Asian Review of Books

The legacy of the businessmen who built Hong Kong are all over the city. Bankers work in Chater House—named after Paul Chater, the Armenian businessman behind much of the city’s land reclamation (among many other things). The Kowloon Shangri-La Hotel sits along Mody Road, named after Hormusjee Naorojee Mody, a Parsi immigrant who helped found the University of Hong Kong. And that’s not including figures like Robert Hotung, the half-British, half-Chinese magnate who found more power in his Chinese identity. The story of Hong Kong is more complicated than what the British or the Chinese might assert–countless migrants, from all over the world, came to Hong Kong to build the city and make their fortunes.Vaudine England’s Fortune's Bazaar: The Making of Hong Kong(Scribner, 2023) tells the stories of these communities of Armenians, Indians, Parsis, Portuguese, Eurasians, and others who sat between the Anglo-Saxons and the Chinese majority. In this interview, Vaudine and I talk about Hong Kong’s story, the city’s early Wild West–or perhaps “Wild East” days—and the communities of men and women that built the city. Vaudine England has been a journalist in Hong Kong and South East Asia for years. As a historian, she has focused on the diverse personalities and peoples that have gone into making Hong Kong a cosmopolitan Asian metropolis. She is the author ofThe Quest of Noel Croucher: Hong Kong’s Quiet Philanthropist(Hong Kong University Press: 1998) as well as several privately published works of Hong Kong history and biography. You can find more reviews, excerpts, interviews, and essays atThe Asian Review of Books, including its review ofFortune’s Bazaar. Follow on Twitter at@BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

When meeting an expatriate friend on my first trip to Dubai, the host at the restaurant where we were meeting quickly ushered me up to the second floor. For foreigners, he said—before handing me a wine list. Dubai’s tolerance of alcohol is a more formalized version of Muslim tolerance—and clandestine drinking—of alcohol that dates back to its very inception, despite religious commands to the contrary. Professor Rudi Matthee tells that story inAngels Tapping at the Wine-shop's Door: A History of Alcohol in the Islamic World(Oxford University Press / Hurst, 2023). In this interview, Rudi and I chat about alcohol in the Islamic world: who drank it—and how they excused their behavior—and how non-Muslims ended up being a part of the Muslim drinking world. Rudi Matthee is the John A. Munroe and Dorothy L. Munroe Chair of History at the University of Delaware. He is the author of four prize-winning monographs on Iranian history, and the editor or co-editor of another six books. He is currently President of the Persian Heritage Foundation. You can find more reviews, excerpts, interviews, and essays atThe Asian Review of Books, including its review ofAngels Tapping at the Wine-shop's Door. Follow on Twitter at@BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

The Korean War “ended” exactly fifty years ago at Panmunjom. On July 27, 1953, United States and United Nations commanders on one side, and the North Koreans and Chinese commanders on the other, agreed to an immediate cessation of hostilities. Most histories of the Korean War stop there. Yet the war merely ended in a truce, not a proper peace agreement. The specter of conflict have loomed over the Korean Peninsula in the five decades since, changing development in both North and South Korea as each tries to secure their own future in a conflict that–in theory–could return at any point. We’re joined by Michael J. Seth, who joins the show to talk about this development and his latest book,Korea at War: Conflicts That Shaped the World(Tuttle, 2023). The book is about much more than just the war itself, as Seth looks at Korea’s pre- and post-war history, and how South Korea is unique in charting its own development while still, technically, in a state of war. Michael J. Seth is Professor of History at James Madison University. He has authored several books on Korean history includingA Concise History of Modern Korea: From the Late Nineteenth Century to the Present(Rowman & Littlefield: 2010),A Concise History of Korea: From the Neolithic to the Nineteenth Century(Rowman & Littlefield: 2006), andEducation Fever: Politics, Society and the Pursuit of Schooling in South Korea(University of Hawaii Press: 2002). You can find more reviews, excerpts, interviews, and essays atThe Asian Review of Books, including its review ofKorea at War. Follow on Twitter at@BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

It’s amazing that art historians like Robert Hillenbrand got to study the “Great Mongol Shahnama” at all. 500 pages of Firahdosi’s epic poem, with 300 illustrations, in a manuscript whose leaves are as wide as an ordinary person’s arms. Never completed, never bound, smuggled out of Iran by corrupt dignitaries, and separated and padded out by an unsavory Belgian art dealer. Robert Hillenbrand’s work collects all these disparate illustrations and puts them together in one book, which puts “The Great Mongol Shahnama” back at the center of a sprawling 14th-century Mongol empire. Robert Hillenbrand is an honorary professorial fellow in the Department of Islamic and Middle Eastern Studies at the University of Edinburgh. In this interview, Robert and I talk about the Shahnama—and what makes the “Great Mongol Shahnama” unique—and how the Mongol empire gave this masterpiece’s illustrations recognizable Western and Chinese influences. You can find more reviews, excerpts, interviews, and essays atThe Asian Review of Books, including its review ofThe Great Mongol Shahnama. Follow on Twitter at@BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

As a member of the U.S. National Security Council, Victor Cha flew over the DMZ separating North and South Korea in 2007, following negotiations with Pyongyang. He writes inKorea: A New History of South and North(Yale University Press, 2023)—his latest book with co-author, and previous podcast guest, Ramon Pacheco Pardo—about how he was struck by the environment on both sides of the border. The north had barren fields, no cars, and windowless homes; the south, gleaming skyscrapers in the global city of Seoul. How did these two countries come apart, and then travel down such different trajectories? And, perhaps, what’s the sentiment—in ordinary Koreans in southandnorth—about eventually coming together again? Victor Cha is professor of government at Georgetown University and holds the Korea Chair at the Center for Strategic and International Studies in Washington, D.C. He is a former director for Asian Affairs at the White House National Security Council. Ramon Pacheco Pardo is professor of international relations at King’s College London and the KF-VUB Korea Chair at Free University of Brussels. The three of us talk about Korea pre-WWII history as a unified nation, their eventual split and divergence, and how feelings about unification have changed. (A quick correction: at the time of our interview,Koreahad yet to be released in the U.S., but Ramon has informed me since we talked that the book is now out!) You can find more reviews, excerpts, interviews, and essays atThe Asian Review of Books, Follow on Twitter at@BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Regnum Chinae: The Printed Western Maps of China to 1735(Brill, 2022) does something that no one has ever done before: collect just about every Western printed map of China, from 1584 up until Jean-Baptiste d’Anville’s landmark map in 1735. Marco Caboara, along with his fellow researchers, worked tirelessly to catalog and track down these many different documents, and tells the stories behind each one: “stories marked by scholarly breakthroughs, obsession, missionary zeal, commercial sagacity, and greed.” Marco Caboara is the Digital Scholarship & Archives Manager at the Lee Shau Kee Library at the Hong Kong University of Science and Technology. In this interview, Marco and I talk about this project, what it says about how Europeans understood China, and his favorite maps in the collection. You can find more reviews, excerpts, interviews, and essays atThe Asian Review of Books, including its review ofRegnum Chinae. Follow on Twitter at@BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Dear Chrysanthemums: A Novel in Stories(Scribner: 2023) jumps from character to character, location to location, time period to time period. Two cooks working for Madame Chiang-Kai Shek. A dancer, exiled to Shanghai’s Wukang Mansion. Three women, gathering in a French cathedral, finding strength in each other decades after the protests in Tiananmen. These six interconnected stories make up this debut novel from accomplished poet and translator Fiona Sze-Lorrain, who joins us today, sharing on what guides her when she’s writing, and the importance of the number six in this debut. Fiona Sze-Lorrain is a fiction writer, poet, musician, translator, and editor. She writes and translates in English, French, and Chinese. She is the author of five poetry collections, most recentlyRain in Plural(Princeton University Press: 2020) and The Ruined Elegance (Princeton University Press: 2016), and fifteen books of translation. A finalist for the Los Angeles Times Book Prize and the Best Translated Book Award among other honors, she was a 2019–20 Abigail R. Cohen Fellow at the Columbia Institute for Ideas and Imagination and the inaugural writer-in-residence at the Museo de Arte Latinoamericano de Buenos Aires. You can find more reviews, excerpts, interviews, and essays atThe Asian Review of Books, including its review ofDear Chrysanthemums. Follow on Twitter at@BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

In the late 19th century, a group of Mennonites leave Russia for what is now Uzbekistan. Driven out by Russian demands that the pacifist group make themselves available for conscription, and pushed forward by prophecies of the imminent return of Christ, over a hundred families travel in a grueling journey, eventually building a settlement and church that locals still remember fondly today. Over a century later, the author Sofia Samatar comes across this story when exploring her own Mennonite heritage–and learns that there’s an organized tour. Thus begins a pivot key to her latest book,The White Mosque(Catapult, 2022),combining both historical narrative and travel writing, as Mennonites past and present make the journey to Central Asia. Sofia Samatar is the author of the novelsA Stranger in Olondria(Small Beer Press: 2013) andThe Winged Histories(Small Beer Press: 2017); the short story collectionTender(Small Beer Press: 2017); and Monster Portraits, a collaboration with her brother, the artist Del Samatar. Her work has appeared in several 'best of the year' anthologies, including The Best American Science Fiction and Fantasy. Samatar holds a PhD in African languages and literature from the University of Wisconsin–Madison, and she currently teaches African literature, Arabic literature in translation and speculative fiction at James Madison University. In this interview, Sofia and I talk about both the Mennonite travels to Central Asia, her own journey alongside it–and how that connects to her own experience as someone with multiple backgrounds. You can find more reviews, excerpts, interviews, and essays atThe Asian Review of Books, including its review ofThe White Mosque. Follow on Twitter at@BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

On a trip many years ago to New Delhi, I was struck by an official memorial to Subhas Chandra Bose, the wartime leader of the Indian National Army, the Japan-affiliated force of Indians who fought against the British during the Second World War. India, of course, has a more complex view of the fight against Japan than other countries involved in the War–with these soldiers being contentious, debated and, at times, celebrated. In this interview, I’m joined by Tanvi Srivastava, translator ofThe War Diary of Asha-san: From Tokyo to Netaji's Indian National Army(HarperCollins India: 2022).The book is a unique historical document showing the life of Lt Bharati ‘Asha’ Sahay Choudhry, a 17-year-old Indian girl, raised in Japan, who signed up to fight the British in 1943. While she never quite makes it to the frontlines, her story—as translated by her eventual grandaughter-in-law, Tanvi—discusses the war’s events from a different vantage point. Tanvi Srivastavaalso writes fiction and was a member of the 2021 cohort of the Write Beyond Borders programme funded by the British Council. She has been published in journals like Kitaab, Gulmohur Quarterly, New Anthology of Asian Writing, and The Reading Hour. She can be followed on Twitter at@tanvisrivastavaand on Instagram at@tanvisrivastava_a. You can find more reviews, excerpts, interviews, and essays atThe Asian Review of Books, including its review ofThe War Diary of Asha-san. Follow on Twitter at@BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Opium is an awkward commodity. For the West, it’s a reminder of some of the shadier and best forgotten parts of its history. For China (and a few other countries), it’s a symbol of national humiliation, left to the past–unless it needs to shame a foreign country. But the opium trade survived for decades, through to the end of the Second World War. How did that trade actually work? How was it possible to trade a good that was, at best, tolerated in the strange gap between legal and illegal. This trade is what Peter Thilly covers in his bookThe Opium Business: A History of Crime and Capitalism in Maritime China(Stanford University Press, 2022). In this interview, Peter and I talk about opium, how people traded this quasi-legal good, and the changing opium trade–including a surprising source of illicit drugs in the region. Peter Thilly is Assistant Professor of History at the University of Mississippi. He is currently working on a global microhistory of the 1853 Small Sword Uprising. You can find more reviews, excerpts, interviews, and essays atThe Asian Review of Books, including its review ofThe Opium Business. Follow on Twitter at@BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review