Attention — Audio Journal for Architecture cover logo

4A. Introduction

0s · Attention — Audio Journal for Architecture · 06 Jan 13:00

The introductory audio essay illuminates four aspects of sound in physical space—location, size, reverberation and environmental noise—with examples of how composers from across the spectrum of Western art music exploited these phenomena in their music. Acoustician Jürgen Meyerand musicologist Elaine Sisman show how the classical composer Joseph Haydn used space to create musical effects beyond the boundaries of melody, harmony, rhythm and dynamics.

The episode 4A. Introduction from the podcast Attention — Audio Journal for Architecture has a duration of 0:00. It was first published 06 Jan 13:00. The cover art and the content belong to their respective owners.

More episodes from Attention — Audio Journal for Architecture

7E. Bypass Codes

In this episode, Megan Eardley interviews the investigative journalist and veteran beat reporter Caryn Dolley about the use of biometric and building surveillance devices in organized crime networks. With reference to her journalism and research for her book “The Enforcers” (2019), Dolley describes the movement of illicit and counterfeit goods through night clubs and the duplication of the state security apparatus in post-Apartheid South Africa.

7D. Playing the Detective

In this episode, Megan Eardley interviews the artist, puzzle-maker, and escape room designer Laura E. Hall about the design of escape rooms for the public, building community, and the politics of play. Together, they reflect on the popular appeal of detective work in an era of corporate dragnet surveillance.

7A. Introduction

In this episode, Megan Eardley introduces Issue 7 by relating contemporary spatial practices to the literary detective story and present day political realities of surveillance, state violence, and justice work.

7B. On the Threshold of Detectability

Like proof, evidence typically refers to things, traces, marks, or signs, that can be studied to establish relevant facts and evaluate competing theories. But while proof has been associated with tests and verification procedures since the thirteenth century, evidence (or the Latin evidentia) refers to something that is “manifest to the senses” and “obvious”– there in a way that is not subject to dispute. To examine evidence is thus to contend with the politics of presence, practices of display, and conditions of access. In this episode, Megan Eardley discusses these concerns with Eyal Weizman, who is a critical proponent for forensic research in architecture today.

7C. Invisibility As Form

In this episode, Megan Eardley invites listeners to reflect on the way that detective work operates between form and event. She interviews the artist Janice Kerbel about the use of detective work in pieces such as “Bank Job” (1999), “Doug” (2014), and “Sink” (2018). They discuss how detection can be built into form, Kerbel’s experiments using plans to foreclose events, her relationship to language and writing, and how she seeks to reclaim small spaces within which we can act freely.