In Our Time: Culture
by BBC Radio 4
Popular culture, poetry, music and visual arts and the roles they play in our society.
Copyright: (C) BBC 2024
Episodes
The Decadent Movement
51m · Published
Melvyn Bragg and guests discuss the British phase of a movement that spread across Europe in the mid-19th and early 20th centuries. Influenced by Charles Baudelaire and by Walter Pater, these Decadents rejected the mainstream Victorian view that art needed a moral purpose, and valued instead the intense sensations art provoked, celebrating art for art’s sake. Oscar Wilde was at its heart, Aubrey Beardsley adorned it with his illustrations and they, with others, provoked moral panic with their supposed degeneracy. After burning brightly, the movement soon lost its energy in Britain yet it has proved influential.
The illustration above, by Beardsley, is from the cover of the first edition of The Yellow Book in April 1894.
With
Neil Sammells
Professor of English and Irish Literature and Deputy Vice Chancellor at Bath Spa University
Kate Hext
Senior Lecturer in English Literature at the University of Exeter
And
Alex Murray
Senior Lecturer in English at Queen’s University, Belfast
Producer: Simon Tillotson
The Song of Roland
51m · Published
Melvyn Bragg and guests discuss an early masterpiece of French epic poetry, from the 12th Century. It is a reimagining of Charlemagne’s wars in Spain in the 8th Century in which Roland, his most valiant knight, chooses death before dishonour, guarding the army’s rear from a pagan ambush as it heads back through the Roncesvalles Pass in the Pyrenees. If he wanted to, Roland could blow on his oliphant, his elephant tusk horn, to summon help by calling back Charlemagne's army, but according to his values that would bring shame both on him and on France, and he would rather keep killing pagans until he is the last man standing and the last to die.
The image above is taken from an illustration of Charlemagne finding Roland after the Battle of Roncevaux/Roncesvalles, from 'Les Grandes Chroniques de France', c.1460 by Jean Fouquet, Bibliotheque Nationale, Paris, Ms Fr 6465 f.113
With
Laura Ashe
Professor of English Literature and Fellow in English at Worcester College, University of Oxford
Miranda Griffin
Assistant Professor of Medieval French at the University of Cambridge and Fellow of Murray Edwards College
And
Luke Sunderland
Professor in the School of Modern Languages and Cultures at Durham University
Studio producer: John Goudie
Iris Murdoch
54m · Published
Melvyn Bragg and guests discuss the author and philosopher Iris Murdoch (1919 - 1999). In her lifetime she was most celebrated for her novels such as The Bell and The Black Prince, but these are now sharing the spotlight with her philosophy. Responding to the horrors of the Second World War, she argued that morality was not subjective or a matter of taste, as many of her contemporaries held, but was objective, and good was a fact we could recognize. To tell good from bad, though, we would need to see the world as it really is, not as we want to see it, and her novels are full of characters who are not yet enlightened enough to do that.
With
Anil Gomes
Fellow and Tutor in Philosophy at Trinity College, University of Oxford
Anne Rowe
Visiting Professor at the University of Chichester and Emeritus Research Fellow with the Iris Murdoch Archive Project at Kingston University
And
Miles Leeson
Director of the Iris Murdoch Research Centre and Reader in English Literature at the University of Chichester
Producer: Simon Tillotson
The Tenant of Wildfell Hall
49m · Published
Melvyn Bragg and guests discuss Anne Bronte's second novel, published in 1848, which is now celebrated alongside those of her sisters but which Charlotte Bronte tried to suppress as a 'mistake'. It examines the life of Helen, who has escaped her abusive husband Arthur Huntingdon with their son to live at Wildfell Hall as a widow under the alias 'Mrs Graham', and it exposes the men in her husband's circle who gave her no choice but to flee. Early critics attacked the novel as coarse, as misrepresenting male behaviour, and as something no woman or girl should ever read; soon after Anne's death, Charlotte suggested the publisher should lose it for good. In recent decades, though, its reputation has climbed and it now sits with Jane Eyre and Wuthering Heights as one of the great novels by the Bronte sisters.
The image above shows Tara Fitzgerald as Helen Graham in a 1996 BBC adaptation.
With
Alexandra Lewis
Lecturer in English and Creative Writing at the University of Newcastle (Australia)
Marianne Thormählen
Professor Emerita in English Studies, Lund University
And
John Bowen
Professor of Nineteenth Century Literature at the University of York
Producer: Simon Tillotson
Herodotus
52m · Published
Melvyn Bragg and guests discuss the Greek writer known as the father of histories, dubbed by his detractors as the father of lies. Herodotus (c484 to 425 BC or later) was raised in Halicarnassus in modern Turkey when it was part of the Persian empire and, in the years after the Persian Wars, set about an inquiry into the deep background to those wars. He also aimed to preserve what he called the great and marvellous deeds of Greeks and non-Greeks, seeking out the best evidence for past events and presenting the range of evidence for readers to assess. Plutarch was to criticise Herodotus for using this to promote the least flattering accounts of his fellow Greeks, hence the 'father of lies', but the depth and breadth of his Histories have secured his reputation from his lifetime down to the present day.
With
Tom Harrison
Professor of Ancient History at the University of St Andrews
Esther Eidinow
Professor of Ancient History at the University of Bristol
And
Paul Cartledge
A. G. Leventis Senior Research Fellow at Clare College, University of Cambridge
Producer: Simon Tillotson
Shakespeare's Sonnets
52m · Published
Melvyn Bragg and guests discuss the collection of poems published in 1609 by Thomas Thorpe: Shakespeare’s Sonnets, “never before imprinted”. Yet, while some of Shakespeare's other poems and many of his plays were often reprinted in his lifetime, the Sonnets were not a publishing success. They had to make their own way, outside the main canon of Shakespeare’s work: wonderful, troubling, patchy, inspiring and baffling, and they have appealed in different ways to different times. Most are addressed to a man, something often overlooked and occasionally concealed; one early and notorious edition even changed some of the pronouns.
With:
Hannah Crawforth
Senior Lecturer in Early Modern Literature at King’s College London
Don Paterson
Poet and Professor of Poetry at the University of St Andrews
And
Emma Smith
Professor of Shakespeare Studies at Hertford College, Oxford
Producer: Simon Tillotson
Edward Gibbon
52m · Published
Melvyn Bragg and guests discuss the life and ideas of one of the great historians, best known for his History of the Decline and Fall of the Roman Empire (published 1776-89). According to Gibbon (1737-94) , the idea for this work came to him on 15th of October 1764 as he sat musing amidst the ruins of Rome, while barefooted friars were singing vespers in the Temple of Jupiter. Decline and Fall covers thirteen centuries and is an enormous intellectual undertaking and, on publication, it became a phenomenal success across Europe.
The image above is of Edward Gibbon by Henry Walton, oil on mahogany panel, 1773.
With
David Womersley
The Thomas Wharton Professor of English Literature at St Catherine’s College, University of Oxford
Charlotte Roberts
Lecturer in English at University College London
And
Karen O’Brien
Professor of English Literature at the University of Oxford
Producer: Simon Tillotson
Journey to the West
51m · Published
Melvyn Bragg and guests discuss one of the great novels of China’s Ming era, and perhaps the most loved. Written in 1592, it draws on the celebrated travels of a real monk from China to India a thousand years before, and on a thousand years of retellings of that story, especially the addition of a monkey as companion who, in the novel, becomes supersimian. For most readers the monk, Tripitaka, is upstaged by this irrepressible Monkey with his extraordinary powers, accompanied by the fallen but recovering deities, Pigsy and Sandy.
The image above, from the caricature series Yoshitoshi ryakuga or Sketches by Yoshitoshi, is of Monkey creating an army by plucking out his fur and blowing it into the air, and each hair becomes a monkey-warrior.
With
Julia Lovell
Professor of Modern Chinese History and Literature at Birkbeck, University of London
Chiung-yun Evelyn Liu
Associate Research Fellow at the Institute of Chinese Literature and Philosophy, Academia Sinica, Taiwan
And
Craig Clunas
Professor Emeritus of the History of Art at Trinity College, University of Oxford
Producer: Simon Tillotson
Ovid
49m · Published
Melvyn Bragg and guests discuss the Roman poet Publius Ovidius Naso (43BC-17/18AD) who, as he described it, was destroyed by 'carmen et error', a poem and a mistake. His works have been preserved in greater number than any of the poets of his age, even Virgil, and have been among the most influential. The versions of many of the Greek and Roman myths we know today were his work, as told in his epic Metamorphoses and, together with his works on Love and the Art of Love, have inspired and disturbed readers from the time they were created. Despite being the most prominent poet in Augustan Rome at the time, he was exiled from Rome to Tomis on the Black Sea Coast where he remained until he died. It is thought that the 'carmen' that led to his exile was the Art of Love, Ars Amatoria, supposedly scandalising Augustus, but the 'error' was not disclosed.
With
Maria Wyke
Professor of Latin at University College London
Gail Trimble
Brown Fellow and Tutor in Classics at Trinity College at the University of Oxford
And
Dunstan Lowe
Senior Lecturer in Latin Literature at the University of Kent
Producer: Simon Tillotson
The Bacchae
52m · Published
Melvyn Bragg and guests discuss Euripides' great tragedy, which was first performed in Athens in 405 BC when the Athenians were on the point of defeat and humiliation in a long war with Sparta. The action seen or described on stage was brutal: Pentheus, king of Thebes, is torn into pieces by his mother in a Bacchic frenzy and his grandparents condemned to crawl away as snakes. All this happened because Pentheus had denied the divinity of his cousin Dionysus, known to the audience as god of wine, theatre, fertility and religious ecstasy.
The image above is a detail of a Red-Figure Cup showing the death of Pentheus (exterior) and a Maenad (interior), painted c. 480 BC by the Douris painter. This object can be found at the Kimbell Art Museum in Fort Worth, Texas.
With
Edith Hall
Professor of Classics at King’s College London
Emily Wilson
Professor of Classical Studies at the University of Pennsylvania
And
Rosie Wyles
Lecturer in Classical History and Literature at the University of Kent
Producer: Simon Tillotson
In Our Time: Culture has 284 episodes in total of non- explicit content. Total playtime is 202:34:13. The language of the podcast is English. This podcast has been added on November 28th 2022. It might contain more episodes than the ones shown here. It was last updated on May 26th, 2024 06:40.
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