In Our Time: Culture
by BBC Radio 4
Popular culture, poetry, music and visual arts and the roles they play in our society.
Copyright: (C) BBC 2024
Episodes
Persuasion
50m · Published
Melvyn Bragg and guests discuss Jane Austen’s last complete novel, which was published just before Christmas in 1817, five months after her death. It is the story of Anne Elliot, now 27 and (so we are told), losing her bloom, and of her feelings for Captain Wentworth who she was engaged to, 8 years before – an engagement she broke off under pressure from her father and godmother. When Wentworth, by chance, comes back into Anne Elliot's life, he is still angry with her and neither she nor Austen's readers can know whether it is now too late for their thwarted love to have a second chance.
The image above is from a 1995 BBC adaptation of the novel, with Amanda Root and Ciarán Hinds
With
Karen O’Brien
Vice-Chancellor of Durham University
Fiona Stafford
Professor of English Language and Literature at the University of Oxford
And
Paddy Bullard
Associate Professor of English Literature and Book History at the University of Reading
Producer: Simon Tillotson
Citizen Kane
53m · Published
Melvyn Bragg and guests discuss Orson Welles' film, released in 1941, which is widely acclaimed as one of the greatest, if not the greatest, films yet made. Welles plays the lead role of Charles Foster Kane, a newspaper magnate, and Welles directed, produced and co-wrote this story of loneliness at the heart of a megalomaniac. The plot was partly inspired by the life of William Randolph Hearst, who then used the power of his own newspapers to try to suppress the film’s release. It was to take some years before Citizen Kane reached a fuller audience and, from that point, become so celebrated.
The image above is of Kane addressing a public meeting while running for Governor.
With
Stella Bruzzi
Professor of Film and Dean of Arts and Humanities at University College London
Ian Christie
Professor of Film and Media History at Birkbeck, University of London
And
John David Rhodes
Professor of Film Studies and Visual Culture at the University of Cambridge
Producer: Simon Tillotson
The Nibelungenlied
54m · Published
Melvyn Bragg and guests discuss The Song of the Nibelungs, a twelfth century German epic, full of blood, violence, fantasy and bleakness. It is a foundational work of medieval literature, drawing on the myths of Scandinavia and central Europe. The poem tells of two couples, Siegfried and Kriemhild and Gunther and Brunhilda, whose lives are destroyed by lies and revenge. It was extremely popular in its time, sometimes rewritten with happier endings, and was rediscovered by German Romantics and has since been drawn from selectively by Wagner, Fritz Lang and, infamously, the Nazis looking to support ideas on German heritage.
The image above is of Siegfried seeing Kriemhild for the first time, a miniature from the Hundeshagenschen Code manuscript dating from 15th Century.
With
Sarah Bowden
Reader in German and Medieval Studies at King’s College London
Mark Chinca
Professor of Medieval German and Comparative Literature at the University of Cambridge
And
Bettina Bildhauer
Professor of Modern Languages at the University of St Andrews
Producer: Simon Tillotson
Bauhaus
56m · Published
Melvyn Bragg and guests discuss the Bauhaus which began in 1919 in Weimar, Germany, as a school for arts and crafts combined, and went on to be famous around the world. Under its first director, Walter Gropius, the Bauhaus moved to Dessau and extended its range to architecture and became associated with a series of white, angular, flat-roofed buildings reproduced from Shanghai to Chicago, aimed for modern living. The school closed after only 14 years while at a third location, Berlin, under pressure from the Nazis, yet its students and teachers continued to spread its ethos in exile, making it even more influential.
The image above is of the Bauhaus Building, Dessau, designed by Gropius and built in 1925-6
With
Robin Schuldenfrei
Tangen Reader in 20th Century Modernism at The Courtauld Institute of Art
Alan Powers
History Leader at the London School of Architecture
And
Michael White
Professor of the History of Art at the University of York
Producer: Simon Tillotson
Wilfred Owen
56m · Published
Melvyn Bragg and guests discuss the celebrated British poet of World War One. Wilfred Owen (1893-1918) had published only a handful of poems when he was killed a week before the end of the war, but in later decades he became seen as the essential British war poet. His works such as Anthem for Doomed Youth, Strange Meeting and Dulce et Decorum Est went on to be inseparable from the memory of the war and its futility. However, while Owen is best known for his poetry of the trenches, his letters offer a more nuanced insight into him such as his pride in being an officer in charge of others and in being a soldier who fought alongside his comrades.
With
Jane Potter
Reader in The School of Arts at Oxford Brookes University
Fran Brearton
Professor of Modern Poetry at Queen’s University Belfast
And
Guy Cuthbertson
Professor of British Literature and Culture at Liverpool Hope University
Producer: Simon Tillotson
Berthe Morisot
1h 0m · Published
Melvyn Bragg and guests discuss one of the influential painters at the heart of the French Impressionist movement: Berthe Morisot (1841-1895). The men in her circle could freely paint in busy bars and public spaces, while Morisot captured the domestic world and found new, daring ways to paint quickly in the open air. Her work shows women as they were, to her: informal, unguarded, and not transformed or distorted for the eyes of men. The image above is one of her few self-portraits, though several portraits of her survive by other artists, chiefly her sister Edma and her brother-in-law Edouard Manet.
With
Tamar Garb
Professor of History of Art at University College London
Lois Oliver
Curator at the Royal Academy and Adjunct Professor of Art History at the American University of Notre Dame London.
And
Claire Moran
Reader in French at Queen's University Belfast
Producer: Simon Tillotson
Nineteen Eighty-Four
52m · Published
Melvyn Bragg and guests discuss George Orwell's (1903-1950) final novel, published in 1949, set in a dystopian London which is now found in Airstrip One, part of the totalitarian superstate of Oceania which is always at war and where the protagonist, Winston Smith, works at the Ministry of Truth as a rewriter of history: 'Who controls the past,' ran the Party slogan, 'controls the future: who controls the present controls the past.' The influence of Orwell's novel is immeasurable, highlighting threats to personal freedom with concepts he named such as doublespeak, thoughtcrime, Room 101, Big Brother, memory hole and thought police.
With
David Dwan
Professor of English Literature and Intellectual History at the University of Oxford
Lisa Mullen
Teaching Associate in Modern Contemporary Literature at the University of Cambridge
And
John Bowen
Professor of English Literature at the University of York
Producer: Simon Tillotson
John Bull
53m · Published
Melvyn Bragg and guests discuss the origin of this personification of the English everyman and his development as both British and Britain in the following centuries. He first appeared along with Lewis Baboon (French) and Nicholas Frog (Dutch) in 1712 in a pamphlet that satirised the funding of the War of the Spanish Succession. The author was John Arbuthnot (1667-1735), a Scottish doctor and satirist who was part of the circle of Swift and Pope, and his John Bull was the English voter, overwhelmed by taxes that went not so much into the war itself but into the pockets of its financiers. For the next two centuries, Arbuthnot’s John Bull was a gift for cartoonists and satirists, especially when they wanted to ridicule British governments for taking advantage of the people’s patriotism.
The image above is by William Charles, a Scottish engraver who emigrated to the United States, and dates from 1814 during the Anglo-American War of 1812.
With
Judith Hawley
Professor of 18th Century Literature at Royal Holloway, University of London
Miles Taylor
Professor of British History and Society at Humboldt, University of Berlin
And
Mark Knights
Professor of History at the University of Warwick
Producer: Simon Tillotson
Dylan Thomas
50m · Published
Melvyn Bragg and guests discuss the celebrated Welsh poet, Dylan Thomas (1914 - 1953). He wrote some of his best poems before he was twenty in the first half of his short, remarkable life, and was prolific in the second half too with poems such as those set in London under the Blitz and reworkings of his childhood in Swansea, and his famous radio play Under Milk Wood (performed after his death). He was read widely and widely heard: with his reading tours in America and recordings of his works that sold in their hundreds of thousands after his death, he is credited with reviving the act of poetry as performance in the 20th century.
With
Nerys Williams
Associate Professor of Poetry and Poetics at University College Dublin
John Goodby
Professor of Arts and Culture at Sheffield Hallam University
And
Leo Mellor
The Roma Gill Fellow in English at Murray Edwards College, University of Cambridge
Producer: Simon Tillotson
Tang Era Poetry
46m · Published
Melvyn Bragg and guests discuss two of China’s greatest poets, Li Bai and Du Fu, who wrote in the 8th century in the Tang Era. Li Bai (701-762AD) is known for personal poems, many of them about drinking wine, and for finding the enjoyment in life. Du Fu (712-770AD), a few years younger, is more of an everyman, writing in the upheaval of the An Lushan Rebellion (755-763AD). Together they have been a central part of Chinese culture for over a millennium, reflecting the balance between the individual and the public life, and one sign of their enduring appeal is that there is rarely agreement on which of them is the greater.
The image above is intended to depict Du Fu.
With
Tim Barrett
Professor Emeritus of East Asian History at SOAS, University of London
Tian Yuan Tan
Shaw Professor of Chinese at the University of Oxford and Professorial Fellow at University College
And
Frances Wood
Former Curator of the Chinese Collections at the British Library
Producer: Simon Tillotson
In Our Time: Culture has 284 episodes in total of non- explicit content. Total playtime is 202:34:13. The language of the podcast is English. This podcast has been added on November 28th 2022. It might contain more episodes than the ones shown here. It was last updated on May 26th, 2024 06:40.
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