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Do I Need A Partner To Learn To Ballroom Dance?

31m · All About Ballroom Dancing · 20 Apr 10:28

episode - 002

Todd Combs & Taras Denysenko

Episode Transcripts:

Todd Combs 0:07
All right, everybody. This is the second episode of all about ballroom dancing and have one I am one of your hosts, Todd Combs and I on the other one harass Dennis sanko. In today's topic is a hot topic It is called Do I need a partner to ballroom dance?

Taras Denysenko 0:35
And what an interesting topic this is, and it seems appropriate for the current times. But boy, we get a lot of phone calls and inquiries about people asking, Hey, I want to learn how to ballroom dance. Do I need a dance partner? Yeah, I would say normally who asked this question sort of the ladies, the single ladies that they call in and you know, for dance lessons. So I'd say in a week that's a that's a good percentage of people.

Todd Combs 1:00
Call and ask that question constantly. Yeah. And that's a good question do you need? Do you need a partner to ballroom dance? And that is that is the focus of us answering this question. I mean, it's an easy answer, but we'll tell you why. It's an easy answer. But but maybe before we talk about and just give them an answer, I'm going to give the example of Maslow's hierarchy of needs. So Maslow proposed that healthy human beings have a certain number of needs and that those needs are arranged in the hierarchy, right? A lot of people might know the Maslow's pyramid. And this is done by five, a five level pyramid with the higher needs coming into focus only once after the lower needs have been met. So let's the first two needs we don't even they don't really pertain to us. The first need is the physiological need. And that is air water, food, shelter, sleep, clothing. The second one is safety needs personal security, employment resources, health, things like that. So I think people who are calling into dance have probably met those needs. And they already have those needs, right? And then, and then the third name, you can talk about the third need.

Taras Denysenko 2:17
Well, 30 talking about love and belonging, where people are looking for friendship, a little bit more intimacy, family sense of connection.

Todd Combs 2:27
Right? And then the, the fourth one would be esteem. So that's, you know, they want they want respect, they want self esteem, they want status, recognition, they want strength, freedom, things like that. Yeah. And then the final one is the self actualization, the desire to become the most that one can be. Right, and I think I think that's true. You could look at that pyramid and say, there's all kinds of things you can see yourself and all those levels. Everyone has those levels. Yep. And yeah, People come in and in dancing is not something everyone did when they grew up. I mean, I will I shouldn't say that some sometimes ladies come in and they did cheerleading ballet tap jazz, but guys never really did a lot of that not many. Right? So, yes, this is something new, you know, for promote for most people but even when women come in they were dancing by themselves. And they were in control. And then they come in and yeah, ballroom dance and they the guys lead. They hate it. Yeah. That's very true. They, they hate it. Yeah. But they they learn to like it. So so then maybe now we can, let's discuss a few reasons why. You know, people call the studio, kind of inside of this pyramid. So, now we trust and I discussed that next episode we're going to have a have a more in depth discussion about the reasons why people call The studio why people come in what? What are the major reasons they want to take lessons? Right? Right. So that'll be the next episode. So today, we thought would be an appetizer. You know, we would go over some of these but not so much detail because the next episode we will Yeah, that's that's like it's a good one because that next that next topic that's a that's a big one. That's what helps people really want to develop their dancing to their utmost potential.

Taras Denysenko 4:29
But yeah, yeah, there was some just general light stuff,

Todd Combs 4:33
some light stuff. So what would you say okay, you give them the first one. What's one reason why people call the studio in interested in taking dance lessons?

Taras Denysenko 4:40
You know, I think the biggest, biggest reason is that when people go out and they see people dancing, they look they're having a lot of fun and some music. That's the biggest one. They just want more fun, and just enjoy their socialize when they go out. That's a great one

Todd Combs 4:55
right now. And I would say I'll give, you can think of one, two. So I'll say We get people who, who, cuz I'm in Houston. I mean North Houston. So there's a big, I think it's one of the biggest Cruise Line ports here. So we get a lot of people that just came from a cruise. And guess what, there is a ton of dancing on a cruise. So all they did was watch people dance and they did not. And they felt like they were missing out. They were left out someone. Someone didn't invite them to the party, right? So people come in a lot of times because they were missing that enjoyment of social dancing on a cruise. That's when we get a lot of that. How about you?

Taras Denysenko 5:35
Yeah, we get a few of those but more. We're in Virginia Beach, Virginia, so we're right on the oceanfront, or we're right in the ocean. So we have a lot of people coming in for vacation. We have a lot of live bands playing at all sorts of different venues at the hotels. So there's a lot of opportunity for people to listen to really good music, and shags a really big thing in these parts down here and so there's a lot of Dancing, swing dancing, country dancing. So when people are out there, at the hotels at the ocean, they see people dancing. They're like, ah, we want to do that it looks like so much more fun. We can get so much more out of our vacation. Because there's so much good music. So that's a big one.

Todd Combs 6:18
Yeah, and then and then, since I'm in Houston, it's, it's now it's really hot in the summer, so people don't go out necessarily as much. You know, when it's when it's 300 degrees, but there's there we don't get that snow. So there's a lot of outdoor venues. Yeah, outdoor music. And when they're doing the outdoor concerts, they are playing dance music. I mean, it's it's tough. 40 6070s 80s so people are out there trying to dance which I applaud them. I'd rather someone try to dance than just sit down. Totally agree. Yeah, but people people see there's usually there's usually a couple good dancers and then everyone watches them. Now. Not everybody has Some people don't have the cojones to get up and try it. But they all i mean i guarantee they all wish they could and I know what I'm talking about is the guys who wish they could get up and do it. So yeah, but I think another another reason is specially right now and we are still in the middle of the Coronavirus lockdown and I think people are gaining calories, maybe

Taras Denysenko 7:25
think that's the thing.

Todd Combs 7:27
The belt buckle is is going to the next run, I think exercise and health benefits, things like that, that have to do with with dancing and because dancing is a great way to exercise and you don't realize you're exercising. That's not the gym and that's what people love about it.

Taras Denysenko 7:49
That is a really, really, really, really I'll say overtime. Really good point. Nine times out of 10 people are like, Man, I'm getting a workout and I don't even feel like I'm exercising. It's active, you're using your entire body and your brain to try to learn this skill. So when you're trying to learn a new skill or new type of movement, you definitely are working your body a bit more. So, yeah, that is that is true.

Todd Combs 8:21
Yeah. And you touched on the idea that it's so important that dance studios circulate these medical journals, articles, and things like that, that that, that how they link, dancing with brain activity, in a big way to cut down your risk of dementia and Alzheimer's. there's not as many things you can do that require you to listen to music, anticipate the timing, look ahead into either what you're about to lead for the man or being so actively, or being so actively mentally that you're waiting as a woman to work. respond to what his movement is and then know where he's going and be able to do and accomplish the the steps you're supposed to meet. Your brain is on overdrive constantly.

Taras Denysenko 9:10
Yep.

Todd Combs 9:10
So it is a big, big deal for brain health. And I can't even I can't even say enough. You know about brain health. We have so many I have one of my students whose whose sole purpose well who've you've worked with when when we bring to Ross and our studio, he works with Ann, and her mom was in this this old house, the old folks, I mean, it was in a care facility. And I think it was terrible that they had the buildings were were named 54321. So when you when as you progressed in the buildings, it meant you were getting worse. So I think they could have named it like the oak. You know, the oak building the pine Building are something nice, but it was literally like when you're in building five You're You're good. You're basically you know, you just got there for you need a little more care three need more and then two, you know you can have your own you have to have a nurse with you all the time one is like you're almost gone, right? It's like so terrible because it's like, but her mom was in building three and went to building two and no one you know, the thing was no one wanted to change to building two. So you could see that you were deteriorating. Yeah. And so and and biggest reason to t

The episode Do I Need A Partner To Learn To Ballroom Dance? from the podcast All About Ballroom Dancing has a duration of 31:21. It was first published 20 Apr 10:28. The cover art and the content belong to their respective owners.

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What does holding back mean to you?

  • Are you your own worst enemy?
  • Are you engaging in all-or-nothing thinking?
  • Are you afraid of failure? Sometimes failure means different things: Rejection - disapproval - The Unknown
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New Dancers:

  • Looking Stupid
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  • Distance from Studio - (more of an excuse)

Intermediate Dancers:

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Advanced Dancers:

  • Afraid to go all out, pull the trigger and go for it. When you over train and are afraid of making a mistake.
  • Want to perfect things before the next routine or event -
  • You expect perfection from yourself -

Quotes:

  • “I don’t believe in holding back...you know, life isn’t a dress rehearsal!” - Kate Winslet
  • “Courage comes by being brave; fear comes by holding back” - Publious Syrus

What areas are you holding back? Now that you realize where you are holding yourself back what are the next steps you plan on taking?

Please write in and let us know. It helps other dancers to know the struggles others go through because sometimes they think “It’s just my problem”...not realizing thousands of people have had the same issue.

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Bob Powers On Standardizing Professional American Rhythm

Bob Powers

Standardizing Professional American Rhythm

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  • 12 Times United States Rhythm Champions
  • 3 Times World Professional Mambo Champion
  • Bob & Julia are recipients of the 2012 DanceSport Hall of Fame Award
  • Finalist in the World Showdance Championships
  • Member of the World Dance Arts Foundation
  • Certified adjudicator with the National Dance Council of America * Certified with the World Dance Council
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_________________________________________________

  • What exactly is this project you are doing? Is it like a “rule book”, or a guideline manual? Please let us know what it is.

Bob Powers: The group is called Rhythm Champions and our mission is to promote American Style Rhythm dancing worldwide. The American Smooth has had great success lately and we have discovered that the reason the Rhythm has lagged behind is the fact that there’s a belief that there are too many differences in the techniques. So one of the goals of the group is to come to a consensus on each dance. We are in the process of developing a technique book, not a syllabus but strictly body, hip, leg and foot action description. So if you can imagine 15 former US Champions coming together to agree on a specific technique and how it should be expressed verbally.

  • Who is involved? Is there a person or persons in charge of organizing this? What are different persons' roles?

Bob Powers: Every US Champion since the inception of the Pro Rhythm division. I can list them if you want.

1984 Charles & Jean Penatello

1985-1987 Joe Lozano & Jan Mattingly

1988-1992 Forrest Vance & Susie Thompson

1991-2003 Bob Powers & Julia Gorchakova

2004 Tony Dovolani & Inna Ivanenko

2005-2006 Tony Dovolani & Elena Grinenko

2007-2010 Jose DeCamps & Joanna Zacharewicz

2011-2013 Decho Kraev & Bree Watson

2014-2015 Emmanuel Pierre-Antoine & Liana Churilova

2016-2018 Nazar Norov & Irina Kudryashova

2019 Andre Paramonov & Natalie Paramonov

  • What is your role?

Bob Powers: We are all equally involved and contribute to the technique as well as promotion and online classes to promote it.

  1. How did this come about?

Bob Powers: During the Coronavirus stay at home order one of the guys came up with the idea and asked who would be interested. We all responded.

  1. What stage is this currently in?

Bob Powers: Definitely developmental. It's taken us 9 weeks to do the Rumba Box. But the great thing is it just keeps getting better. We have such an amazing group of great dancers, teachers and musically gifted individuals that it can’t help but be a success.

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  • 12 Times United States Rhythm Champions
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Artistry In Motion Questions:

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  • What Should Women have, & when?
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Core Rhythm Questions:

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Listener Questions:

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  • You once shared with Tricia ie Todd. How you first started making your beautiful competition dance costumes with your mom, and that in the early years you had to make the flashy embellishments from raw materials. Can you tell us more about that, and how that differs today?
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Amber:

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Beatriz Holan:

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