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MOSAIC OF ART - Episode 39; April 3, 2011

59m · MOSAIC OF ART - George Fishman · 03 Apr 19:00

A fateful series of fruitful sessions with Andy Warhol and other illustrious Pop artists at the brink of their fame has served as a calling card for WILLIAM JOHN KENNEDY's photographic production, but he has been a prolific, highly talented and successful artist before and since. In this episode of the Mosaic of Art, Kennedy shares stories from this fertile period of his life. LOUIS CANALES, creative director of Miami's Kiwi Arts Group, agents for Bill Kennedy and publishers of a major new collection of work from the 1960s, joins us with his expertise on the forces at work during this critical "changing of the guard." Also on Sunday's show, pastel artist, TOM WEINKLE. I think that one of the things that makes pastels unique is the way that the color reacts with the surface you're working. While if you're painting, you're usually holding a brush or some other implement between you, and it's basically just a bigger distance... I felt like pastel gave me a much greater connection with what I wanted to do and say and record." One of the fun things about being an artist is... Often you're recording, making pictures of things, but at the same time there's a point in every piece of artwork where it sort of takes off and becomes art and not just a recording of what you saw. - T. W.

The episode MOSAIC OF ART - Episode 39; April 3, 2011 from the podcast MOSAIC OF ART - George Fishman has a duration of 59:25. It was first published 03 Apr 19:00. The cover art and the content belong to their respective owners.

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Artist Ellen Harvey is in great demand for exhibitions in galleries and museums worldwide. She is a highly skilled realist painter and draftsman, with a strong command of art history and a penetrating sense of humor. Much of her work engages the connection between past and contemporary art images and ideas.
Arcadia, a large installation of her work on engraved mirrors creates an intersection between William Turner's world and that of contemporary Margate outside of London where she is exhibiting.
Ellen has also designed large scale mosaic murals and worked with fabrication studios to realize these projects. But it was her "Nudist Museum" intervention at the Bass Museum that first caught my attention. We'll explore all of these projects.

MOSAIC OF ART - Episode 41; April 24, 2011

Bass Museum of Art Education Director, ADRIENNE VON LATES, is today's guest. In speaking about the artist whose work is featured in the exhibition, Nudist Museum, she says,
"ELLEN HARVEY started out as a lawyer at Yale and decided she wanted to indulge her passion for painting. She remembers that when she was 10 years old, going to a museum with her parents, she was fascinated by all the nudity. She just fixated on all the flesh and she knew she was being naughty... The Bass Museum has a substantial collection that features work from the Renaissance and Baroque periods, but they like to give contemporary artists the opportunity to create new work in response to the old. "...so we gave her mostly black and white photographs or jpegs of low resolution... she started working in grisaille or grayscale and only highlighted the fleshy parts that she loved." Learn more about this intriguing project in today's recorded conversation.

MOSAIC OF ART - Episode 40, April 10, 2011

This Sunday, we meet Charles Stainback. He is Norton Museum of Art curator of photography and provides a "backstage" account of the pleasures and challenges of the curatorial profession - and eloquently presents his particular style of practice
"That's the great thing about museum work, and that's the great thing about this museum. They really do allow the curators to make their statement, to sort of say here's what I think is significant; here's what I think we should be thinking about."
In Stainback's view there's a prevalent misconception about the role and power of the art Establishment.
"People think that curators and museums define the art world and define the art, and it really is the artists. Artists show us and tell us what is significant, and our job is just to respond honestly to what the artists are doing."

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