Lost Notes

In episode two of Bent By Nature, co-producer Bob Carlson explores the life of influential and enigmatic DJ Deirdre O’Donoghue behind the mic. Born in New York City and DJing across the country before landing at KCRW to host "SNAP!", O’Donoghue didn’t talk much about her past or private life — even in the face of personal demons, and eventually, her deteriorating health. 

But O’Donoghue’s fierce passion for music manifested in close friendships with those who came through her studio and beyond, from artists like Michael Stipe and Julian Cope, to record store owners, to young station volunteers she nurtured and mentored. Even amidst a kind of self-appointed solitude, O’Donoghue devoted herself to those she chose to let in, coming to the aid of artists in dire straits and offering solace within her record-filled apartment alongside a cup of tea and her cherished pet birds.  

Her presence could, and did, change lives. Here, some of O’Donoghue’s closest friends, including Concrete Blonde’s Johnette Napolitano, Tricia Halloran, and the late Pat Fish of Jazz Butcher, reflect on O’Donoghue’s life away from the studio and the many stories they shared. 

Before Soundcloud and Bandcamp, there was Deirdre O'Donoghue and "SNAP!," the LA DJ and radio show that served as a waypoint for underground music, artists, and its fans — and helped shape the sound of independent and D.I.Y. culture today.  In the first episode of "Bent By Nature," co-producer Bob Carlson introduces O’Donoghue and goes inside the community she cultivated, her passion for music, and the problems she had with KCRW’s management and staff.  Featuring archival live performances by Camper Van Beethoven, the Meat Puppets, Glass Eye, Jazz Butcher, the Dream Syndicate, and more.

She was the most influential American DJ you’ve never heard of. Deirdre O’Donoghue was a vital force in the musical underground of the 1980s. Countless artists crammed into her studio to perform live on her late-night show, “SNAP!” on KCRW. And after 40 years, those legendary sessions will be heard again. Join Michael Stipe, Henry Rollins, Julian Cope, and more for a sound-packed series from the producers of Lost Notes and Unfictional transporting you to the heyday of ‘80s independent music and the DJ who shaped it.

In 1980, anti-disco sentiment was at a high and Grace Jones was coming off a trilogy of disco albums. If she stayed stagnant, it felt like her career could be swept away. And so out of disco’s death rattle – driven by the discomfort of white male tastemakers – Grace Jones rose, reinforced and reimagined in a new decade freshly obsessed with risk.

Most know Minnie Riperton because of one part in one song. “Lovin’ You” was Riperton’s biggest hit, and she doesn’t sing that magic, piercing note until around the 3-minute mark. Cancer took Riperton away tragically in 1979, and the next year producers got to work on a posthumous album. Filled with leftover recordings and celebrity cameos, “Love Lives Forever” is an album full of ghosts.

In December of 1980, two exiled artists and freedom fighters attempted return to their home in South Africa for a concert. Jazz musician Hugh Masekela and singer Miriam Makeba were briefly married, but they had a robust collaborative relationship that stretched across multiple decades. The 1980 concert wound up happening in neighboring Lesotho — and the performance became about defiance, namely against the Apartheid government in South Africa. But a recording mishap meant the concert needed to be recorded in a more intimate, perhaps even better, setting.

Punk singer Darby Crash dreamed of immortality. The single full-length Germs album was to become a holy grail of music history, and his passing might’ve made him a legend, but Darby Crash died on December 7th, 1980. By the time the news of his death began to circulate, it was well into December 8th, the day John Lennon was shot by Mark David Chapman. As radio stations in Los Angeles began to start their marathon of Germs songs, John Lennon lay dying in New York, at the doorway to his apartment. Eventually news and radio stations broke away to deliver what must have seemed like a larger, more urgent heartbreak.

In May of 1980, Joy Division lost its lead singer, Ian Curtis. The band decided that they would carry on with a different name. From the cutting room floor, a song with Ian Curtis haphazardly slurring the words he’d written became the first single for a decade-defining band. New Order was made up of people who were weighed down by grief and regrets. Straining themselves to make sure they did justice to the words Ian Curtis couldn’t bring himself to sing.

In 1979, "Rapper’s Delight" was released and went on to become the first Top 40 hip-hop single. Sugarhill Gang almost had no choice but to follow the single up with a full-length. So in the early months of 1980, a six song, nearly forty minute album by a rap group was released. The debut, self-titled album by the Sugarhill Gang wasn’t received without controversy, and wasn’t received without skepticism. When one thinks about the greatest rap groups of all time, Sugarhill Gang might be an afterthought, says Lost Notes host Hanif Abdurraqib. But, sometimes, legacy is not about the spark itself, but about the flame the spark causes.

Stevie Wonder released seven albums from 1970 to 1976. It is an impenetrable run of albums and songs, one of the greatest in music history. Then, in 1979, he faced his first defeat of the decade. Reviews for “Stevie Wonder’s Journey Through The Secret Life of Plants” were harshly mixed. So in 1980 Stevie was due for a comeback. Lost Notes host Hanif Abdurraqib reflects on the album and Wonder’s call for the observation of Martin Luther King’s birthday as a national holiday.