A Thousand Facets cover logo

Emily Thatcher

57m · A Thousand Facets · 04 Apr 12:00

A thousand facets sits with Emily Thatcher and they spoke about her love for making things, her fascination with microbiology and of course, this turned into a history podcast because why not?! Hope you enjoyed this conversation! Artists Statement My voluminous settings, in which I seat the stone, give space to admire their many aspects. The placement of the stone in the setting parallels the microscopic structures that are so fascinating to me. The interplay of light & shadow is another important aspect of my metal work; usinggentle curves, intersected by flat plains, creating a simultaneously visually stimulating & tactile finish. Every component in my jewellery is either forged or sand cast as a one-off in my Sheffield studio. The creating of a new piece often begins with me alloying the gold in the studio to my own rich hue which has become the signature of my work. My most recent necklace style, The Camur, is comprised of ahandmade chain that I developed with an undulating pattern, using the rich gold contrasting with palladium or oxidised silver to accentuate this aspect. Believing that no part of the piece should be hidden and that every part should be made to be admired, this has led me to incorporate the clasp as the main visual element in the piece. You can follow Emily on Instagram @emilythatcherjeweller, visit her website https://www.emilythatcher.co.uk/ Please visit @athousandfacets on Instagram to see some of the work discussed in this episode. Music by @chris_keys__ Learn more about your ad choices. Visit podcastchoices.com/adchoices

The episode Emily Thatcher from the podcast A Thousand Facets has a duration of 57:07. It was first published 04 Apr 12:00. The cover art and the content belong to their respective owners.

More episodes from A Thousand Facets

Le Sibille

A thousand facets sits with Camilla Bronzini and Francesca Neri Serneri from Le Sibille, we speak about their inspiration, their passion and about the importance of keeping the tradition of micro mosaic alive. As you may listen in this conversation, I was really excited to talk to them! ABOUT: Le Sibille’s journey to revive the ancient Small Roman Mosaic goldsmith technique by crafting one-of-a-kind handmade jewels. Those magical, microscopic tiles created with a spinning technique are now found in the one-of-a-kind jewels made by Le Sibille. Both artisans and artists, Le Sibille dedicates a considerable amount of time to each jewel – much like they did in times past. And each tile is placed on an 18K gold base by hand. The mosaics are reproductions of Greek, Roman, early Christian, Byzantine, Renaissance, Baroque, Islamic and Asian art. Along with their micro-mosaic collection, Le Sibille boasts two other collections. The more recent, I Giganti, wich features colored stones, and Lilliput, an original interpretation of modern jewelry. You can follow Le Sibille on Instagram @lesibille, visit their website www.lesibille.it/ Please visit @athousandfacets on Instagram to see some of the work discussed in this episode. Music by @chris_keys__ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Karin Jacobson

A thousand facets sits with award winning artist Karin Jacobson and they talk about her education, her beginnings as an apprentice of a jeweler in Minnesota and how she develop her brand! Hope you enjoy this fun conversation! About: I began my jewelry journey in 2000 with the launch of myflagship collectionat the world-renowned Walker Art Center. Within two years, I was selected as the Grand Winner of the prestigious AJDC New Talent Competition, which helped establish my jewelry as a national brand. Today, I run my business from my sunny studio in the Northeast Minneapolis Arts District – the epicenter of a vibrant community of makers. In partnership withmy retailers, I am committed to meticulously crafted, beautiful art jewelry. Each piece is made personally by me in my Minneapolis studio, using ethically sourced materials, such as recycled metals and gemstones that are fair trade, recycled, domestically sourced, or purchased from gem buyers who have direct relationships with miners from small, artisanal mines. I have also recently become Fairmined™ licensed and have anew collectionin Fairmined™ 18K yellow gold! My current collection is inspired by Origami. These designs push the boundaries of traditional jewelry to become small-scale wearable sculpture. I developed my folding technique to create pieces that have a graceful fluidity and big visual impact, but which are also lightweight and comfortable to wear. You can follow Karin on Instagram @karinjacobsonjewelry, visit her website www.karinjacobson.com Please visit @athousandfacets on Instagram to see some of the work discussed in this episode. Music by @chris_keys__ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Baiyang Qiu

A thousand facets sits with Baiyang Qiu and they talk about her education as an industrial designer before she was accepted to SCAD. How a dandelion was a catalyst to her voice and her journey to be the incredible artist she is now! This conversation is truly delightful! About: “Inspired by nature and its beautiful forms, I use extremely fine gauge wire of high karat gold and platinum to bring my designs to life. Whether it be a tiny raindrop gliding down a leaf or a butterfly emerging from its chrysalis, vine-like wire work becomes a three-dimensional line drawing that captures transitory moments to preserve them in timeless jewelry pieces.The subjective relationship between my work and the body is part of this dichotomy, and jewelry is the medium to present my perspective to the wearer.” You can follow Baiyang on Instagram @baiyangjewelry, visit her website https://baiyangjewelry.com/ Please visit @athousandfacets on Instagram to see some of the work discussed in this episode. Music by @chris_keys__ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Emily Thatcher

A thousand facets sits with Emily Thatcher and they spoke about her love for making things, her fascination with microbiology and of course, this turned into a history podcast because why not?! Hope you enjoyed this conversation! Artists Statement My voluminous settings, in which I seat the stone, give space to admire their many aspects. The placement of the stone in the setting parallels the microscopic structures that are so fascinating to me. The interplay of light & shadow is another important aspect of my metal work; usinggentle curves, intersected by flat plains, creating a simultaneously visually stimulating & tactile finish. Every component in my jewellery is either forged or sand cast as a one-off in my Sheffield studio. The creating of a new piece often begins with me alloying the gold in the studio to my own rich hue which has become the signature of my work. My most recent necklace style, The Camur, is comprised of ahandmade chain that I developed with an undulating pattern, using the rich gold contrasting with palladium or oxidised silver to accentuate this aspect. Believing that no part of the piece should be hidden and that every part should be made to be admired, this has led me to incorporate the clasp as the main visual element in the piece. You can follow Emily on Instagram @emilythatcherjeweller, visit her website https://www.emilythatcher.co.uk/ Please visit @athousandfacets on Instagram to see some of the work discussed in this episode. Music by @chris_keys__ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Chris Boland

A thousand facets sits with Chris Boland and they talked about his love for minerals, geology and the true meaning of his inspirations. We question what it is to be responsible in the jewelry business and what is the right music to listen while you work! Spoiler alert, we disagree! About Chris Boland My fascination of inorganic structure is used to inform my bespoke jewellery pieces. Strong, bold shapes stress the unique qualities of the inclusions of the gemstones.Idraw inspiration from surface treatment of architectural metalwork and sculpture, where marks made during the construction of the work are allowed to remain, often emphasized. For Me, the authorship lies very much in the making on the object. I work in metal, directly exploring the physical properties of the material. What is presented is not a facsimile of works in wax or additive manufacture but a primary reaction of tools on metal. I use traditional manufacturing technique (score-folding, soldering, filing and hand-finishing). From conception, the jewellery is minimal and fundamental. However, through the construction process; complexity is built in to the piece by serendipitous mark making and a real time reaction to a developing form . Always by design, the stone is offered up to the viewer, in a pleasing and unorthodox way. The story of the gemstone is of fundamental importance in my work and so all the stones used are natural and not overly treated. My belief is that it is important to tell the story of the stones using unique designs in metal. You can follow Chris on Instagram @chrisbolanddesigns, visit his website https://www.chrisbolanddesigns.com/ Please visit @athousandfacets on Instagram to see some of the work discussed in this episode. Music by @chris_keys__ Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Every Podcast » A Thousand Facets » Emily Thatcher