In Our Time: Religion

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Melvyn Bragg and guests discuss the form of Christianity adopted by Ostrogoths in the 4th century AD, which they learned from Roman missionaries and from their own contact with the imperial court at Constantinople. This form spread to the Vandals and the Visigoths, who took it into Roman Spain and North Africa, and the Ostrogoths brought it deeper into Italy after the fall of the western Roman empire. Meanwhile, with the Roman empire in the east now firmly committed to the Nicene Creed not the Arian, the Goths and Vandals faced conflict or conversion, as Arianism moved from an orthodox view to being a heresy that would keep followers from heaven and delay the Second Coming for all. The image above is the ceiling mosaic of the Arian Baptistry in Ravenna, commissioned by Theodoric, ruler of the Ostrogothic Kingdom of Italy, around the end of the 5th century With Judith Herrin Professor of Late Antique and Byzantine Studies, Emeritus, at King's College London Robin Whelan Lecturer in Mediterranean History at the University of Liverpool And Martin Palmer Visiting Professor in Religion, History and Nature at the University of Winchester Producer: Simon Tillotson

Melvyn Bragg and guests discuss the idea and experience of Christian pilgrimage in Europe from the 12th to the 15th centuries, which figured so strongly in the imagination of the age. For those able and willing to travel, there were countless destinations from Jerusalem, Rome and Santiago de Compostela to the smaller local shrines associated with miracles and relics of the saints. Meanwhile, for those unable or not allowed to travel there were journeys of the mind, inspired by guidebooks that would tell the faithful how many steps they could take around their homes to replicate the walk to the main destinations in Rome and the Holy Land, passing paintings of the places on their route. The image above is of a badge of St Thomas of Canterbury, worn by pilgrims who had journeyed to his shrine. With Miri Rubin Professor of Medieval and Early Modern History at Queen Mary, University of London Kathryn Rudy Professor of Art History at the University of St Andrews And Anthony Bale Professor of Medieval Studies and Dean of the School of Arts at Birkbeck, University of London Producer: Simon Tillotson

Melvyn Bragg and guests discuss the Northumbrian man who, for 500 years, was the pre-eminent English saint, to be matched only by Thomas Becket after his martyrdom in 1170. Now at Durham, Cuthbert was buried first on Lindisfarne in 687AD, where monks shared vivid stories of his sanctifying miracles, his healing, and his power over nature, and his final tomb became a major site of pilgrimage. In his lifetime he was both hermit and kingmaker, bishop and travelling priest, and the many accounts we have of him, including two by Bede, tell us much of the values of those who venerated him so soon after his death. The image above is from a stained glass window in the south aisle of the nave in Durham Cathedral: 'St Cuthbert praying before his cell in the Farne Island' With Jane Hawkes Professor of Medieval Art History at the University of York Sarah Foot The Regius Professor of Ecclesiastical History at the University of Oxford and Canon of Christ Church Cathedral And John Hines Professor of Archaeology at Cardiff University Producer: Simon Tillotson

Melvyn Bragg and guests discuss John Wesley (1703 - 1791) and the movement he was to lead and inspire. As a student, he was mocked for approaching religion too methodically and this jibe gave a name to the movement: Methodism. Wesley took his ideas out across Britain wherever there was an appetite for Christian revival, preaching in the open, especially the new industrial areas. Others spread Methodism too, such as George Whitefield, and the sheer energy of the movement led to splits within it, but it soon became a major force. With Stephen Plant Dean and Runcie Fellow at Trinity Hall at the University of Cambridge Eryn White Reader in Early Modern History at Aberystwyth University And William Gibson Professor of Ecclesiastical History at Oxford Brookes University and Director of the Oxford Centre for Methodism and Church History Produced by Simon Tillotson and Julia Johnson

Melvyn Bragg and guests discuss the idea that God created the universe and then left it for humans to understand by reason not revelation. Edward Herbert, 1583-1648 (pictured above) held that there were five religious truths: belief in a Supreme Being, the need to worship him, the pursuit of a virtuous life as the best form of worship, repentance, and reward or punishment after death. Others developed these ideas in different ways, yet their opponents in England's established Church collected them under the label of Deists, called Herbert the Father of Deism and attacked them as a movement, and Deist books were burned. Over time, reason and revelation found a new balance in the Church in England, while Voltaire and Thomas Paine explored the ideas further, leading to their re-emergence in the French and American Revolutions. With Richard Serjeantson Fellow and Lecturer in History at Trinity College, Cambridge Katie East Lecturer in History at Newcastle University And Thomas Ahnert Professor of Intellectual History at the University of Edinburgh Producer: Simon Tillotson

Melvyn Bragg and guests discuss the bonds that Scottish Presbyterians made between themselves and their monarchs in the 16th and 17th Centuries, to maintain their form of worship. These covenants bound James VI of Scotland to support Presbyterians yet when he became James I he was also expected to support episcopacy. That tension came to a head under Charles I who found himself on the losing side of a war with the Covenanters, who later supported Parliament before backing the future Charles II after he had pledged to support them. Once in power, Charles II failed to deliver the religious settlement the Covenanters wanted, and set about repressing them violently. Those who refused to renounce the covenants were persecuted in what became known as The Killing Times, as reflected in the image above. With Roger Mason Professor of Scottish History at the University of St Andrews Laura Stewart Professor of Early Modern British History at the University of York And Scott Spurlock Professor of Scottish and Early Modern Christianities at the University of Glasgow Producer: Simon Tillotson

Melvyn Bragg and guests discuss the ideas developed by the Anglican priest John Nelson Darby (1800-1882), drawn from his reading of scripture, in which Jesus would suddenly take His believers up into the air, and those left behind would suffer on Earth until He returned with His church to rule for a thousand years before Final Judgement. Some believers would look for signs that civilization was declining, such as wars and natural disasters, or for new Roman Empires that would harbour the Antichrist, and from these predict the time of the Rapture. Darby helped establish the Plymouth Brethren, and later his ideas were picked up in the Scofield Reference Bible (1909) and soon became influential, particularly in the USA. With Elizabeth Phillips Research Fellow at the Margaret Beaufort Institute at the University of Cambridge and Honorary Fellow in the Department of Theology and Religion at Durham University Crawford Gribben Professor of Early Modern British History at Queen’s University Belfast and Nicholas Guyatt Reader in North American History at the University of Cambridge Producer: Simon Tillotson

Melvyn Bragg and guests discuss the range, depth and style of Browne (1605-82) , a medical doctor whose curious mind drew him to explore and confess his own religious views, challenge myths and errors in science and consider how humans respond to the transience of life. His Religio Medici became famous throughout Europe and his openness about his religion, in that work, was noted as rare when others either kept quiet or professed orthodox views. His Pseudodoxia Epidemica challenged popular ideas, whether about the existence of mermaids or if Adam had a navel, and his Hydriotaphia or Urn Burial was a meditation on what matters to humans when handling the dead. In 1923, Virginia Woolf wrote, "Few people love the writings of Sir Thomas Browne, but those that do are the salt of the earth." He also contributed more words to the English language than almost anyone, such as electricity, indigenous, medical, ferocious, carnivorous ambidextrous and migrant. With Claire Preston Professor of Renaissance Literature at Queen Mary University of London Jessica Wolfe Professor of English and Comparative Literature at the University of North Carolina at Chapel Hill And Kevin Killeen Professor of English at the University of York Producer: Simon Tillotson

Melvyn Bragg and guests discuss how artists from the Middle Ages onwards have been inspired by the Bible story of the widow who killed an Assyrian general who was besieging her village, and so saved her people from his army and from his master Nebuchadnezzar. A symbol of a woman's power and the defiance of political tyranny, the image of Judith has been sculpted by Donatello, painted on the ceiling of the Sistine Chapel and, in the case of Caravaggio, Liss and Artemisia Gentileschi, been shown with vivid, disturbing detail. What do these interpretations reveal of the attitudes to power and women in their time, and of the artists' own experiences? The image of Judith, above is from a tapestry in the Duomo, Milan, by Giovanni or Nicola Carcher, 1555 With Susan Foister Curator of Early Netherlandish, German and British Painting at the National Gallery John Gash Senior Lecturer in History of Art at the University of Aberdeen And Ela Nutu Hall Research Associate at the Sheffield Institute for Interdisciplinary Biblical Studies, at the University of Sheffield Producer: Simon Tillotson