Tool Up!
9m
·
Almost Everything with Jeffery Saddoris
·
About a week ago, I jumped back into using Photoshop for the first time since 2018 and I’ve got to tell you, it was kind of like putting on a favorite pair of jeans. Yes, the interface has changed a little and a bunch of terrific new tools have been added—especially Object Select, which I’ll come back to in a minute. But even after such a long hiatus, it was still so familiar that straight away it got me thinking about why I stopped using it, and in a broader sense, about some of the decisions we make around the tools we use.
If you enjoyed this Iteration, I would love it if you would share it with a friend or two. And if it resonated with you on some level, I’d love to know why. Email me at [email protected].
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Website: https://jefferysaddoris.com
Instagram: @jefferysaddoris
Email: [email protected]
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MUSIC
Music For Workplaces by Jeffery Saddoris
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More episodes from Almost Everything with Jeffery Saddoris
Can a Podcast Change Your Life?
Last week, we recorded the last episode of On Taking Pictures. If you’re a longtime listener, you may think you’ve heard this before, and you’re right, you have. But this time it’s different. I’ll get to why in a minute, but first I need to back up.
In 2008, I was teaching Photoshop at Tri-Community Photo in Covina, California. One of the other instructors and I started doing photo walks with some of the students on the weekends. As they got more popular, we put up a simple web page called Faded & Blurred that had details about the upcoming walks. It pretty quickly evolved into a full-blown site, complete with a blog, spotlights on some of our favorite photographers, and a podcast called Q&A@F&B, which was a series of long-form conversations with photographers who were willing to sit down with me for an hour and talk about their work. In addition to getting to talk with photographers like John Keatley, David duChemin, and Ibarionex Perello, I also spoke with Bill Wadman for the first time. Bill and I hit it off straight away, and in 2012, when he was thinking about doing a weekly photography podcast, he started auditioning potential co-hosts. He reached out to me and asked if I’d be interested. I said sure, and my audition ended up being the first episode of OTP. For the next 6 years and 325 episodes, my Tuesday mornings were spent recording the show, with me in Rancho Cucamonga, California—at least to start—and Bill in Brooklyn, New York.
If you enjoyed this Iteration, I would love it if you would share it with a friend or two. And if it resonated with you on some level, I’d love to know why. Email me at [email protected].
CONNECT WITH ME
Website: https://jefferysaddoris.com
Instagram: @jefferysaddoris
Email: [email protected]
SUBSCRIBE
Subscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.
MUSIC
Music For Workplaces by Jeffery Saddoris
Art as a Verb
The artist Richard Serra died recently, and I know he’s considered a big deal in the art world, but honestly I’ve never really gotten what all the hype is about. I suppose I can appreciate the scale and the forms of some of the work in the same way that I can appreciate the architecture of Frank Gehry, but overall, it just never really grabbed me. Anyway, one of the posts that came up in my feed contained a quote by him that goes:
“Art for the most part, is about concentration, solitude and determination. It's really not about other people's needs and assumptions. I'm not interested in the notion that art serves something. Art is useless, not useful.”
LINKS
Conversation with an Artist: Richard Serra
Richard Serra - Talk with Charlie Rose (2001)
Richard Serra on his Drawing (2011)
If you enjoyed this Iteration, I would love it if you would share it with a friend or two. And if it resonated with you on some level, I’d love to know why. Email me at [email protected].
CONNECT WITH ME
Website: https://jefferysaddoris.com
Instagram: @jefferysaddoris
Email: [email protected]
SUBSCRIBE
Subscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.
MUSIC
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Can AI and Artists Coexist?
After recording last week’s episode of On Taking Pictures, Bill sent me a link to a video that’s both fascinating and deeply disturbing, called “AI vs Artists: The Biggest Art Heist in History.” The video presents some of the grim facts around how images, including the 5.85 billion uncurated images in the LAION-5B dataset, are being illegally scraped and used to generate derivative work. The dataset was initially intended for research but has since been made available commercially and has been used to train AI models, including MidJourney and Stable Diffusion. While it does contain images from the public domain, it also contains millions of copyrighted images, as well as explicit content. As they say in the video, no consent was obtained, nor were artists given the opportunity to opt in or opt out—and this is really at the core of why so many artists whose work has been stolen are so upset.
LINKS
Juxtapoz article
Wolfe von Lenkiewicz
AI algorithms
Discussion on Threads
Gagosian
If you enjoyed this Iteration, I would love it if you would share it with a friend or two. And if it resonated with you on some level, I’d love to know why. Email me at [email protected].
CONNECT WITH ME
Website: https://jefferysaddoris.com
Instagram: @jefferysaddoris
Email: [email protected]
SUBSCRIBE
Subscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.
MUSIC
Music For Workplaces by Jeffery Saddoris
Tool Up!
About a week ago, I jumped back into using Photoshop for the first time since 2018 and I’ve got to tell you, it was kind of like putting on a favorite pair of jeans. Yes, the interface has changed a little and a bunch of terrific new tools have been added—especially Object Select, which I’ll come back to in a minute. But even after such a long hiatus, it was still so familiar that straight away it got me thinking about why I stopped using it, and in a broader sense, about some of the decisions we make around the tools we use.
If you enjoyed this Iteration, I would love it if you would share it with a friend or two. And if it resonated with you on some level, I’d love to know why. Email me at [email protected].
CONNECT WITH ME
Website: https://jefferysaddoris.com
Instagram: @jefferysaddoris
Email: [email protected]
SUBSCRIBE
Subscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.
MUSIC
Music For Workplaces by Jeffery Saddoris
Swimming in Molasses
I started this Iteration on February 29th—Leap Day—and for me it was a good day, which, frankly, I really needed. In the last Iteration, I talked about how difficult 2023 was for me and in the week or so since I shared it a lot has happened. Probably the biggest thing is that I’ve started going to therapy. I’ve danced around it for a long time and I think it just got to a point where I could no longer keep pretending that everything was okay—that Iwas okay— and that whatever was “wrong” with me, I could either fix it or just keep pushing it down. Neither of which is true, of course.
If you enjoyed this Iteration, I would love it if you would share it with a friend or two. And if it resonated with you on some level, I’d love to know why. Email me at [email protected].
CONNECT WITH ME
Website: https://jefferysaddoris.com
Instagram: @jefferysaddoris
Email: [email protected]
SUBSCRIBE
Subscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.
MUSIC
Music For Workplaces by Jeffery Saddoris