Archinect Sessions One-to-One

Tired of all those repetitive Pritzker-prediction lists? Always those same, predictable bigly names, and when was the last time they actually got it right? It's time to cut through all the crap and go straight to the source to get the info — the ones who operate at a higher level than any listicle or explainer-piece could. So we asked a psychic.

After a quest to find a future-seer who would let me record the reading, I (Amelia) ventured deep into the depths of Los Angeles' Echo Park neighborhood and sat for 15 minutes with a psychic named Mary. She gave me the following tarot reading, responding totwo questions: What are going to be the major concerns for architecture in 2017, and who’s going to win the Pritzker? Find out the answers in this season finale of One-to-One.

After this, One-to-One will be going on indefinite hiatus for 2017. In the meantime, we'd love to hear your feedback on the show — things you liked, disliked, ways to improve, and people you'd like us to interview. Send any One-to-One thoughts to us via [email protected] or through Twitter, @archsessions. Here's to 2017, and thanks for listening!

Shortly after Grafton Architects won RIBA's inaugural International Prize for their UTEC campus in Lima, Peru, I spoke with the firm's director, Yvonne Farrell, to get the backstory to the project and discuss how the award might affect the firm in the long run. As an academic building, UTEC joins a rich collection of other institutional projects by the Dublin-based Grafton.

Missed out onNext Up: The LA River, Archinect Sessions' podcasting event? Now you can listen to the whole thing, released in two parts on One-to-One. Last week, we released the first half of the interviews, and this week we've got the rest.

This week's playlist of live recordings features interviews with:

Lou Pesce(designerwith Metabolic Studio)

Julia Meltzer(director and founder of Clockshop, a non-profit arts organization) andElizabeth Timme(co-director of LA-Más)

Renee Dake Wilson(partner at Dake Wilson Architects and VP of the Los Angeles City Planning Commission) andAlexander Robinson(assistant professor of architecture at USC and principal at Office of Outdoor Research)

Mia Lehrer(founder and president at Mia Lehrer + Associates)

Missed out onNext Up: The LA River, Archinect Sessions' podcasting event? Now you can listen to the whole thing, released in two parts on One-to-One. Last week, we released the first half of the interviews, and this week we've got the rest.

This week's playlist of live recordings features interviews with:

Lou Pesce(designerwith Metabolic Studio)

Julia Meltzer(director and founder of Clockshop, a non-profit arts organization) andElizabeth Timme(co-director of LA-Más)

Renee Dake Wilson(partner at Dake Wilson Architects and VP of the Los Angeles City Planning Commission) andAlexander Robinson(assistant professor of architecture at USC and principal at Office of Outdoor Research)

Mia Lehrer(founder and president at Mia Lehrer + Associates)

Missed out onNext Up: The LA River, Archinect Sessions' live podcasting event? Now you can listen to the first half all at once, on One-to-One. Next week we'll release the full second-half.

This playlist of live recordings features interviews with:

• Frances Anderton(host, KCRW’s DnA) andChristopher Hawthorne(architecture critic,Los Angeles Times)
• Steven Appleton(co-founder, LA River Kayak Safari) andCatherine Gudis(co-founder, Play the L.A. River game)
• Marissa Christiansen(Executive Director (formerly Senior Policy Director), Friends of the Los Angeles River)
• Deborah Weintraub(Chief Deputy City Engineer, LA Bureau of Engineering)

AboutNext Up: The LA River

WhenFrank Gehry's office was first attachedto the L.A. River's master plan and redevelopment, the river began attracting fresh attention over a project that had already been evolving for decades. This October, in an attempt to do justice to the river'scomplexity and history(and the accompanying urbanist discourse), Archinect hosted 'Next Up: The LA River'—a live podcasting interview series with an array ofarchitects, planners, artists, and journalists with varying perspectives on the subject.

We're now eager to share those conversations with everyone as eight Mini-Sessions, released as part of ourArchinect Sessionspodcast. Amelia Taylor-Hochberg, Paul Petrunia and Nicholas Korody moderated the conversations, which took placeat the Los Angeles Architecture + Design Museum on October 29, 2016. While we reached out to them, unfortunately no representatives from Gehry's office were able to take part.

Through their work as visual strategists for NASA's Jet Propulsion Laboratory, David Delgado and Daniel Goods inspire scientists and make science inspiring. Under 'The Studio' at JPL, David and Dan help engineers and scientists sort through their own design problems using creative methodologies, while also framing JPL's research for a general audience—making things like travel posters for exoplanets and helping realize a giant listening station for orbiting satellites.

David and Dan sat down with me to discuss their role in the JPL ecosystem, and the invaluable role their architect- and designer-collaborators play in imagining the future. David starts off the conversation by describing their 'Metamorphosis' project: visualizing the surface of a comet through sculpture, for the Rosetta Mission.

Update 11/15/16: To clarify, the "Jason" Dan refers to ~2:08 is Jason Klimoski, of the architecture firm StudioKCA, whom NASA JPL asked to design the installation 'Metamorphosis'. David and Dan are not themselves designers/architects, but work with those professionals as their clients to realize JPL/NASA's objectives.

Never Built New York, by curators and authors Greg Goldin and Sam Lubell, is an astounding collection of architectural projects that never made it into being. The book features projects from the last two centuries, sited all throughout the five boroughs, that range from the monumental to the mortifying. Alongside infamous projects like Buckminster Fuller’s dome over Manhattan and Frank Lloyd Wright’s Key Plan for Ellis Island, visions for an alternate New York-urbanism abound: aborted reflections of their time, place and politics.

The book continues in the tradition of Goldin and Lubell's 2013 exhibition, "Never Built Los Angeles", including focused research on each project alongside gorgeous drawings and visualizations. I spoke with the authors about their curatorial approach to the book, and the projects that they were most excited by.

Paul and Amelia are joined in-studio by the co-founders behindRotoLab, Michael Rotondi's new start-up. Along with Nels Long and M A Greenstein, Rotondihas ambitions to create uniquely VR-environments for architectural education and practice, and in the process, completely upend how we learn and work. Inspired by decades of experience in architecture and VR’s imminent future, Rotondi and his co-founders spoke about socializing in VR, gaming as education, and what this new frontier could mean for tomorrow’s architects.

You probably don’t recognize George Tsypin’s name, but you’re almost certainly familiar with his projects. After training as an architect in Moscow, Tsypin moved to New York to study theater design, and it’s now safe to say millions upon millions of people have seen his work. He’s designed stage sets for the MTV VMA’s, operas, Broadway plays, and the 2014 Winter Olympics’ Opening Ceremony at Sochi, among many others.

Tsypin's work is now captured inGEORGE TSYPIN OPERA FACTORY: Invisible City, released on October 18 by Princeton Architectural Press. We spoke about designing for theatrical and mass media performances, and how his architectural training grounds his practice.

Our interview begins with Tsypin's account of working in5Pointz, the infamous graffiti building in Long Island City. Special thanks to Princeton Architectural Press for helping coordinate the interview.

Aside from their role as workshop co-chairs for the ACADIA conference, this week's One-to-One guests are both architects who work and teach atTaubman College of Architecture and Urban Planning at the University of Michigan. Their focus on fabrication led them to their roles at ACADIA, with McGee directing Taubman's FABLab and Newell serving as Director of the Master of Science in Material Systems and Digital Technologies.

ACADIA stands for the Association for Computer Aided Design in Architecture, and this year's conference, "Posthuman Frontiers: Data, Designers and Cognitive Machines" (October 27-29) attests to the extreme collaborative depths humans and machines have come to in architecture. I spoke with Catie and Wes about what they have planned for the conference workshops, taking place October 24-26, and just how close architects are to achieving the singularity.