Austin Film Festival's On Story cover logo

Lawmen: Bass Reeves w/Chad Feehan, Christina Voros, and Damian Marcano

25m · Austin Film Festival's On Story · 06 Dec 16:00

This week on On Story, a conversation with the creative team behind Lawmen: Bass Reeves, a show based on the incredible real life of Bass Reeves, a man who was born into slavery and later became a Deputy U.S. Marshal. He was the first black man west of the Mississippi River to hold that title, and according to creator and showrunner of the series Chad Feehan, he was “arguably the greatest lawman in the history of this country.”

Taylor Sheridan is responsible for making it all happen, and this limited series is the latest installment in his television universe.

Creator Chad Feehan has written on shows known for their gritty realism, like Southland and Ray Donovan. A meeting with David Oyelowo made him obsessed with Bass Reeves. Enough to create this series. Oyelowo plays the title role. He had been trying to get a show made about Reeves for years.

Christina Voros is very familiar with the Taylor Sheridan universe. She directed and co-executive produced for megahits Yellowstone and 1883. She is the executive producer of the Bass Reeves series, and she directed the pilot beautifully.

Damian Marcano, director on the intense, fast-paced Winning Time: The Rise of the Lakers Dynasty and the neo-noir television series, American Gigolo, directed several episodes of Lawmen: Bass Reeves.

Barbara Morgan talked with Chad, Christina, and Damian about how they took on the material and some of the challenges that come from making historical fiction.

Lawmen: Bass Reeves Clips Courtesy of Paramount Plus.

The episode Lawmen: Bass Reeves w/Chad Feehan, Christina Voros, and Damian Marcano from the podcast Austin Film Festival's On Story has a duration of 25:14. It was first published 06 Dec 16:00. The cover art and the content belong to their respective owners.

More episodes from Austin Film Festival's On Story

Finestkind, with Brian Helgeland

This week on On Story, a conversation with Brian Helgeland, the Academy Award-winning screenwriter who penned acclaimed movies including L.A. Confidential and Mystic River, and the director who brought to life beloved films such as A Knight’s Tale and 42. He lends a behind the scenes look at the making of Finestkind, a film mined from his relationship with his father and their experiences as deep sea fishermen.

The film, set in Helgeland’s own hometown of New Bedford, Massachusetts, tells the story of two estranged brothers’ navigating a splintered relationship in the high-stakes world of commercial fishing and drug dealing. Helgeland discusses grounding the story in setting, crafting character backgrounds with Tommy Lee Jones (who plays the boys’ father) and imbuing the film with his personal touch. Finestkind is now streaming on Paramount Plus.

Finestkind clips courtesy of Paramount Plus.

Past Lives, with Celine Song

This week on On Story, AFF moderator Harrison Glaser speaks with Celine Song about her feature debut, Past Lives. Inspired by Song’s own experiences, Past Lives tells the story of two childhood friends who reunite as adults and reckon with the nature of the enduring bond between them. This multi-language film is a deeply personal exploration of the modern immigrant experience, unflinchingly confronting the “what-ifs” that plague lost love and paths not taken.

Celine Song began her writing career as a playwright in New York City, and joined fantasy seriesThe Wheel of Timeas a staff writer before her feature debut. The bittersweet romance premiered to critical acclaim and soared to Oscar nominations for Best Original Screenplay and Best Picture.

In conversation at the 30th annual Austin Film Festival, Song discusses creating complex identities for her characters, writing dialogue that feels true to life, and transitioning from playwright to filmmaker.

Past Lives clips courtesy of A24.

American Fiction, with Cord Jefferson

This week on On Story, a conversation with Cord Jefferson on adapting the novel Erasure into his strikingly sharp debut feature American Fiction.

Cord Jefferson is an Emmy-winning writer who earned his chops on some of television’s most formative shows in recent years: Master of None, The Good Place, Succession, and Watchmen. His debut feature, American Fiction, won the Audience Award at the 30th annual Austin Film Festival.

American Fiction is an adaptation of Percival Everett’s novel Erasure. The film introduces us to Thelonius Monk, played by Jeffrey Wright, a weary writer frustrated by the publishing industry’s obsession with reducing artists of color into stereotypes. In an effort to show the industry its own foolishness, Monk offers up a pandering manuscript that, much to his chagrin, becomes wildly successful.

Cord discusses bringing his own perspective and sense of humor to the source material, and marrying comedy and drama in one film.

Clips of American Fiction courtesy of Amazon/MGM Studios.

The Bear, with Joanna Calo

This week on On Story, a conversation with Joanna Calo, showrunner of the character-driven dramedy The Bear.

Joannadelves into her experience sharing showrunning duties with creator Christopher Storer, and discusses their approach to incorporating real life events into the show’s deeply grounded characters and high stakes world.

As a television veteran, Joanna’s writing credits includeBojack Horseman,Hacks,Beef, and today’s subject,The Bear. The Bear tells the story of Carmy Berzatto, played by Jeremy Allen White, an award-winning chef who returns home to Chicago in the wake of his estranged brother’s suicide to find that he has inherited the family sandwich shop. Audiences fell in love with The Bear’s fast-paced dialogue, anxiety-inducing stakes, and deeply human characters in the show’s first season. In season 2, the show’s stakes raised even higher as Carmy attempted to open his own fine dining restaurant in Chicago. In today’sOn Storyconversation, Joanna share her insights surrounding the infamous mid-season episodeFishesfeaturing guest star Jamie Lee Curtis, as well as the well-crafted characters of Richie, played by Ebon Moss-Bachrach, and Marcus, played by Lionel Boyce.

Clips of The Bear courtesy of FX.

Contact, with James V. Hart

This week on the On Story Podcast a conversation with James V. Hart, writer of the science fiction dramaContactdirected by Robert Zemeckis.

In his decades-long career, Hart has written beloved films including Hook,Bram Stoker’s Dracula,Tuck Everlasting, andAugust Rush. Hart discusses the process of adapting Contactfrom Carl Sagan’s novel about a scientist who discovers definitive proof of extraterrestrial life. From working with the author to discern his original intent and establishing a thematic purpose, to embedding a story with high stakes and finding the story’s emotional core, Hart lends us a close look at the intricacies of structuring a screenplay.

Clips of Contact courtesy of Warner Bros.

Every Podcast » Austin Film Festival's On Story » Lawmen: Bass Reeves w/Chad Feehan, Christina Voros, and Damian Marcano