from an historical perspective.