Why a robotics professor writes Black STEM romance novels

Three Universe of Art listeners tell us about their science-inspired art

One year ago, we launched Universe Of Art. And to our surprise, a lot of listeners have written in since the start of the podcast, telling us about the science-inspired art they’ve made in their spare time. And today, we're featuring three of those listeners and their art.

Our first artist is Todd Gilens, a visual artist and designer who collaborated with the city of Reno, Nevada, to create a mile-long poem, called “Confluence,” printed on the city’s sidewalks bordering the Truckee River. He was interested in how water shapes landscapes, and how urban architecture can mirror those natural processes. He later found the Sierra Nevada Aquatic Research Laboratory, a University of California field station near Mammoth Lakes, and spent several field seasons with them to learn about stream ecology.

Then, we'll meet Craig Colorusso, a punk rock guitarist-turned-sound artist who creates public sculptures and experiences that enhance visitors’ connection to nature. Two of his projects, Sun Boxes and The Bridges At Coler, use solar panels to play reflective, calming music he composed. “You have this idea where you are in nature and you are listening to something that is powered by nature,” he said. “I think that’s perfect.”

And then we’ll meet a listener who prefers to go by Chris, who was an engineer and avid artist who made mosaics and crocheted before developing Myalgic Encephalomyelitis, or Chronic Fatigue Syndrome (ME/CFS). It’s a debilitating condition characterized by extreme fatigue that can’t be improved by rest, and can also include brain fog, pain, and dizziness. Chris’ condition is considered severe, and caused her to lose the use of her hands, and thus her preferred art mediums. However, she could still use her left hand with a rollerball mouse and realized that she could use programs like Chaotica to create fractals that she adds to collages in Photoshop, resulting in the colorful and psychedelic images. “They’re just beautiful and I’m doing art again and I’m so happy about it,” she said.

Universe of Art is hosted and produced by D. Peterschmidt, who also wrote the music. Our show art was illustrated by Abelle Hayford. Support for Science Friday’s science and arts coverage comes from the Alfred P. Sloan Foundation.

Do you have science-inspired art you’d like to share with us for a future episode? Send us an email or a voice memo to [email protected].

Using motion capture tech to make TV shows for deaf children

You can read a transcript for this episode here.

Think back to your favorite childhood TV show—was it “Blue’s Clues”? “Little Bear”? “Winnie the Pooh”? Animated TV shows are important for kids because they can teach them to read, draw, spell, and talk. Plus, the ways these shows tell stories and create colorful, fictitious worlds can broaden children’s knowledge and capacity to imagine.

But children’s shows aren’t accessible to all deaf children, which means they could miss out on a common learning experience. Among other things, that can set kids back in learning both American Sign Language (ASL) and English language skills during their formative early childhood years.

Melissa Malzkuhn is third-generation Deaf and the founder and director of the Motion Light Lab at Gallaudet University in Washington, D.C. Her lab is creating ASL-focused children’s media that is made by and for the Deaf community, using motion capture technology, avatars, animation, and signing storytellers. She talks with Science Friday guest host Arielle Duhaime-Ross about ASL access in childhood, the science of learning, and how she’s creating “Here Comes Mavo!”—the first animated TV series with signing characters.

Many thanks to Jennifer Vold for interpreting and to Jenna Beacom for consulting on this segment.

Editor’s note: Regarding capitalization for “Deaf” and “deaf,” we believe this is an unsettled issue. For about 30 years, it was common to use capitalization to denote cultural deafness. In recent years, some national deaf organizations, like the National Deaf Center, have decided to use lowercase in their messaging to be more inclusive. Some individuals, however, prefer the capitalized version. We ask our guests to self-describe and capitalize at their request, and use “deaf” for non-self-describing communities.

Universe of Art is hosted and produced by D. Peterschmidt, who also wrote the music. The original segment was produced by Rasha Aridi. Our show art was illustrated by Abelle Hayford. Support for Science Friday’s science and arts coverage comes from the Alfred P. Sloan Foundation.

Do you have science-inspired art you’d like to share with us for a future episode? Send us an email or a voice memo to [email protected].

This documentary explores the loneliness of a Mars mission

NASA is preparing to send humans to Mars. Although the launch date has been pushed back over the years, the agency says it wants to get there in the 2030s. And it has a lot on its to-do list. NASA needs to build new rockets, new habitable living spaces, new spacesuits, and new radiation shielding, just to name a few items.

But what if the one of the biggest challenges of these missions is not the engineering, but the mental health of the astronauts? Can all of the crew members get along with each other and stay alive over the course of three years in tight quarters and unforgiving environments? How will they cope with being separated from their families and friends for so long? And what lessons can they learn from astronauts who’ve lived on the International Space Station—and from our collective experience of isolation during the pandemic?

A new documentary, out March 8, explores all these questions and more. It’s called “The Longest Goodbye,” and it dives into NASA’s Human Factors program, which includes a group of psychologists who are trying to figure out the best way to preserve astronauts’ mental health on a long and demanding mission.

Host D. Peterschmidt spoke to the film’s director, Ido Mizrahy, and one of its featured astronauts, Dr. Cady Coleman, about how NASA is thinking about tackling loneliness in space and what we can learn from astronauts who’ve already lived on the space station.

Plus, a listener shares his experience about performing a drumroll for the solar eclipse.

Universe of Art is hosted and produced by D. Peterschmidt, who also wrote the music. Our show art was illustrated by Abelle Hayford. Support for Science Friday’s science and arts coverage comes from the Alfred P. Sloan Foundation.

Do you have science-inspired art you’d like to share with us for a future episode? Send us an email or a voice memo to [email protected].

Breaking down the physics behind ‘3 Body Problem’

Last month, Netflix released its adaptation of the Hugo Award-winning sci-fi book The 3 Body Problem by Cixin Liu. It follows the journey of several scientists, from the Chinese Cultural Revolution to the present day, as they seek to understand why their fellow researchers are dying and why their scientific results no longer make sense. Along the way, they discover an ultra-advanced VR game and a dark secret that suggests we might not be alone in the universe.

Guest host Arielle Duhaime-Ross sits down with the show’s science advisor, Dr. Matt Kenzie, an associate professor of physics at the University of Cambridge, to talk about what exactly the three body problem is, why he gave the actors physics lessons, and what he hopes audiences take away from a show focused on scientists.

Universe of Art is hosted and produced by D. Peterschmidt, who also wrote the music. Our show art was illustrated by Abelle Hayford. Support for Science Friday’s science and arts coverage comes from the Alfred P. Sloan Foundation.

Do you have science-inspired art you’d like to share with us for a future episode? Send us an email or a voice memo to [email protected].

Could life exist on a planet like Arrakis from 'Dune'?

“Dune: Part II” is one of the year’s most highly anticipated films, and it picks up where the first film left off: with Paul Atreides escaping into the desert on the planet Arrakis. It’s a scorching-hot world that’s covered in dunes, and home to giant, deadly sandworms.

Obviously “Dune” and its setting are fictional, but could there be a real planet that resembles Arrakis? And if so, could it sustain life?

Science Friday host Ira Flatow talks with Dr. Mike Wong, astrobiologist and planetary scientist at the Carnegie Institution for Science, about what Arrakis’ atmosphere is like, the search for life in the universe, and what sci-fi films get wrong—and right—about alien planets.

Universe of Art is hosted and produced by D. Peterschmidt, who also wrote the music. The original segment was produced by Rasha Aridi. Our show art was illustrated by Abelle Hayford. Support for Science Friday’s science and arts coverage comes from the Alfred P. Sloan Foundation.

Do you have science-inspired art you’d like to share with us for a future episode? Send us an email or a voice memo to [email protected].