From The Red House

The extracts from Britten’s letters and other writings are read by Dr Nicholas Clark, Librarian at Britten Pears Arts. The extracts from Curlew River are from the 1966 Decca recording directed by Britten and Viola Tunnard (with grateful thanks to Decca and Faber Music). The extracts from the English language performance of Sumida River were kindly provided by Dr Kevin Salfen from the University of the Incarnate Word, Texas. It was written by Richard Emmert, based on the play Sumidigawa by Kanze Motomasa. Shite (Madwoman) – Ōshima Kinue; Waki (Boatman) – Richard Emmert; Tsure (Traveller) – Matthew Dubroff; Kokata (Spirit of the Boy) – Miriam Dubroff; Otsuzumi – Ōkura Eitarō; Kotsuzumi – James Ferner; Nohkan – Kevin Salfen; Chorus Leader – Joyce Lim; Chorus – Members of Theatre Nohgaku and students at the University of the Incarnate Word.

The musical tracks in this podcast are all from A Ceremony of Carols. The recording is performed by the National Youth Girls Choir, with Vicky Lester on harp, conducted by Esther Jones. With grateful thanks to Delphian Records for allowing us to use extracts from this recording.

Lucy is joined by two of this year's composers - Roderick Williams and Kerry Andrew - and by Sophia Allen, our Head of Community. Tune in to find out how the Friday Afternoons songs - past and present - have reached thousands of schoolchildren, and inspired creative artists of all kind.

In this month’s podcast we celebrate the fascinating subject of song and singing. We start with Benjamin Britten, and his lifelong attachment to song – inspired to explore it in multiple ways by his partner Peter Pears’ voice, by poetry, and by the occasion he was composing for. Following his example, Britten Pears Arts has song at the very centre of its work. Lucy is joined by Dr Chris Hilton (Head of Archive and Library) and Caro Barnfield (Head of Music Programme) who discuss how song manifests in the continuing work of the organisation, from teasing out stories in the archive collections, to featuring strongly in the Britten Pears Young Artist Programme, to performances on the stage, and to serving the wider community. Lucy speaks to two further guests who have directly benefited from the remarkable song legacy of Britten Pears Arts, composer Arthur Keegan and mezzo-soprano Lotte Betts Dean. They are working together on a project based around the poetry of Thomas Hardy, a writer whose words have been passed from composer to composer over the last 100 years, continuing to find their way into song. The music extracts are performed by Lotte Betts Dean, James Girling and the Ligeti Quartet.

In 2023 we mark the 400th anniversary of the deaths of two composers who wrote beautiful music, and who lived in extraordinary times. William Byrd (c.1540-1623) lived through a remarkably turbulent period of history, under no fewer than six monarchs. He wrote a huge amount of exquisite choral works, including Catholic masses which – depending who was on the throne – would only have been performed under conditions of secrecy. Thomas Weelkes (1576-1623) was an organist and composer, best-known for his brilliant and vivid madrigals (as well as for his somewhat chaotic lifestyle).

Music

Opening and ending: ‘Kyrie’ and ‘Agnus Dei’ from Byrd’s Mass for Four Voices. Performed by the Marian Consort, conducted by Rory McCleery from the album Singing in Secret (Delphian, 2020).

During the podcast: Byrd’s ‘Ave verum corpus’. Performed by the Choir of Merton College, Oxford conducted by Peter Philips from the album Viri Galilaei: Favourite Anthems from Merton (Delphian, 2016).

With grateful thanks to Delphian for giving us permission to use these recordings.

Tune in to the final podcast of Season 3 (recorded in June 2021) to hear about Alma Mahler's work, the potent combination of opera, film and fashion house (a link to the film Elise discusses can be found here https://www.youtube.com/watch?v=NhgwmZQVgJE), and the power of song to connect people in isolation. Plus, some beautiful tracks for the podcast playlist.

Tune in to hear more about Hannah's work, how she has been inspired by Britten's music, how the life and work of both Britten and Pears can still be sensed at The Red House, and what a Creative Retreat in the grounds of their former home has meant to her. Plus, further additions to the podcast playlist - four brilliant tracks that are all about couples.

Tune in to find out how Alternative Classical engages with new listeners, how to explore an exciting range of classical music performances, and how to play Concert Roulette! Plus, as usual there are some excellent additions to the podcast playlist.

Tune in for a remarkable conversation about the environment, music, Britten's home town of Lowestoft, the fascinating and valuable relationships between musicians and environmental causes, and how music of all kinds can deeply affect the emotions.

Tune in for a fascinating conversation about the background, creation, and ethos of the multi-media music piece BEAM: Everybody Can Stand in their Own Light. The remarkable creative team behind this work (Nadine Benjamin, lead artists/co-dramaturg, Darren Abrahams, co-dramaturg and trauma specialist, and Claire Shovelton, senior producer and photographer) have a background not only in music but in psychology, the treatment of trauma, and Neuro-Linguistic Programming (NLP). The podcast explores the powerful effect of music in myriad ways, including the treatment of trauma. The team also discuss their aspirations regarding new ways of collaborative working.

Plus, some contributions to our podcast playlist, plus two excerpts from BEAM - 'E strano' from Verdi's La Traviata (recording from Nadine's 'Love and Prayer' album), and 'Champagne Queen'.

Lyrics and Melody written by Nadine Benjamin and Music written by Nadine Benjamin and IZIT-U

Guitar - Dan Bell

Bass - Oli Lee

Drums - Aidan Torode

Keys - Jake Bowser

BEAM was supported by a Britten Pears Arts residency.
Photo: Claire Shovelton