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F2K Ep. 52 - Saxophonist/Poet Elliott Levin

1h 22m · Fun 2 Know Podcast · 10 Nov 06:23

On today's show saxophonist, flautist, composer, poet, Elliott Levin. Levin is a Philadelphia-born talent, who has traveled far and wide in his career, establishing himself as an iron man of music, ubiquitous across the city of Philadelphia since the 1970s, playing countless gigs across numerous styles. Soon after picking up the saxophone, Elliott fell under the spell galvanizing jazz pianist Cecil Taylor while Taylor taught at New Jersey's Glassboro State College. Levin first found acclaim touring around the world with Philly International giants Harold Melvin & The Blues Notes for over a decade and his career in jazz and improvised music has seen him performing and recording with The Sun Ra Arkestra's Tyrone Hill & Marshall Allen, Mother of Invention keyboardist Don Preston, Sonic Liberation Front, Jamaaladeen Tacuma, The West Philadelphia Orchestra and Odean Pope's Saxophone Choir and his poetry has been published in The L.A. Weekly. I'd been wanting to get Elliott in front of a microphone for sometime, and our conversation didn't disappoint. When I spoke to Elliott has was just back from a tour of Mexico and earlier this month he celebrated his 70th birthday with a concert in Philadelphia, leading a band featuring 99 year-old Sun Ra Arkestra bandleader Marshall Allen. We discuss his upbringing in West Philly, college in the turbulent early seventies, touring the world with The Blue Notes, his collaborations with Marshall Allen, poetry, his friendship with hippie legend Buzzy Linhart, a saxophonist's life during quarantine and more, as well as hearing a bit of the music Elliott has recorded over his career.

The episode F2K Ep. 52 - Saxophonist/Poet Elliott Levin from the podcast Fun 2 Know Podcast has a duration of 1:22:20. It was first published 10 Nov 06:23. The cover art and the content belong to their respective owners.

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F2K Ep. 52 - Saxophonist/Poet Elliott Levin

On today's show saxophonist, flautist, composer, poet, Elliott Levin. Levin is a Philadelphia-born talent, who has traveled far and wide in his career, establishing himself as an iron man of music, ubiquitous across the city of Philadelphia since the 1970s, playing countless gigs across numerous styles. Soon after picking up the saxophone, Elliott fell under the spell galvanizing jazz pianist Cecil Taylor while Taylor taught at New Jersey's Glassboro State College. Levin first found acclaim touring around the world with Philly International giants Harold Melvin & The Blues Notes for over a decade and his career in jazz and improvised music has seen him performing and recording with The Sun Ra Arkestra's Tyrone Hill & Marshall Allen, Mother of Invention keyboardist Don Preston, Sonic Liberation Front, Jamaaladeen Tacuma, The West Philadelphia Orchestra and Odean Pope's Saxophone Choir and his poetry has been published in The L.A. Weekly. I'd been wanting to get Elliott in front of a microphone for sometime, and our conversation didn't disappoint. When I spoke to Elliott has was just back from a tour of Mexico and earlier this month he celebrated his 70th birthday with a concert in Philadelphia, leading a band featuring 99 year-old Sun Ra Arkestra bandleader Marshall Allen. We discuss his upbringing in West Philly, college in the turbulent early seventies, touring the world with The Blue Notes, his collaborations with Marshall Allen, poetry, his friendship with hippie legend Buzzy Linhart, a saxophonist's life during quarantine and more, as well as hearing a bit of the music Elliott has recorded over his career.

F2K Ep. 51 - Novelist Mike DeCapite

On today's show, it's the second appearance of writer Mike DeCapite (previously on F2N Ep. 20), whose latest novel, JACKET WEATHER was published in late 2021 by Soft Skull Press, home to works from everyone from Dennis Cooper to Noam Chomsky. DeCapite is originally from Cleveland and the son of novelist Raymond DeCapite, a novelist whose well-reviewed work was first published in 1960. Mike DeCapite moved from Clevleand to Brooklyn in 1987 and moved in the circle around fellow Clevelanders Pere Ubu, the seminal art punk group. DeCapite's poetic fiction would be appear in various publications over the years and his naturalistic slices of life have always revealed a deep connection to music and has made fans of an impressive range artists of various backgrounds; JACKET WEATHER includes blurbs from filmmaker Kelly Reichardt, Sonic Youth bassist Lee Ranaldo and writer Lucy Sante. DeCapite's 1998 novel THROUGH THE WINDSHIELD drew raves for Mike's story of kicking around with small time gamblers in the city of Cleveland, an excerpt from Mike's unpublished follow-up RUINED FOR LIFE would appear along with his father's work in Harper's THE ITALIAN AMERICAN READER, and now JACKET WEATHER arrives, further refining DeCapite's anecdotal storytelling to a fine point. The novel centers around a relationship DeCapite begins with June, a figure of romantic interest DeCapite had known casually back in the 1980s where she was doing P.R. for Pere Ubu. Now decades later, DeCapite is taken a back by the strong attraction he feels to a woman extracting herself from a curdled relationship. With the lightest of touches across bite-sized chapters, DeCapite casts an alluring story of unsentimental optimism in the just-dimming light of middle-age. Publishers Weekly said: "Spare and lyrical . . . DeCapite has a poet’s eye for the city’s majestic details, and illustrates how his characters come to see the same things differently over the years . . . A worthwhile meditation." — from Kirkus Reviews: "So very real . . . A sad but sweet song about the uncertainty of middle age and how funny it is when time slips away." We try an keep things loose and casual of these Fun 2 Know interviews, so much so people often think I'm just interviewing friends, but here I actually AM interviewing one of my closest friends, although it has been decades since I hung with Mike after work every Monday in San Francisco, where Mike would serve some ambitious entrees and we'd talk movies, music and writing. The last time I talked to Mike was just before pandemic restrictions hit in 2020, now, three years later, Mike was in Philly to do a reading with Warhol biographer Victor Bockriss and we sat down at the kitchen table the following day to record this interview where we talk about JACKET WEATHER, seasonal memories, '90s Dylan, middle-aged love, writing about sex and divining renewed inspiration.

F2K Ep. 50 - Filmmaker Rob Burson of HELL OF A HEARTACHE

It is the interview I conducted with director Sean Baker that planted the seed for today's episode, which is the long-delayed fiftieth episode of Fun 2 Know. It was three years ago that Rob Burson was in pre-production for his debut film HELL OF A HEARTACHE when he stumbled across the Fun 2 Know interview with Sean Baker, whose films PRINCE OF BROADWAY and THE FLORIDA PROJECT were inspirational as examples of vivid, compelling character studies made on a strict budget. Rob “friended” me on Facebook after hearing the interview and we would occasionally discuss film on-line while I was vaguely aware he was shooting a modestly-budgeted feature with a small crew near his home in Arizona. Then almost a year ago, just before X-mas, Rob asked me if I'd like to take a look at his feature, humbly asking me to keep my expectations low. Knowing the difficulties of such a limited budget I was prepared to look at the film with a forgiving eye but instead was a bit dumbstruck at the captivating, sure-footing telling of washed-up country star Bobbie Thompson and his unexpected saddling with a thirteen year old girl who may be his daughter. While the story of this pairs' relationship is humorous and engaging enough to sustain the film, HELL OF A HEARTACHE also reverberates with other ideas and themes, including modern masculinity and the lingering effects of violence against women throughout our society. Sharing the film with friends and family I'd become convinced HELL OF A HEARTACHE was a little miracle of a film, a masterful and very affecting work that somehow seemed to arrive out of nowhere with Burson, not only writing and directing with great feeling and subtly but delivering a performance any seasoned actor would be proud of. Yet, Burson hadn't acted since high school and his turn to filmmaking didn't come until he was in his late forties. We'll unravel just how this film got made in our interview, but I should first mention that all this led to the upcoming East Coast premiere of HELL OF A HEARTACHE on Thursday, December 8th at the Rotunda, on the 40th block of Walnut Street in Philadelphia, as part of the Bright Bulb screening series. Not only will we see HELL OF A HEARTACHE, currently unavailable through your favorite streaming service, but it will be followed by a Q&A with Rob, on his first trip to the East Coast. The screening is free and included is a second feature, from Australian director Gillian Armstrong, director of MY BRILLIANT CAREER and STARSTRUCK, we'll be seeing her nearly-lost 1987 feature HIGH TIDE, starring Judy Davis which also tells the story of a performer uniting with her abandoned daughter.

F2K Ep. 49 - Austin Thereminist Aileen Adler

On today's show: Austin, Texas musician and thereminist, Aileen Adler. I first met Aileen back in the late '80s during the halcyon days of Tower Records, when we both worked at store #173 on South Street in Philadelphia. I moved to Alaska and then San Francisco in the early '90s, around the same time when Aileen moved to another artist's hub, Austin, Texas. We lost touch with each other for a couple decades after that, finally meeting up again in the Facebook era. From there it was that sort of half-awareness you got from social media, I'd see pictures of Aileen looking striking in theatrical clothing, entertaining at events, but what it was she was actually doing was somehow lost on me. Reading that she was back in Philly for a visit, I thought it would be a perfect time to crack the mystery of Aileen Adler. Aileen was always a dynamic character, and I wasn't disappointed. We discuss her early years arriving in the Philly, her move to Austin, singing and adopting the electronic instrument the theremin, visiting Morocco, blacksmithing and collaborating of John “Drumbo” French from Capt, Beefheart's legendary Magic Band. We'll also hear some samples of Aileen's music, with the group the Temple of Ape Collective, joined by the didgeridoo from her album, THEREMIN FOR THE MASSES, which you can discover at thereminforthemasses.com as well as Aileen's theremin joined by the pianist and composer Catherine Davis.

F2K Ep. 48 Guitarist Nick Millevoi

Our guest today, guitarist Nick Millevoi. To quote his bio, “Nick Millevoi is a guitarist and composer whose music searches for the sonic cracks between jazz, rock and roll, noise, and modern composition.” Nick has performed with Mostly Other People Do the Killing, Nels Cline, Marc Ribot, and Jamaaladeen Tacuma, the duo Archer Spade with trombonist Dan Blacksberg as well as making five full-length albums with the trio Many Arms. Since 2016, Nick's main vehicle is The Desertion Trio, featuring Johnny deBlase on bass and Kevin Shea on drums. Their first two records also featured Jamie Saft on organ and their third, the just-released TWILIGHT TIME on the Long Song label features guest stars Ron Stabinsky on organ and Sun Ra Arkestra vocalist Tara Middleton. It's a collection of radically reworked tunes from the oldies era and has already won notice from Rolling Stone magazine, who listed the new record's title cut as a “Song You Need to Know” in their May issue. Nick has drawn a lot of press over the years, he also writes for a number of guitar magazines, but I never really read his origin story On today's interview we talk about Millevoi's earliest music loves, playing his 8th grade graduation party, confronting the jazz curriculum in college, deflecting law school, touring with Many Arms, the music of Neil Young, Nirvana and Dick Dale, the inspirational Wildwood New Jersey, making the new record and future records he is destined to make.

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