This American Life

For the leadup to Halloween, scary stories that are all true. Zombie raccoons, haunted houses—real haunted houses!—and things that go "EEEEK!!!" in the night. Plus, a story by David Sedarisin which he walks among the dead.

• Ira and Albert Donnay read a true ghost story that appeared in a medical journal in 1921.A "Mrs. H" and her family moved into an old rambling house and strange apparitions started appearing, until her brother-in-law figured out the real cause of the ghostly presences.(6 minutes)
• Act One: Some of the scariest stories happen when fluffy, innocent creatures turn murderously evil. Producer Alex Blumberg tells one such story, about a raccoon gone bad. (13 minutes)
• Act Two: Writer Bill Eville and his brother are picked up on the side of the road late at night, and not taken to their destination.(10 minutes)
• Act Three: We set up a special 800-number for listeners to call with their true-life scary stories.More than 500 people called. The scariest stories we got all had one thing in common.(9 minutes)
• Act Four: One Halloween, David Sedaris decides to skip all the fake monsters and ghosts and zombies and visit the real thing: dead people, in a morgue.(14 minutes)

Transcripts are available at thisamericanlife.org

People who have a good, long time to think about what they’re doing, look hard at what’s ahead of them, and decide to keep moving forward anyway.

• Prologue: Brothers Wes and Jeff spent a winter tagging black bears in Bryce Canyon National Park. One of the bears they needed to tag decided to hibernate at the end of an usually long tunnel. Wes and Jeff try to figure out their next move.(5 minutes)
• Act One: The story of Wes and Jeff venturing into the bear den continues.(11 minutes)
• Act 2: Miki Meek reports on the situation for pregnant women in Idaho under the state’s new, post-Roe abortion laws, which are some of the most restrictive in the country. OB-GYNs say the state is in a crisis. Miki also talks to Idaho legislators who voted for the laws, some of whom now think there should be some changes to the laws.(42 minutes)

Transcripts are available at thisamericanlife.org

People breaking the rules fully, completely, and with no bad consequences. Some justify this by saying they’re doing it for others, or for a greater good. Some really don’t care. And, unlike the mealy weaklings you usually hear on this program: none of these wrongdoers seems regretful about what they’ve done.

• Ira takes a flight with travel writer Ken Hegan, to witness Ken deploying a travel gadget that keeps the seat in front of him from reclining. This means more knee space for Ken — but does he get away with it, really? (6 minutes)
• Act One: A boy rides shotgun in a memorable car ride with his mother, and in the process learns how his father earns money for their family. This story appears in Domingo Martinez’s memoir, The Boy Kings of Texas, which was a finalist for the National Book Award. (17 min)
• Act Two: We asked listeners to call in with their stories of getting away with it, and got nearly 1000 messages. Here are a handful. (6 minutes)
• Act Three: Molly Shannon tells the story of when she and a friend evaded a whole lot of adults to travel half-way across the country, despite the fact that they were twelve years old and wearing tutus. Her story was recorded during a live taping of WTF with Marc Maron. (4 minutes)
• Act Four: Producer Alex Blumberg tells the story of how Oklahoma, against huge odds, came to have the first and best publicly-funded pre-school system in the country, and how one businessman joined the fight because a cardboard box full of evidence convinced him that pre-school was the smartest business decision the state could make. (21 minutes)

Transcripts are available at thisamericanlife.org

We bring the movies to you.

• Prologue: Host Ira Glass revisits the one movie he’s seen more than any other, about an ocean liner that gets hit by a tsunami and flips over.(9minutes)
• Act One: Our producer, Diane Wu, spent most of her life thinking she doesn’t have a unique and personal take on The Sound of Music. She is wrong. (13 minutes)
• Act Two: To cope with the COVID pandemic, producer Sean Cole finds himself turning to a movie about a pandemic. But the virus in this movie isn’t like any you’ve ever heard of. (19 minutes)
• Act Three: Comedian Will Weldon’s ex-wife made a movie loosely based on their marriage. Producer Elna Baker watches the film with Will as he revisits his break-up. (15 minutes)
• Act Four: Jaime Amor does yoga storytelling for kids atCosmic Kids Yogaand onYouTube.We ask her to try taking on a film for grownups. (7 minutes)

Transcripts are available at thisamericanlife.org

Spots we’re avoiding in our private maps of the world.

• Prologue: Guest host Bim Adewunmi talks to her cousin Kamyl about a funny thing Kamyl did when she was small, regarding a dog named Foxy.(4 minutes)
• Act One: Comedian Atsuko Okatsuka moved suddenly from Japan to the U.S. when she was eight years old, and has long joked that it was because her grandmother kidnapped her from her dad. But she'd never talked to anyone in her family about what had actually happened.(31 minutes)
• Act Two: Producer Emmanuel Dzotsi has a tale about something he avoids at all costs, even though it seems to follow him everywhere he goes.(8 minutes)
• Act Three: Writer Tamsyn Muir spent her childhood craving a world that she could not find on earth. So as an adult, she just created it. And it was perfect. Until she became the one person who couldn't go there.(12 minutes)

Transcripts are available at thisamericanlife.org

An exploration of the very upper limits of what you do for someone you love.

• Prologue: Host Ira Glass explains what we’re doing on today’s show.(2 minutes)
• Act One: Amy Bloom tells the story of her husband, Brian, getting Alzheimer's and wanting assisted suicide. Her search to find a way to do that led her to Dignitas, in Switzerland. Hear this intimate and frank account of the experience they go through, excerpted from her book, IN LOVE. (39 minutes)
• Act Two: Comedian Zarna Garg tells jokes onstage about the extreme ways she tries to control her daughter Zoya’s life. Zoya explains, they’re not really jokes. Ira Glass talks to both of them about it.(15 minutes)

Transcripts are available at thisamericanlife.org

Friends and ex-friends finally talk about the one thing between them they've been avoiding.

• Prologue: Host Ira Glass tells a story he’s never told anyone before, about something someone said to him.(4 minutes)
• Act One: Gabe Mollica had something important he needed to discuss with his friend — stewed about it for eight years. But rather than go to that friend, he talked about it with everyone other than that one person.(28 minutes)
• Act Two: Jasmine and Gabbie are best friends. BFFs! But there’s something major that they’ve never been able to talk about. Something so important that it makes them wonder, who does this person even think I am?(23minutes)

Transcripts are available at thisamericanlife.org

One call to a very unusual hotline, and everything that followed.

• Prologue: Ira talks about a priest who set up what may have been the first hotline in the United States. It was just him, answering a phone, trying to help strangers who called. (2 minutes)
• Act One: The Never Use Alone hotline was set up so that drug users can call if they are say, using heroin by themselves. Someone will stay on the line with them in case they overdose. We hear the recording of one call, from a woman named Kimber. (13 minutes)
• Act Two: An EMT learns he was connected to the call, in more ways than he realized. (16 minutes)
• Act Three: Jessie, who took the call, explains how she discovered the hotline. She keeps in touch with Kimber. Until one day, Kimber disappears. (16 minutes)
• Act Four: We learn what happened to Kimber after she called the line. (10 minutes)

Transcripts are available at thisamericanlife.org

Nine radio reporters. Two days. One rest stop on the New York State Thruway. Stories of people who are just passing through, and the ones who can’t leave, because this is where their jobs are.

• Act One: Host Ira Glass describes scenes from a rest stop on the New York State Thruway, the Plattekill Travel Plaza, and the kind of people you might meet if you ever stayed long enough to talk with them. These include Robert Woodhill, the general manager, who needs a good sales day so he can beat his friend Andy, who manages a rest stop in Maine, in their weekly competition. Ira hangs out with a group of foreign students who’ve landed in Plattekill on a summer work program, and reporter Lisa Pollak gets travel tips from Lenny Wheat, who works at the rest stop’s information booth. Reporter Jonathan Goldstein spends a few hours in the rest stop parking lot. (30 minutes)
• Act Two: More stories of travelers and workers at a highway rest stop. The competition between Plattekill and Maine continues. Reporter Sean Cole observes the lunch rush at the rest stop’s busiest restaurant and stumbles into a behind-the-scenes romance. Reporter Gregory Warner watches a cashier at the Travel Mart deal with an angry customer. Reporters Nancy Updike and Jay Allison hang out for the graveyard shift – midnight to 8 a.m. – and find a surprising amount of romance at the rest stop. (26 minutes)

Transcripts are available at thisamericanlife.org

The mysterious hold supers have on their buildings, or that their buildings have on them.

• Host Ira Glass visits the Upper East Side building in Manhattan where Peter Roach has been thesuper for about ten years. Peter has a lot of keys. He doesn't know what most of them unlock. (4 minutes)
• Act One: Reporter Jack Hitt tells the story of how he helped organize tenants and threaten a rent strike in aNew York City building back in the 1980s. Before long, Bob, the building super became his enemy.The situation got pretty ugly. Mobster ugly. Bob began to brag about how important he was in his native Brazil, how he could kill a person and be immune from prosecution. Only many years laterdid Jack find out how dangerous Bob really was. (23 minutes)
• Act Two: The super in Josh Bearman's Los Angeles building was kind of a needy character. He wouldsometimes ask Josh to come into his apartment and help him out -- check whether his garbagewas being moved by a ghost, for example. Then one day he told Josh a story that involved theseelements: a gas station, a beautiful woman, an orchid, a snowman, Indonesia, and a check he'dwritten for $30,000. It was so crazy, that naturally, Josh believed it. (12 minutes)
• Act Three: A man who we're calling "Dennis" inherits his father's job as a landlord of a big apartment building.His dad had warned him that bad tenants could drive even a good man to become heartless, butDennis vowed that would never happen to him. He's tested on this point when he tries to help acouple that falls behind in their rent. He sets up a payment plan for them, teaches them how tomake a budget, helps them with their personal problems. For six years, he stops himself fromkicking them out. This story was co-produced by Sonari Glinton. (16 minutes)

Transcripts are available at thisamericanlife.org