An Afternoon with Artform a discussion with the cast and theatre production team.

The fourth in our new series following Artform’s latest production of The Hunchback of Notre Dame. In this podcast the Director and Joni Nelson who is cast as Esmeralda discuss her role and the production whilst the rehearsals are in full swing (as you can hear in the background).

Link to trailer for the show. https://youtu.be/3LI9_OjAeBc

The Hunchback of Notre Dame at the Bob Hope Theatre in April 2024. Over these episodes we will be following the cast and creatives as they embark on rehearsals, set design, costume making, prop acquisition and everything else that is needed to put on this epic Disney classic. Do come and listen along with us to hear all about the creative process and indeed why not book your tickets to see the finished product in April 2024 at http://www.bobhopetheatre.co.uk/hunchback.html

Ever wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions.

www.Artform.org.uk

The third in our new series following Artform’s latest production that of Disney’s The Hunchback of Notre Dame.
Link to trailer for the show. https://youtu.be/3LI9_OjAeBc

The Hunchback of Notre Dame at the Bob Hope Theatre in April 2024. Over these episodes we will be following the cast and creatives as they embark on rehearsals, set design, costume making, prop acquisition and everything else that is needed to put on this epic Disney classic. Do come and listen along with us to hear all about the creative process and indeed why not book your tickets to see the finished product in April 2024 at http://www.bobhopetheatre.co.uk/hunchback.html

Ever wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions.

www.Artform.org.uk

The second in our new series following Artform’s latest production that of Disney’s

Link to trailer for the show. https://youtu.be/3LI9_OjAeBc

The Hunchback of Notre Dame at the Bob Hope Theatre in April 2024. Over these episodes we will be following the cast and creatives as they embark on rehearsals, set design, costume making, prop acquisition and everything else that is needed to put on this epic Disney classic. Do come and listen along with us to hear all about the creative process and indeed why not book your tickets to see the finished product in April 2024 at http://www.bobhopetheatre.co.uk/hunchback.html

Ever wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions.

www.Artform.org.uk

The first in our new series following Artform’s latest production that of Disney’s The Hunchback of Notre Dame at the Bob Hope Theatre in April 2024. Over these episodes we will be following the cast and creatives as they embark on rehearsals, set design, costume making, prop acquisition and everything else that is needed to put on this epic Disney classic. Do come and listen along with us to hear all about the creative process and indeed why not book your tickets to see the finished product in April 2024 at http://www.bobhopetheatre.co.uk/hunchback.html

Ever wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions.

www.Artform.org.uk

Local theatre has undergone significant changes over the years. In the past, it was often a community-based, amateur endeavor, relying on traditional scripts and local talent. However, modern local theatre has evolved in several ways:

Technology: Advancements in lighting, sound, and set design have enhanced the technical aspects of local productions, providing a more immersive experience for the audience.

Online Presence: The digital age has allowed local theatres to reach a broader audience, social media, and online marketing.

In summary, local theatre has transformed from a traditional, community-based activity into a more diverse, technologically advanced, and inclusive form of artistic expression that continues to evolve with the times.

In this Podcast we discuss: Starting at the very beginning Planning a Show.

"The Journey takes us behind the scenes of a community theater production, from its inception to opening night. Our director, along with a diverse cast and crew, embarks on the challenging but rewarding process of bringing a beloved play to life. From picking a show, obtaining the rights, considering the right venue space and along the way, how they face choosing the right MD, health and safety dilemmas, budget issues, ticket and show fees, transporting of sets and unexpected setbacks.

As the team navigates the creative highs and lows of theatre production, they learn valuable lessons about teamwork, perseverance, and the transformative power of the arts. Personal stories and conflicts within the group mirror the themes of the play they are producing, adding depth and authenticity to the narrative.

In this Podcast we discuss "Behind the Curtains: Theatrical Turmoil and Headaches"

Step into the world behind the curtains, where the magic of the theatre often hides a host of issues that can cause both problems and headaches. We delve into the challenges that can mar the enchanting experience of the stage.

From cast members not turning up or learning lines or routine's to not giving 100% all the time, technical glitches to rehearsals, casting niggles and choreographing issues theatre is a breeding ground for unexpected headaches and mishaps.

Backstage, the tireless crew navigates a labyrinth of props, set and equipment. But even the most meticulously planned productions can face unforeseen obstacles. These challenges, whether due to budget constraints or creative differences, often give rise to intense headaches as solutions are sought amidst the pandemonium.

A discussion with the cast and production team about Artform's production of Sweet Charity performed at the Broadway Studios Theatre in SE London.

Charity Hope Valentine always tries to look on the bright side of life, despite working in a rundown dance hall and contending with a seemingly endless run of bad dates. Determined to find love, Charity falls for suave actor Vittorio Vidal, but their romance is all too brief. However, when Charity finds herself stuck in an elevator with the reserved Oscar Lindquist, it turns out that she may have finally met her match.

Cast & Creatives

Claire Goad Charity Hope Valentin
Nathan Pollpeter Oscar Lindquist
Rochelle Bisson Helene
Danielle Dowsett Nickie
Jenni Dash Carmen
Natalia Wigley Betsy
Steffie Croxson Suzanne/Rosie
Charlotte Summers Frenchie/Ursula March
Chris Arden Herman
Michael Flanagan Marvin
Aneurin Pascoe Vittorio Vidal
Paul Stone. Barney/Doorman/Waiter/Manfred
Kemal Ibrahim Daddy Brubeck

Sheila Arden Director
John Hargreaves Musical Director
Caroline Essenhigh Choreographer

Ever wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions.

www.Artform.org.uk

Artform discuss Ageing in the Theatre: Advantages and Disadvantages for Actors

Synopsis:
"Ageing in the Theatre: Advantages and Disadvantages for Actors" explores the unique challenges and opportunities that come with advancing age in the theatrical world. This synopsis provides an overview of the advantages and disadvantages experienced by actors as they navigate the ageing process within the realm of theatre.

Advantages:
1. Depth of Experience: One of the significant advantages of ageing in the theatre is the accumulation of life experience. Older actors bring a wealth of personal and professional experiences that can add depth and authenticity to their performances. Their maturity and understanding of human emotions can enhance their portrayals, particularly in complex roles.

2. Versatility: As actors age, they often develop a broader range of roles they can convincingly portray. While youth-centric roles may become less frequent, older actors have the opportunity to explore a wider variety of character types, including seasoned mentors, wise advisors, or even iconic historical figures. This versatility allows for continued engagement and artistic growth.

3. Authority and Presence: Ageing actors often possess a commanding stage presence and a natural authority that can captivate audiences. Their gravitas can lend credibility to roles requiring leadership, wisdom, or profound life experiences, further enhancing their performances.

Disadvantages:
1. Limited Opportunities: One of the challenges of ageing in the theatre industry is the decreasing availability of roles specifically tailored for older actors. Many plays and productions tend to focus on younger characters, which can result in a diminished pool of opportunities for actors as they grow older. This lack of representation can be disheartening and limit the potential for continued growth and artistic expression.

2. Physical Demands: Theatre performances can be physically demanding, requiring stamina, agility, and the ability to handle rigorous schedules. As actors age, they may encounter challenges in meeting these physical demands, affecting their overall performance quality and potentially limiting the types of roles they can pursue.

3. Industry Bias: The entertainment industry, including theatre, can be influenced by age-related biases. Ageism exists in casting decisions, where older actors may face discrimination due to societal preferences for youth or outdated stereotypes. Overcoming these biases can be an additional hurdle for aging actors, impacting their career prospects and overall job satisfaction.

In conclusion, "Ageing in the Theatre: Advantages and Disadvantages for Actors" sheds light on the complex dynamics faced by actors as they navigate the process of ageing within the theatre industry. While aging brings certain advantages, such as depth of experience, versatility, and stage presence, it also presents challenges like limited opportunities, physical demands, and industry biases. Understanding these factors is crucial for actors to adapt, embrace new roles, and continue to contribute their valuable artistry to the theatrical landscape.

A discussion with the cast and production team about Artform's production of The Last Five Years performed at the Broadway Studios Theatre in SE London.

The story explores a five-year relationship between Jamie Wellerstein, a rising novelist, and Cathy Hiatt, a struggling actress. The show uses a form of storytelling in which Jamie's story is told in chronological order (starting just after the couple have first met) and Cathy's story is told in reverse chronological order (beginning the show at the end of the marriage). The characters do not directly interact except for a wedding song in the middle as their timelines intersect.

Ever wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions.

www.Artform.org.uk