The Messy Truth - Conversations on Photography cover logo

Philip Montgomery - On Documentary

55m · The Messy Truth - Conversations on Photography · 22 Oct 04:00

 

Recorded remotely on 5th September 2020, Gem chats to photographer Philip Montgomery. Renown for his urgent documentary work that focuses on the American experience, his work examines the social issues of our time, utilising observational strategies of documentary and aesthetic approaches of fine art. Based in New York City, he is a graduate of the Photojournalism and Documentary Program at the International Center of Photography. His work been exhibited around the world and is included in the 2020 Foam Talent Exhibition in Berlin.


In this Conversation, Philip shares his journey into the industry and how his ideas and approach to documentary work have evolved throughout his career. We talk about how he connects with the people he photographs, how he works in moments of crisis or unrest and how he seeks to serve the reader. We discuss his approach to lighting, which brings a celestial quality, activating the audience and drawing attention to pervasive details, which might otherwise go unseen. We talk about his upcoming book and the experience of documenting the Covid-19 Pandemic in New York earlier this year.


As the pandemic took hold, Philip was asked to be on an open-ended assignment for the New York Times Magazine, working on their Covid-19 coverage in New York, which was quickly becoming an epicentre of the outbreak. Philip spent two months visually mapping a city deeply affected, from restaurant owners forced into uncertainty, to makeshift testing centres. Yet, the critical story lay behind the doors of the public hospital system. The scenes he captured are urgent, overwhelming and bear witness to the enormity of the situation. What unites these photographs is Philip's unique ability to find moments of stillness in chaos.


Follow Philip on Instagram @philipmontgomery on Instagram and visit philipmontgomery.com to see his work. Follow Gem @gemfletcher on Instagram and Twitter. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. Thank you for listening to The Messy Truth, we will be back very soon. For all requests, please email [email protected]


Hosted on Acast. See acast.com/privacy for more information.

The episode Philip Montgomery - On Documentary from the podcast The Messy Truth - Conversations on Photography has a duration of 55:39. It was first published 22 Oct 04:00. The cover art and the content belong to their respective owners.

More episodes from The Messy Truth - Conversations on Photography

Roxana Marcoci - On Curating

In this episode, Gem Fletcher chats to The Museum of Modern Art Photography Curator Roxana Marcoci. Using some of Roxana’s recent and upcoming exhibitions as jump off points, we explore everything from the ethical responsibility of curatorial practice to the evolving relationship between humans and technology. Roxanna talks about who inspires her, how her approach is guided by deep relationships and informed risk, and her rallying cry to all of us to be bolder in our artistic endeavours.  

Roxana Marcoci is the David Dechman Senior Curator and Acting Chief Curator of Photography at The Museum of Modern Art. She holds a PhD in art history, theory, and criticism from the Institute of Fine Arts at New York University. She is a recipient of the 2011 Center for Curatorial Leadership Fellowship. Marcoci has chaired the Central and Eastern European group (2013-2023) and is currently the inaugural Chair of the West Asia group of MoMA’s Contemporary and Modern Art Perspectives (C-MAP) program. In 2010 Marcoci co-founded MoMA’s Forums on Contemporary Photography, an experimental platform for free-form critical discussions about the perspectives and scope of image-making among artists, curators, and cultural theorists. Her research engages transnational and diasporic histories of feminist art and new models of solidarity. Marcoci has published over 50 essays on modern and contemporary art and co-authored the three-volume Photography at MoMA (2015/17).

Marcoci has curated numerous exhibitions, including LaToya Ruby Frazier: Monuments of Solidarity (2024); An-My Lê, Between Two Rivers/Giữa hai giòng sông/Entre deux rivières (2023); Wolfgang Tillmans: To look without fear (2022), which traveled to the Art Gallery of

Ontario (2023) and the San Francisco Museum of Modern Art (2024); Our Selves: Photographs by Women Artists from Helen Kornblum (2022); Carrie Mae Weems: From Here I Saw What Happened and I Cried (2020); Louise Lawler: WHY PICTURES NOW (2017); Zoe Leonard:Analogue (2015); From Bauhaus to Buenos Aires: Grete Stern and Horacio Coppola (2015); Christopher Williams: The Production Line of Happiness (2014); The Shaping of New Visions: Photography, Film, Photobook (2012); Taryn Simon: A Living Man Declared Dead and Other Chapters I–XVIII (2012); Sanja Iveković: Sweet Violence (2011); Staging Action:Performance in Photography Since 1960 (2011); Pictures by Women: A History of Modern Photography (2010); and The Original Copy: Photography of Sculpture, 1839 to Today (2010).

Follow Roxana on Instagram @roxanamarcoci Follow Gem @gemfletcher on Instagram. If you've enjoyed this episode, PLEASE leave us your feedback and maybe five stars if we're worthy in the Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email [email protected]

Hosted on Acast. See acast.com/privacy for more information.

Lou Stoppard - On Exhibitions

In this episode, Gem Fletcher chats to the curator and writer Lou Stoppard about Exteriors, her new exhibition at MEP Paris and a book of the same title published by MACK. The project takes the writing from Annie Ernaux’s Exteriors where Annie endeavoured to ‘describe reality through the eyes of a photographer.” Lou takes this work and asks the question Can you see a text? Can you read a photograph? And pairs Annie’s texts with images from the MEP’s collection to offer viewers a provocation on how to  see the world anew.  In this conversation, we discuss Lou’s approach to exhibition making, her collaboration with Annie, how she thinks about audience and much more. 

Lou has written for The Financial Times, Aperture, The New York Times and The New Yorker. Her books include a survey of the work of street photographer Shirley Baker, published by Mack in 2019, 'Pools', an exploration of swimming in photography, published by Rizzoli in 2020, and Exteriors: Annie Ernaux and Photography, published by Mack in 2024, to time with an exhibition of the same name at MEP, Paris.

Follow Lou on Instagram @loustoppard Follow Gem @gemfletcher on Instagram. If you've enjoyed this episode, PLEASE leave us your feedback and maybe five stars if we're worthy in the Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email [email protected]

Hosted on Acast. See acast.com/privacy for more information.

Minisode - Brea Souders

In today's minisode, Gem Fletcher speaks to Brea Souders about her latest book Another Online Pervert, which charts her multi-year conversation with a female-programmed chatbot. The book published by Mack, combines excerpts from their conversation with images from her archive. It is highly charged, jumping between the playful and mundane to the dark and ruthless as she unpacks the complex relationship between humans and machines in a provocative publication that invites us to think about the future of our own humanity. 

The TMT minisodes are short, focused conversations with photographers on books, exhibitions, and special projects, focusing on not just how these endeavours came into being but also what they bring out in us in terms of growth and reflection.

Follow Brea on Instagram.  Follow Gem @gemfletcher on Instagram. If you've enjoyed this episode, please leave a review. It really helps like minded people find the podcast. Thank you for listening to The Messy Truth. We will be back very soon. 

Hosted on Acast. See acast.com/privacy for more information.

Minisode - Micaiah Carter

In this minisode, Gem Fletcher speaks to previous guest Micaiah Carter about his first monograph, What’s My Name. The book, published by Prestel, charts over a decade of Micaiah's work interlaced with images from his parent's archives dating back to the 1960s. His work, often celebratory in tone, is a true care practice for everyone he collaborates with. We dig into the emotional labour of making a book, what he discovered about himself and what he had to overcome to put himself out there to create a new American dream. 

The TMT minisodes are short, focused conversations with photographers on books, exhibitions, and special projects, focusing on not just how these endeavours came into being but also what they bring out in us in terms of growth and reflection.

Follow Micaiah on Instagram. Follow Gem @gemfletcher on Instagram. If you've enjoyed this episode, please leave a review. It really helps like minded people find the podcast. Thank you for listening to The Messy Truth. We will be back very soon. 

Hosted on Acast. See acast.com/privacy for more information.

Rene Matić - On Rude(ness)

Gem Fletcher chats to Rene Matić about a moment of flux in their practice. They are looking differently at the world, their work and the relationships they hold close. There is a change of pace, intention and visual language brewing for the artist who has literally not stopped making since they picked up a camera five years ago. In the episode, they talk about their first solo show, Kiss them from me, at Chapter NY. They also dig into friendship, love, being with each other, tiredness, optimism, nationalism and patriotism and above all rudeness, which is a guiding principle of their practice. 

Rene Matić (b. 1997, Peterborough, UK) is a London-based artist and writer whose practice spans across photography, film, and sculpture, converging in a meeting place they describe as "rude(ness)" - an evidencing and honouring of the in-between. Matić draws inspiration from dance and music movements such as Northern soul, Ska, and 2-Tone as a tool to delve into the complex relationship between West Indian and white working-class culture in Britain, whilst privileging queer/ing intimacies, partnerships and pleasure as modes of survival. 

Follow Rene on Instagram. Follow Gem @gemfletcher on Instagram. If you've enjoyed this episode please leave a review. It really helps like-minded people find the podcast. Thank you for listening to The Messy Truth, we will be back very soon. 

Hosted on Acast. See acast.com/privacy for more information.

Every Podcast » The Messy Truth - Conversations on Photography » Philip Montgomery - On Documentary