Bulletproof Screenwriting™ Podcast cover logo

BPS 354: Making Money in Niche Filmmaking with Adam Schomer

1h 17m · Bulletproof Screenwriting™ Podcast · 15 Feb 15:30

Adam Schomer is a conscious filmmaker, president of i2i Productions and is known for going to extreme lengths to follow stories that empower us. Feature documentaries include THE HIGHEST PASS (2012), THE POLYGON (2014), ONE LITTLE PILL (2015). WOMEN OF THE WHITE BUFFALO (2022) and the #1 iTunes Best-Seller and NETFLIX hit, HEAL (2017).
His recent docuseries is a heart pounding and spirit driven quest to find freedom on motorcycles in the Himalayas, THE ROAD TO DHARMA (2020) and its companion online course for Living a Life of Freedom. In addition to making films, he has been a documentary distribution consultant for select films including CHASING THE PRESENT and produced their online summit as well as the online summits for FANTASTIC FUNGI and HEAL.
Adam is also a certified Master Sattva Yoga and Meditation Teacher, and really Adam has this history of using pilgrimage and life’s adventures to reveal deeper truths. His company i2i Productions mission is to Unite Through Wisdom and Entertainment.
Please enjoy my conversation with Adam Schomer.

The episode BPS 354: Making Money in Niche Filmmaking with Adam Schomer from the podcast Bulletproof Screenwriting™ Podcast has a duration of 1:17:08. It was first published 15 Feb 15:30. The cover art and the content belong to their respective owners.

More episodes from Bulletproof Screenwriting™ Podcast

BPS 369: Music Licensing for Film Demystified with Chris Small

We have all wanted to have a killer song we love in one of our films or projects, that perfect song that makes the scene pop off the screen. When you begin to investigate how to get permission for the song you soon discover the maze of red tape and crap you need to deal with in order to have the song in your film.From getting film festival rights to broadcast rights to VOD rights, Music Licensing is a headache and a half. Today on the show with have Chris Small, a music licensing professional here to demystified the ridiculous and antiquated process of licensing music for film. Chris breaks down the way to properly license music without falling into legal pitfalls.Chris also works for Soundstripe, a music licensing company that is disrupting the way filmmakers get music for their films and projects. Take a look at how they are doing it below.I love this service and am using Soundstripe music in all of my videos, podcasts and IFHTV Original Productions. Music licensing is a nightmare but it doesn't have to be.
Enjoy my conversation with Chris Small from Soundstripe.
Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

BPS 368: To Film and Die in L.A - Micro-Budget Misadventures with Adam William Ward

Today on the show we have writer/director, Adam William Ward. His new film is calledWally Got Wasted. I brought him on the show to discuss the crazy misadventures he had shooting guerilla-style in the City of Angels, Los Angeles. L.A. is probably the toughest city in the world to shoot a guerilla-style film. His stories are not on filled with knowledge bombs but are entertaining as hell. Here's a bit about the film.“Wally Got Wasted” is like “The Hangover” meets “Weekend at Bernie's.” It follows the adventures of 3 friends who accidentally kill a scumbag, then screws up getting rid of the body, so they are forced to pretend he is alive as they are chased through downtown LA in one crazy night.
Enjoy my entertaining conversation with Adam William Ward.
Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

BPS 367: Making Money Self Distributing Your Indie Film with Naomi McDougall Jones

Today episode is probably one of the most important shows I have released in some time. On the show is filmmaker Naomi McDougall Jones the writer, actress and producer behind the indie film Bite Me, a subversive romantic comedy about a real-life vampire and the IRS agent who audits them, directed by Meredith Edwards.The filmmakers of Bite Me have decided to take a radical approach to distribute their film: they're doing it themselves. For 3 months, they traveled in an RV around the U.S. and screening the film wherever they can – be it a theater, a bar, or someone's living room. Not only did they tour around the country like carnies they also documented their entire process with a docu-series.EVERY FILMMAKER NEEDS TO WATCH THIS SERIES. It is mandatory for every IFH Tribe member. I've never said this before so take it seriously. It will save you a ton of pain and suffering. Naomi is so open, raw and honest about her experience. Get ready for one heck of an interview.Enjoy!
Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

BPS 366: Using Filmmaking for Change in the World with Jon Fitzgerald

Today on the show we have filmmaker and authorJon Fitzgerald. Jon has twenty-five years of experience in the independent film, internet, and film festival communities, a rare leader with a unique combination of skills. As a filmmaker, he has produced a number of award-winning documentaries; and as a consultant, he has guided many independent film projects through the maze of festivals and hybrid distribution models.As a co-founder of the Slamdance Film Festival (1995), he led the event the next two seasons before being named the Festival Director for the prestigious AFI Film Festival in 1997.
After running AFI Fest for three years (1997-1999), he created a consulting business, guiding the launch of numerous film festivals (Bahamas, Lone Star, Orlando), directing several others (Santa Barbara, Topanga, and Abu Dhabi), and consulting to dozens more.Jon authored his first book, entitledFilmmaking for Change: Make Films That Transform the World,which was ground-breaking in the space.Again, based on the premise that powerful stories can create change, Jon founded Cause Cinema, connecting social impact films to related causes. The Company acts as a filter to the best of social impact cinema, integrating numerous film programs, social action campaigns, and unique exhibition models, giving audiences the tools to take action.
Enjoy my conversation with Jon Fitzgerald.
Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

BPS 365: Making Money & Cracking the Amazon Code for Self Distribution with Ismael Gomez

Today on the show we have a filmmaker that was able to crack the Amazon code and actually make money self-distributing his low-budget film on the platform. His name is Ismael Gomez.Ismael Gomez is a Cuban-American filmmaker. In 2009, he received an Artist Fellowship grant to pursue his B.A degree in Film Production. After completing his studies, he began to work as lead editor on several motion pictures and commercials for theatrical and TV releases. Some of his projects have been screened at Cannes, Starz Denver, Tribeca, and Miami International film festivals.
His film is Death of a Fool. A teenager and his dying grandfather conduct afterlife investigations in Miami when a mysterious man hires them to find the secret to immortality.Ismael was able to generate close to $75,000 in rentals and sales on Amazon using about $9000 in Facebook Ads. In this conversation, I dig in deep on how he did this, his techniques, and how he used the Filmtrepreneur Method to create additional revenue outside of TVOD.
Enjoy my conversation with Ismael Gomez.
Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Every Podcast » Bulletproof Screenwriting™ Podcast » BPS 354: Making Money in Niche Filmmaking with Adam Schomer