New Books in Women's History

My wife is a sports fan. Together, we have cheered from the stands at college football games and track meets, for local minor-league baseball clubs and hockey teams. We’ve spent Sunday afternoons watching the National Football League, October nights watching the World Series, and summer afternoons watching the World Cup.... Learn more about your ad choices. Visit megaphone.fm/adchoices

For some time now I’ve been in spaces with dancers and dance scholars who lament the amount of available research on some of the black luminaries in our field. Sometimes the need for a particular project is present for so long that its absence is taken for granted and treated as the norm. One of the “missing” but “much needed” projects I’ve heard talked about over the years is a book length treatment of the work of modern dance pioneer and scholar Dr. Pearl Primus. I’m really glad that her dear friends, Peggy and Murray Schwartz decided to fill that empty space with their latest project that is as much scholarly research as it is a homage to their very dear friend. For the entirety of her 74-year lifespan, Dr. Primus worked tirelessly and diligently as a dancer, choreographer, and anthropologist bringing the value of African culture to students and audience members around the globe. Though Primus studied and honed her approach to contemporary dance right alongside well known artists like Martha Graham, Doris Humphrey and Hanya Holm her work, while known to some has not been celebrated in the same way for its enduring impact. Pearl’s career began in 1943 as she began sharing dance works that infused her commitment to social justice and racial commentary with her approach to concert dance. In The Dance Claimed Me: A Biography of Pearl Primus (Yale University Press, 2012), Peggy Schwartz and Murray Schwartz, examine the ways in which Pearl’s career influenced dance, education and culture, charting her life story through its beginnings in Trinidad and work with the New Dance Group up to and through her later years. Dr. Primus’s extensive travels through Africa, the Caribbean, Israel, the United States and Europe are discussed in this book and presented as an example of what the life of a committed dancer, scholar and humanitarian can look like through hard work and dedication. Peggy and Murray were longtime personal friends of Primus decided to take on the task of cementing her name in the literature by crafting a tender, thoughtful and soaring biography that focuses on not only her creative work but her lasting impact on the contemporary dance landscape. Peggy Schwartz is professor emeritus of dance and former director of the dance program at the University of Massachusetts Amherst. Murray Schwartz is former dean of humanities and fine arts at the University of Massachusetts Amherst. He teaches literature at Emerson College. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Trafficking Women’s Human Rights (University of Minnesota Press, 2011), Julietta Hua analyzes how discourse on human trafficking creates the boundaries of victimhood and thereby restricts concepts of punishment, remedy, and citizenship. Analyzing legislation, public discourse, and interview materials, Dr. Hua traces how gender, nationality, and racial identities become inscribed into the concept of sex trafficking. The subject matter is heavy, but Dr. Hua presents a delightfully rigorous theoretical framework, careful interpretation of proffered data, and poignant illustrations. Learn more about your ad choices. Visit megaphone.fm/adchoices

What does a wedding in Karbala in the year 680 have to do with South Asian Muslims today? As it turns out, this event informs contemporary ideas of personal piety and social understanding of gender roles. The battlefield wedding of Qasem and Fatimah Kubra on 7 Muharram is commemorated annually by Hyderabadi Shi’a Muslims. In Gender, Sainthood, and Everyday Practice in South Asian Shi’ism (University of North Carolina Press, 2011), Karen Ruffle, Assistant Professor of History of Religions and Women’s and Gender Studies at the University of Toronto, explores the relationship between devotional literature and ritual practice in the formulation of social consciousness and embodied ethics. She accomplishes this task through great ethnographic detail and deep investigation into a rich literary tradition of devotional hagiographical texts. Ruffle argues that hagiography when enacted through contemporary ritual performances establishes typologies of Shi’i sainthood. Altogether, these localized models of ethics and gendered normativity reflect the realities of the religiously plural geographies Hyderabadi Shi’a Muslims inhabit. In our conversation, we discuss annual mourning assemblies, Husaini ethics, imitable sainthood, gender roles, martyrdom and kinship, the relationship between texts and performance, The Garden of the Martyrs, vernacular and cosmopolitan Islams, sectarian affiliation and religious identity, and the homogenization of Shi’ism. Learn more about your ad choices. Visit megaphone.fm/adchoices

There is exactly one strong woman in the movie “The Godfather,” and she’s not Italian. (It’s “Kay Adams,” played by the least Italian-looking actress alive, Diane Keaton.) Such is the stereotype about Italian women, at least in the U.S. They are always in the background, sometimes cooking for la famiglia, sometimes counting rosary beads, sometimes simply missing (as in the case of “The Godfather” films). Alas, it’s all wrong. In her pathbreaking book Living the Revolution: Italian Women’s Resistance and Radicalism in New York City (University of North Carolina Press, 2010), Smith College historian Jennifer Guglielmo dives into the archives to show that before the First World War Italian women were at the forefront of radical, predominantly socialist politics in the New York City region. They organized parties and unions; protested and marched for fairness and against injustice; they struck and stood fast on the picket line; they wrote and published newspapers, flyers and books. And, in their daily lives, they tried as best they could to “live the Revolution.” As Jennifer points out, though, Italian women had to adapt. The ways they did so involved becoming both American and “white.” It’s a fascinating story remarkably well told. I urge you to read it. Learn more about your ad choices. Visit megaphone.fm/adchoices

With prose that is as elegant as the argument is clear, Amy Stanley‘s new book tells a social, cultural, and economic history of Tokugawa Japan through the prism of prostitution. Selling Women: Prostitution, Markets, and the Household in Early Modern Japan (University of California Press, 2012 ) undermines our assumptions... Learn more about your ad choices. Visit megaphone.fm/adchoices

Cultural movements don’t exist in vacuums. Consciously or not, all movements borrow from, and sometimes reject, those that came before. In Hip Hop’s Inheritance: From the Harlem Renaissance to the Hip Hop Feminist Movement (Lexington Books, 2011), the first in a trilogy of books that cast a critical eye upon hip hop as a social and cultural movement, Reiland Rabaka traces the pre-history of hip hop as a series of separate yet connected movements that dealt with inequalities of race/ethnicity, gender, and sexual orientation. Using Africana, feminist, and queer critical theories as tools for understanding, Rabaka follows the history of black, women’s, and LGBT resistance to heterosexual white male hegemony in U.S. culture. Rabaka’s focus is always on the roles that art and artists (literary, visual, musical) have in people’s active resistances to oppression. The Harlem Renaissance, Black Arts Movement, Black Women’s Liberation, and Feminist Art Movements are just a few of the cultural happenings that Rabaka details as precursors to today’s “conscious” rap, feminist rap, and Homo-Hop, among others. All along, Rabaka’s message is not simply academic, he is also speaking directly to contemporary hip hoppers, urging them not to forget their past and to learn from the struggles of their forbears. Reiland Rabaka is an Associate Professor of African, African American, and Caribbean Studies in the Department of Ethnic Studies and the Humanities Program at the University of Colorado at Boulder, where he is also an Affiliate Professor in the Women and Gender Studies Program and a Research Fellow at the Center for Studies of Ethnicity and Race in America (CSERA). He has published ten books, including Hip Hop’s Amnesia: From Blues and Black Women’s Club Movement to Rap and the Hip Hop Movement (2012) and The Hip Hop Movement: From R&B and the Civil Rights Movement to Rap and the Hip Hop Generation (2013). Learn more about your ad choices. Visit megaphone.fm/adchoices

Do social values belong in the sciences? Exploring the relationship between science, society, and politics, Philosophy of Science After Feminism (Oxford UP, 2010) provides a map for a more socially and politically engaged philosophy of science. Janet Kourany‘s book is a service to scholars and interested readers across the many fields of science studies, providing the reader with a set of models as well as offering a capsule history of the philosophy of science as a professional discipline. The book is a profoundly transdisciplinary work even as it maintains a very careful focus on the philosophy of science as a discipline. Kourany’s archive includes the work of philosophers of science, feminist theorists, sociologists, historians, and many others, with the reader consistently and sometimes explicitly invited into the dialogue. Kourany suggests a program that emerges from previous and contemporary attempts to create a more socially-engaged philosophy of science, guides us through some major potential challenges to the political approach that she advocates, and provides concrete suggestions for integrating philosophers into the construction of more thoughtful ethical codes for scientific practice. It is an engaging, thoughtful, and teachable text advocating a space of philosophers as public intellectuals, and we had a very enjoyable and spirited conversation about it. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

For the launch of the Dance Channel, I thought long and hard about what the first author interview would be. I felt that it was critically important that this channel begins with a rich conversation between myself and a well respected author whose contributions to dance scholarship were substantial.It seemed to me that this channel could function as a space where the voices of those doing rigorous work with dance at the center, could be invited into conversations that focused on their most recent project, but exposed the challenges and issues they faced along the way in trying to do their work with integrity. To that end, I knew I needed someone whose voice in dance scholarship was strong and consistent and whose contributions were undeniable. When I thought of it that way, it became clear that I needed to have this first interview showcase the work of Dr. Brenda Dixon Gottschild. Brenda Dixon Gottschild‘s newest work, Joan Myers Brown and the Audacious Hope of the Black Ballerina: A Biohistory of American Performance (Palgrave Macmillan, 2011)chronicles the growth and development of one of the country’s most important dance companies through the life of its creator and her community. Here, the author treats readers to a backstage pass into the mind of one of the toughest ladies in dance, Joan Myers Brown, founder of the Philadelphia School of Dance Arts and later of the Philadelphia Dance Company (known lovingly as Philadanco.) It’s important to understand that this book is a “biohistory” – a work that blends not just Ms. Brown’s biography, but contextualizes it in the history of Black Philadelphia and the development of American concert dance. The book is just the most recent in the line of works written by the author whose work has always focused on bringing invisibilized narratives to light and putting them into their proper historical context. The author, who I am glad to know as “Dr. Brenda,” doesn’t shy away from the realities of race, class, power and gender that can often constrain one’s mobility in the world and her work here makes clear that to that point, the dance world is no exception. Challenges and constraints aside, Joan Myers Brown and the Audacious Hope of the Black Ballerina: A Biohistory of American Performance is an example of the some of the finest contemporary scholarship in dance studies. As the fifth book project for Dr. Brenda Dixon-Gottschild, fans of her work won’t be left wanting for anything in this newest book and dance enthusiasts are sure to find a compelling narrative that will leave them satisfied and wanting more of what this author has to offer. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the late nineteenth century the Japanese elite embarked on an aggressive, ambitious program of modernization known in the West as the “Meiji Restoration.” In a remarkably short period of time, they transformed Japan: what was a thoroughly traditional, quasi-feudal welter of agricultural estates became a modern industrial nation-state. Since the inspiration for these reforms came from the West (the Japanese had seen what the Western Powers had done in China), the question of women’s status had to be dealt with. How did the Japanese–men and women, elite and commoner–do it? In A Place in Public: Women’s Rights in Meiji Japan (Harvard University Asia Center, 2010), Marnie Anderson attempts to answer this question. It’s a fascinating story, and Marnie does a terrific job of telling it (despite, I should say, of working in a remarkably thin and difficult documentary environment). This book is essential reading for anyone interested in East Asian and Gender Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices