Asian Review of Books

Borders are “important”: they define, in legal terms, who we are, our identity, and our rights. Except borders are rarely imposed with any thought to the people actually living there. And once a border is imposed, it can radically change the lives of those who live alongside it, dividing communities forever more. India’s border, imposed by colonial authorities and disputed by successor governments, makes this clear.Midnight's Borders: A People's History of Modern India(Context / Melville House, 2021) sees author Suchitra Vijayan travel along India’s vast land border to meet the people who live there, and investigates how lives have been affected by geopolitics, colonialism, state violence, ethnic strife, and corruption. In this interview, Suchitra and I talk about India’s border regions: with Afghanistan, China, Bangladesh, Pakistan and Myanmar. We talk about the lives of those that live in these borderlands, and why she chose to call this book a “People’s History”. Suchitra Vijayan is the founder and executive director of the Polis Project, a hybrid research and journalism organization. A barrister by training, she previously worked for the United Nations war crimes tribunals in Yugoslavia and Rwanda before co-founding the Resettlement Legal Aid Project in Cairo, which gives legal aid to Iraqi refugees. Her work has appeared inThe Washington Post, GQ, The Boston Review, The HinduandForeign Policy. You can find more reviews, excerpts, interviews, and essays atThe Asian Review of Books, including its review ofMidnight’s Borders. Follow onFacebookor on Twitter at@BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Most of our understanding of the Mongol Empire begins and ends with Chinggis Khan and his sweep across Asia. His name is now included among conquerors whose efforts burn bright and burn out quick: Alexander the Great, Napoleon, and so on. Except the story doesn’t end with Chinggis’s death. As Professor Marie Favereau notes inThe Horde: How the Mongols Changed the World(Harvard University Press: 2021), the empire that he built continued to shape, incubate and grow the political cultures it conquered. Even as the empire formally splintered, the ties that bound together the Mongols continued to play a critical role in the growth of new identities and cultures. More information can be found in Marie’s article forQuillete:How the (Much Maligned) Mongol Horde Helped Create Russian Civilization. In this interview Marie and I talk about the empire the Mongols built: how it grew, what it covered, and how it changed. We discuss how the Mongols changed those they ruled and those they bordered against, and the geopolitical system they built. Marie Favereau is Associate Professor of History at Paris Nanterre University. She has been a member of the French Institute of Oriental Archaeology in Cairo, a visiting scholar at the Institute for Advanced Study, and a research associate at the University of Oxford for the major project Nomadic Empires. Her books include The Golden Horde and the Mamluk Sultanate (published in French) and the graphic novel Gengis Khan. You can find more reviews, excerpts, interviews, and essays atThe Asian Review of Books, including its review ofThe Horde. Follow onFacebookor on Twitter at@BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

It can be easy to forget amongst the glistening skyscrapers, bustling streets and neon lights, but the Pearl River Delta used to be a haven for banditry and piracy. As the authority of Imperial China waned, pirate fleets based out of Guangdong Province roamed the waves, raiding traders and taking captives. One of these captives, and later pirates was Cheng Yat Sou—the “wife of Cheng Yat”—who rose from humble beginnings to eventually bring together the competing pirate fleets into a confederation. She is also the star of Larry Feign’s first novelThe Flower Boat Girl(Top Floor Books, 2021). Larry starts the story of the pirate queen from her abduction by Cheng Yat, and writes of how she gains a foothold among the pirate fleets. More information—and a sample chapter—can be found on the book’swebsite. Larry and I talk about Cheng Yat Sou, early-nineteenth century China, and pirate fleets. We also talk about how Larry wrote the book, and what he learned from being one of Hong Kong’s most prominent cartoonists. Larry Feign is an award-winning artist and writer based in Hong Kong. He is well known for his long-running daily political comic strip “Lily Wong”, which satirized life in Hong Kong before and after the handover to China until he retired the cartoon in 2007. Feign’s work has appeared in Time, The Economist, the New York Times, The Atlantic, and other publications around the world. He also directed animated cartoons for Walt Disney Television and Cartoon Network. He is a MacDowell Fellow and three-time recipient of Amnesty International Human Rights Press Awards. You can find more reviews, excerpts, interviews, and essays atThe Asian Review of Books, including its review ofThe Flower Boat Girl. Follow onFacebookor on Twitter at@BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

We can sometimes forget that “India”—or the idea of a single unified entity—is not a very old concept. Indian history is complicated and convoluted: different societies, polities and cultures rise and fall, ebb and flow, as the political makeup of South Asia changes. Namit Arora, author ofIndians: A Brief History of a Civilization(Penguin Viking, 2021), details some of these changing cultures. From the early Harappans, to the Buddhist centers of Nagarjunakonda and Nalanda, and ending at Varanasi, Arora takes his readers on a journey through South Asia’s rich and diverse history. Namit Arorachose a life of reading and writing after cutting short his career in the Internet industry. Raised in the Hindi belt of India, he lived in Louisiana, the San Francisco Bay Area and Western Europe, and travelled in scores of countries before returning to India over two decades later in 2013. He is the author ofThe Lottery of Birth(Three Essays Collective: 2017), a collection of essays, and the novelLove and Loathing in Silicon Valley(Speaking Tiger Publishing Pvt Ltd: 2019). More detailshere. In this interview, Namit and I talk about the many different cultures featured in his book Indians. We share the stories of some of India’s illustrious foreign visitors, and what it was like for Namit to research these lost histories. You can find more reviews, excerpts, interviews, and essays atThe Asian Review of Books, including its review ofIndians. Follow onFacebookor on Twitter at@BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Isabel Rosario Cooper, if mentioned at all by mainstream history books, is often a salacious footnote: the young Filipino mistress of General Douglas MacArthur, hidden away at the Charleston Hotel in DC. Empire’s Mistress, Starring Isabel Rosario Cooper(Duke University Press: 2021) by Professor Vernadette Vicuña Gonzalez refuses to reduce Cooper’s life to that simple statement. The book investigates Cooper’s life both in the Philippines, where she was a famed vaudeville and film actress, and in the United States, where her life shows the struggles that Asian actors and actresses faced in a prejudiced Hollywood. In this interview I ask Vernadette to introduce us to Isabel Cooper, and go beyond the simplistic historical narrative of her as MacArthur’s mistress. Wel talk about how her life exemplifies how imperialism, gender and entertainment intersected in both the Philippines and the United States. And we briefly explore how this connects with the idea of being “Asian-American”. Vernadette Vicuña Gonzalez is Professor of American Studies at the University of Hawai‘i at Mānoa, and author ofSecuring Paradise: Tourism and Militarism in Hawai‘i and the Philippines(Duke University Press: 2013), and coeditor ofDetours: A Decolonial Guide to Hawai‘i(Duke University Press: 2019). You can find more reviews, excerpts, interviews, and essays atThe Asian Review of Books, including its review ofEmpire’s Mistress. Follow onFacebookor on Twitter at@BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

A young man who turns his desire to join the army into a long stint as a volunteer ambulance driver. A teacher living in an old slum who is the only one brave—or foolish—enough to confront the gangs. A refugee who becomes a community organiser. A woman in a traditional village looking at the new development quickly encroaching on their land. A bored engineer who finds his calling as a crime reporter. These people are subjects ofKarachi Vice: Life and Death in a Contested City(Melville House, 2021),the debut by Samira Shackle. Samira travels to Karachi, the home city of her mother, and tells the stories of ordinary people trying to live their lives in the midst of terrible violence: first by the gangs, then by the Taliban. In this interview, I ask Samira to talk about the city of Karachi, and the five people she writes about in her book. We’ll talk about the turning points in the violence there, and what it was like to write about her mother’s home city. Samira Shackleis a freelance British-Pakistani writer and reporter based in London. She is the editor of the New Humanist magazine, and a regular contributor to theGuardian Long Read. She can be followed on Twitter at@samirashackle. You can find more reviews, excerpts, interviews, and essays atThe Asian Review of Books, including its review ofKarachi Vice. Follow onFacebookor on Twitter at@BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

The year is 1985. Durga is visiting her grandmother Mary in rural Malaysia. It’s not a particularly happy occasion: Mary is tough and sharp-tongued, and “home” sparks bad memories for Durga. But a fireworks accident that sends Mary to hospital begins to unravel family secrets that had been building over generations, built by both Mary and Durga. Fragile Monsters, the debut novel by Catherine Menon (Viking, 2021), jumps between the Malaysian Emergency and the Eighties to explore themes of gender, class, and ethnicity in telling a story about a dark family history. In this interview, Catherine and I discuss the historical setting of Fragile Monsters:a time period that normally doesn’t feature in mainstream English-language fiction. We talk about how she explores memory and shame, gender and race. Catherine Menon is Australian-British, has Malaysian heritage and lives in London. She is a University lecturer in robotics and has both a PhD in pure mathematics and an MA in Creative Writing. Her short story collection, Subjunctive Moods, was published by Dahlia Publishing in 2018. Her short stories have won or been placed in a number of competitions, including the Fish, Bridport, Bare Fiction and Short Fiction Journal awards. Her work has been broadcast on radio, and she’s been a judge for several international short fiction competitions. Her website can be foundhere, and she can be followed on Twitter at@cg_menon. You can find more reviews, excerpts, interviews, and essays atThe Asian Review of Books, including its review ofFragile Monsters. Follow onFacebookor on Twitter at@BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine and a reviewer for the Asian Review of Books. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

During the Cultural Revolution, many young Chinese in the cities were encouraged — if not ordered — to move to the countryside. Millions of young Chinese in high school and university moved to rural China ostensibly to “receive re-education from the poorest lower and middle peasants to understand what China really is” (to quote Mao Zedong, at the time). Many students remained in the countryside until the end of the Cultural Revolution almost a decade later. One of these young Chinese people was the mother of Emei Burell, who turned these stories into a graphic novel:We Served the People: My Mother's Storie(Archaia, 2020).The book is roughly split into two halves: her mother’s hard work on a rubber plantation in Yunnan, and her struggles a decade later to restart her education upon her return home. In this interview, Emei talks about her mother’s story, both during her time in the countryside and when she returned home. We talk about what it was like for her to turn these tales into a graphic novel, and what may have been gained from expressing them in a visual format. Emei Burell is a cartoonist and illustrator from Sweden. Her work has also appeared in Adventure Time Comics, Hip Hop Family Tree, Studygroupcomics, and a number of publications in Sweden, Denmark, the UK and Chile. You can find more reviews, excerpts, interviews, and essays atThe Asian Review of Books, including its review ofWe Served the People. Follow onFacebookor on Twitter at@BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine and a reviewer for the Asian Review of Books. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Mirza Ghalib is one of the most celebrated poets in the Urdu literary canon. Yet, at the time, Ghalib was prolific in both Urdu and Persian. His output in Persian output dwarfs his Urdu writing (at least in its published form), and he often openly dismissed his Urdu works, once writing: Look into the Persian so that you may see paintings of myriad shades and hues; Pass by the collection in Urdu for it is nothing but drawings and sketches. Ghalib: A Wilderness at My Doorstep: A Critical Biography(Allen Lane, 2021) by Professor Mehr Afshan Farooqi explores the work of Mirza Ghalib to perhaps explain why the power made the switch from Urdu to Persian and back to Urdu. In this interview, I ask Mehr to introduce us to Ghalib and his work. We explore Ghalib as both a poet and a person, and why he made the switch from writing in Urdu to Persian and back again. Mehr Afshan Farooqi is currently an associate professor of Urdu and South Asian Literature at the University of Virginia. Her research publications address complex issues of Urdu literary culture particularly in the context of modernity. A well-known translator, anthologist, and columnist, she is the editor of the pioneering two-volume workThe Oxford India Anthology of Modern Urdu Literature. More recently, she has published the acclaimed monographThe Postcolonial Mind: Urdu Culture, Islam and Modernity in Muhammad Hasan Askari. Farooqi also writes a featured column on Urdu literature of the past and present in the Dawn. Mehr can be followed on Twitter at@FarooqiMehr You can find more reviews, excerpts, interviews, and essays atThe Asian Review of Books, including its review ofGhalib: A Wilderness At My Doorstep. Follow onFacebookor on Twitter at@BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

The scene is Turkey in the mid-to-late Seventies. A young male college student hops onto a bus. He sits next to a cute female student from his class, but before they can strike up a conversation, they see a right-wing passenger, walk up to another passenger and hit him on the head with a hammer. The young woman screams. The two students get off the bus, only for the female student to call the male student a “disgusting fascist” and leave in anger. Scenes like this are seen inTurkish Kaleidoscope: Fractured Lives in a Time of Violence(Princeton University Press, 2021) is a graphic novel written by ProfessorJenny Whiteand illustrated byErgün Gündüz. The book combines Jenny’s own experiences in Turkey with insights gleaned from interviews to illustrate Turkey’s political conflict in the late 1970s, between right-wing and left-wing movements. You can watch apromotional videofor the book, and the book can be ordered from thePrinceton University Press website. Jenny has also put together aSpotify playlistof songs from the era. Those interested in an academic treatment of these ideas can read her 2017 article inThe Brown Journal of World Affairstitled “Spindle Autocracy In The New Turkey”. In this interview, I ask Jenny to talk about central figures in her telling of Turkish politics, and how their views developed over time. We talk about that period of Turkish contemporary history and what it was like. And we also discuss her choice of format: why write a graphic novel? Jenny White is a social anthropologist and professor at theInstitute for Turkish Studies at Stockholm University. She is former president of the Turkish Studies Association and former president of the American Anthropological Association Middle East Section. She has published four books and numerous articles about contemporary Turkish society and politics. She also has published a series of three novels set in 1880s Istanbul. You can find more reviews, excerpts, interviews, and essays atThe Asian Review of Books, including its review ofTurkish Kaleidoscope. Follow onFacebookor on Twitter at@BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine and a reviewer for the Asian Review of Books. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review