ACCA Podcast

Listen to ACCA's in conversation with Laure Prouvost and Annikka Kristensen, following a screening of 'They Parlaient Idéale' 2019. This program was recorded on Monday 18 March at ACMI as part of ACCA's exhibition 'Laure Prouvost: Oui Move In You'. Read more about the program here: https://acca.melbourne/program/screening-and-keynote-with-laure-prouvost-in-conversation-with-annika-kristensen/

Listen to ACCA's in conversation with Barbara Creed, author and Redmond Barry Distinguished Professor Emeritus at the University of Melbourne alongside Lisa French, Professor and Dean in the School of Media and Communication at RMIT University. This program was recorded on Wednesday 28 February as part of the official book launch of Barbara Creed's new book 'Return of the Monstrous-Feminine: Feminist New Wave Cinema'. Read more about the program here: https://acca.melbourne/program/book-launch-barbara-creed-return-of-the-monstrous-feminine-feminist-new-wave-cinema-2022/

Listen to ACCA's lecture 'Building a post-revolutionary world through the 8th Yokohama Triennale' with Carol Yinghua Lu, art historian, curator, and current Director, Beijing Inside-Out Art Museum. Alongside Liu Ding, Carol Yinghua Lu is also co-Artistic Director of the 8th Yokohama Triennale 2024. Read more about the program here: https://acca.melbourne/program/building-a-post-revolutionary-world-through-the-8th-yokohama-triennale/ This recording was made at ACCA on Monday 26 February 2024.

Listen to the artist talk with Maria Kozic speaking about her iconic series 'Calendar Girls' 1999 presented in ACCA’s current exhibition 'From the other side' (9 December 2023 – 3 March 2024). Maria Kozic works across painting, sculpture, photography and film. Her practice has often drawn on the depictions and tropes of women, monsters and creatures in horror and exploitation films. Through the lens of gender and feminist politics, she is known for engaging with cult cinema, music, popular culture, advertising and DIY punk aesthetics. Maria Kozic has been included in major solo and group exhibitions at the Australian Centre for Contemporary Art, Melbourne; Art Gallery of New South Wales, Sydney; National Gallery of Victoria, Melbourne; Museum of Contemporary Art, Sydney; Ian Potter Gallery, University of Melbourne, Melbourne; Heide Museum of Modern Art, Melbourne; Posteritati Gallery, New York; Soho Arts Festival, New York. Maria Kozic is represented by Neon Parc, Melbourne. This recording was made at ACCA on Saturday 17 February 2024.

Listen to exhibition artists Tega Brain and Sam Lavigne for a talk about their new digital commission 'Offset' on the ACCA Digital Wing.

What is the sound of racialisation? How might we listen to misrecognition? What does machine error tell us about the precision of racism? And how can the tools of a racist system be used to transcribe new forms of resistance? This experimental presentation is a collaboration between feminist technoscience researcher Thao Phan and Machine Listening, an ongoing investigation and experiment in collective learning, instigated by artist Sean Dockray, legal scholar James Parker, and researcher, curator and artist Joel Stern. Part lecture and part performance, this event brings together critical work on race and algorithmic culture with new techniques for dissecting and analysing automatic speech recognition, applied to personal and public archives drawn from Thao’s life and research. It features a discussion and demonstration of the Word Processor tool, developed in 2021 by the Machine Listening team and Reduct, a US-based tech company co-founded by the artist Robert Ochschorn.

Listen to performance lectures 'Loops, Echoes, Phonophanies, and other Détournments' by Suvani Suri and 'Listening to Misrecognition' by Thao Phan, as well as an Artist Talk with Tega Brain and Sam Lavigne on their new digital commission 'Offset'.

Listen to the performance lecture 'Expositio, Iudicium, Lacrimae, or, Does an AI God Have an Ass?' by exhibiting artist Zach Blas exploring the idea of religious-un/conscious thriving in today’s tech industry. Charting his encounters with various artificial intelligence gods, Blas tells of a computational world of divine judgment and devout submission, where artificial intelligence exists alongside mystical glyphs, occult sigils, captured bodies, and corporate transcendence. Through a consideration of religious sermons, offerings of worship, and spiritual iconography, an AI religiosity is traced, in which flesh becomes biometric and emotional crying transmutes into a symbolic language of holy quantification.

Roe v. Wade is overturned while gene editing is opening entirely new reproductive futures. What does kin mean as reproductive technologies shift our relationships? How much control should we have over a birthing person’s body, and over a life before it begins?. ‘The Surrogate project began with a desire to serve as a surrogate. During the pregnancy, the parents would have an app I made that provides 24/7 access to all my biodata, and an interface to control me. So in essence, they could have complete control over my body in which their baby is growing. The past few years of the pandemic have reshaped our bodily boundaries. We’ve swabbed and spit in tubes and traded ownership of our bodily substances in an attempt to feel safe. But these fluids hold the data of our DNA, our personal information, and our identity. I’m fascinated by the ways we’re taught to interact with data, and how this shapes the way we interact with each other. Central to my work is a critique of the simultaneous technological and social systems we’re building around ourselves. What are the rules? What happens when we introduce glitches?’

Through a series of media and artworks, Mimi Ọnụọha’s performance lecture explores absence, knowledge, and how what is missing is still there.