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MOSAIC OF ART - Episode 36; Feb. 27, 2011

1h 0m · MOSAIC OF ART - George Fishman · 27 Feb 20:00

The 2011 Society of American Mosaic Artists conference in Austin, Texas has recently concluded, and there's lots to review. This Sunday, SAMA exhbition committee head, KAREN AMI will join me to talk especially about this vital aspect of the organization's mission. Featured conference presenter, Pamela Irving will share the perspective from "The Antipodes" (look it up) - and more. Mosaic artist of the opus sectile persuasion, Brooks Tower will bring his passion and analytical skills to discuss just what is a mosaic - and why should we care. Brooks certainly cares. If you have opinions and questions, you're welcome to call in during 2nd half of the show. 646-721-9843

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Artist Ellen Harvey is in great demand for exhibitions in galleries and museums worldwide. She is a highly skilled realist painter and draftsman, with a strong command of art history and a penetrating sense of humor. Much of her work engages the connection between past and contemporary art images and ideas.
Arcadia, a large installation of her work on engraved mirrors creates an intersection between William Turner's world and that of contemporary Margate outside of London where she is exhibiting.
Ellen has also designed large scale mosaic murals and worked with fabrication studios to realize these projects. But it was her "Nudist Museum" intervention at the Bass Museum that first caught my attention. We'll explore all of these projects.

MOSAIC OF ART - Episode 41; April 24, 2011

Bass Museum of Art Education Director, ADRIENNE VON LATES, is today's guest. In speaking about the artist whose work is featured in the exhibition, Nudist Museum, she says,
"ELLEN HARVEY started out as a lawyer at Yale and decided she wanted to indulge her passion for painting. She remembers that when she was 10 years old, going to a museum with her parents, she was fascinated by all the nudity. She just fixated on all the flesh and she knew she was being naughty... The Bass Museum has a substantial collection that features work from the Renaissance and Baroque periods, but they like to give contemporary artists the opportunity to create new work in response to the old. "...so we gave her mostly black and white photographs or jpegs of low resolution... she started working in grisaille or grayscale and only highlighted the fleshy parts that she loved." Learn more about this intriguing project in today's recorded conversation.

MOSAIC OF ART - Episode 40, April 10, 2011

This Sunday, we meet Charles Stainback. He is Norton Museum of Art curator of photography and provides a "backstage" account of the pleasures and challenges of the curatorial profession - and eloquently presents his particular style of practice
"That's the great thing about museum work, and that's the great thing about this museum. They really do allow the curators to make their statement, to sort of say here's what I think is significant; here's what I think we should be thinking about."
In Stainback's view there's a prevalent misconception about the role and power of the art Establishment.
"People think that curators and museums define the art world and define the art, and it really is the artists. Artists show us and tell us what is significant, and our job is just to respond honestly to what the artists are doing."

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