Applied Theatre Podcast cover logo

S01 E03 - Philip ‘J’ Morris & Keiren Hamilton-Amos - The Lightpost Company

1h 19m · Applied Theatre Podcast · 05 Nov 14:31

Keiren & I interviewed Philip Morris about their experiences producing and facilitating ‘The Lightpost Comany’ during their time working for Birmingham Rep. We then spoke to Philip about his career to date and his journey from a graduate to now working for Young Vic.

Thank you to both Keiren and Philip.

The Lightpost Project. -

"The aim was simply to create a safe space where young Black men could feel acknowledged, listened to and celebrated. We had wished something like this had existed when we were younger so it only felt right to seize the opportunity and do so." - Philip Morris

"The joy of Black men couldn't always be seen through all the stigma and stereotypes, we wanted Lightpost to be a place for them to see it in each other and themselves" - Keiren Hamilton-Amos

Successfully receiving funding from MIND, at the end of the two years Philip felt that there was a real need for a young Black male theatre group. He wanted to run something that would continue beyond a limited time frame and create a group where the devised work reflected who they were. Above all, he wanted to form a brotherhood that could and would always support each other.

After securing a permanent job as Youth Theatre Director at The REP, Philip (with support of his best friend Keiren Hamilton-Amos) began a theatre group of young Black men, creating theatre in a rehearsal room.

Following the success of the 'Up My Street' pilot, the project partners successfully secured significant funding from the Lottery Community Fund for a 3 year programme called 'Shifting The Dial'. The project is a unique partnership between The REP, Birmingham and Solihull Mental Health Foundation Trust, First Class Legacy and the Centre For Mental Health.

Shifting The Dial funding enabled Philip to develop his theatre group intoLightpost Theatre Company - an incredible training ground, but also a safe space to develop confidence and resilience. Performing in shows that actively challenge social stigmas, and ideas associated with young Black men, the group used theatre as a gateway to create new plays of social and historical context. Lightpost remain a key element of the Shifting The Dial project.

The impact that Lightpost has had on The REP is immeasurable, performing work to national decision makers and commissioners in theatres and at conferences. Not only that, their alumni have gone onto many things, from becoming actors and writers to going to University or working in different sectors, but one thing remains, they have a brotherhood forever.

Today, the group continues to evolve, but it started with 2 young Black men wanting to create theatre, make change and provide support and mentorship to young Black men in the West Midlands.

With Philip'svision, Keiren's experience and their combined hard work, the Lightpost baton has been passed onto the next generation of Black male theatre makers (CJ Lloyd Webley & Mathias André), leading Lightpost into a new iteration. - Courtesy of Birmingham Rep. - https://www.birmingham-rep.co.uk/news/in-the-spotlight-with-madeleine-kludje.html

To find out more about ‘The Lightpost Company’ please visit:

https://www.birmingham-rep.co.uk/get-involved/youth-theatre/

Applied Theatre Podcast.2020

youtube - Appliedtheatrepodcast

Instagram -AppliedTheatrepod

Twitter - Appliedtheatrepod

The episode S01 E03 - Philip ‘J’ Morris & Keiren Hamilton-Amos - The Lightpost Company from the podcast Applied Theatre Podcast has a duration of 1:19:12. It was first published 05 Nov 14:31. The cover art and the content belong to their respective owners.

More episodes from Applied Theatre Podcast

S01 E24 -Paul Sutton / Artistic Director, C&T - Computers & Theatre.

Subscribe on Spotify, Apple & Google Podcasts and YouTube (w/subtitles) - Applied Theatre Podcast

Computers & Theatre, led by Artistic Director Paul Sutton, revolutionises how participatory theatre is made, accessed and experienced. Our conversation explores their mission to make responsive Applied Theatre accessible to classrooms and participants globally. Their technology ‘Prospero’ is designed to enable access to creative learning in any space with a computer, it is also intelligent enough to complement the pace, style and decision-making of those participating with the hundreds of interactive workshops, performances and lessons available—a huge thank you Paul for your time.

C&T is a team of applied theatre practitioners, technologists and researchers, finding new ways of fusing drama and digital technologies. Our award-winning Prospero theatre technology is transforming lives and communities around the world.

C&T links:

Website - https://www.candt.org/

Instagram - @candt_theatre

Twitter - @c_&_t

Applied Theatre Podcast:

Twitter - @Apptheatrepod

Instagram - @AppliedTheatrePod

Email - [email protected]

Subscribe on Spotify, Apple & Google Podcasts and Youtube (w/subtitles) - Applied Theatre Podcast

#theatre #applied theatre #podcast #C&T #computers

S01 E23 -Paul Bayes-Kitcher /Artistic Director, Fallen Angels Dance Theatre.

Subscribe on Spotify, Apple & Google Podcasts and YouTube (w/subtitles) - Applied Theatre Podcast

Fallen Angels Dance Theatre is led by ‘Artist in recovery’, Paul Bayes-Kitcher. A former professional Ballet Dancer, Paul shared with me his highest highs and lowest lows, detailing how his own struggles with addiction led him to form Fallen Angels. The company which is Liverpool-based, provides outreach in both Liverpool and Chester for those interested in movement, expression and on a journey of recovery. Paul’s story is both inspiring and cautionary. Fallen Angels places ‘emphasis on the group experience, achieving something special together’, as well as combining both professional and community ensembles to produce professional performance. Thank you Paul for sharing your story and detailing the beautiful practice your company produces.

‘Fallen Angels Dance Theatre exist to support those in recovery from addiction and those living with mental health adversity to transform their lives, and share their recovery journey, through dance, performance and creativity.’

Fallen Angels links:

Website - https://fallenangelsdt.org/

Instagram - @fallenangelsrising

Twitter - @FallenAngelsDT

Applied Theatre Podcast:

Twitter - @Apptheatrepod

Instagram - @AppliedTheatrePod

Email - [email protected]

Subscribe on Spotify, Apple & Google Podcasts and Youtube (w/subtitles) - Applied Theatre Podcast

S01 E22 -Robert van Leer / Executive Director & CEO, Wallis Annenberg Centre

Subscribe on Spotify, Apple & Google Podcasts and YouTube (w/subtitles) - Applied Theatre Podcast

The Wallis Annenberg Centre for Performing Arts, in Beverly Hills, California has a new Executive Director and CEO. Robert shared with me the already outstanding work the Wallis has produced to earn its reputable identity within the Beverly Hills community. Roberts vision, driven by the voices of not only those who pre date his arrival at the Wallis, now shifts outwards to his building civic responsibility, hoping to address the boundaries for engagement and re shape the Wallis into a learning, evolving space for the next generation of artists. Thank you Robert for your time.

Wallis Annenberg Center for the Performing Arts, located in the heart of Beverly Hills, CA, is a dynamic cultural hub and community resource where local, national, and international artists share their artistry with ever-expanding audiences. Distinguished by its eclectic programming that mirrors the diverse landscape of Los Angeles and its location in the entertainment capital of the world, The Wallis has produced and presented more than 400 theater, dance, music, film, cabaret, comedy, performance arts, and family entertainment programs, boasting nominations for 79 Ovation Awards and nine L.A. Drama Critic's Circle Awards as well as six architectural awards. Since its doors opened in October 2013, The Wallis has been committed to robust and distinctive presentations and education programs curated with both creativity and social impact in mind.

Wallis Annenberg Centre links:

Website - https://thewallis.org

Applied Theatre Podcast:

Twitter - @Apptheatrepod

Instagram - @AppliedTheatrePod

Email - [email protected]

Subscribe on Spotify, Apple & Google Podcasts and Youtube (w/subtitles) - Applied Theatre Podcast

S01 E21 - Tony Cealy / Facilitation & Community Theatre

Subscribe on Spotify, Apple & Google Podcasts and YouTube (w/subtitles) - Applied Theatre Podcast

Tony Cealy is a British Applied Theatre Practitioner. His work spans all community practice areas including workshop facilitation, performance making and facilitator training. Spending the hour with Tony chatting through his story, his training and the work he now produces highlights how much he loves his profession and cares about the impact of his work. A true master, I thank you Tony for your insight and time.

I’m a drama facilitator, theatre practitioner, arts activist, and creative producer who makes projects and programmes designed to engage the public in issues that are important for social and behavioral change. I am inspired by the creative arts and I work collaboratively with communities, artists, organisations and institutions to plan deliver and evaluate projects, programmes and arts experiences within the public realm.

Bullet Points links:

Twitter - @tonycealy

Website - https://tonycealy.com/

Applied Theatre Podcast:

Twitter - @Apptheatrepod

Instagram - @AppliedTheatrePod

Email - [email protected]

S01 E20 -Bullet Point Theatre Company ‘Our Last First’

Subscribe on Spotify, Apple & Google Podcasts and YouTube (w/subtitles) - Applied Theatre Podcast

Bullet Point Theatre Company consists of Writer, Lucinda Coyle and Director, Samuel Xavier. From 6th June - 14th June their show, ‘Our Last First’ will be performed at The Space Theatre, London. Both Lucy and Samuel share a passion for change-making. Throughout our conversation, they shared with me their thoughts on how the acting/performance industry could look if populated more broadly, by those who currently ‘do not fit’. Their show ‘Our Last First’ is a testament to this belief ‘Written without any pronouns, genders, names, ages, or physical descriptions this play is designed to be played by any and every actor’. Our conversation also provided insight into the landscape of life running an independent theatre company, and how they approach making and selling their work.

Thank you Samuel and Lucy for your time.

Bullet Point Theatre is co-founded by Lucinda Coyle and Samuel Xavier. It was created with one aim, for each show topic to be about a voice or conversation that is not allowed time or space. We believe that theatre needs to prove points, encourage change, and show realities on stage that our audiences would often shy away from. Dramas on tv and film of course portray it, but audiences can distract themselves from the truth by getting their phones out. Theatre provides two, or three, hours of inescapable truth, where you can’t hide behind a cushion if you feel uncomfortable. If an audience feels comfortable whilst watching one of our shows then we haven’t done our job. The writing is honest. The staging is truthful and all our dramas highlight either injustice or evoke the need for change.

Bullet Points links:

Twitter - @bulletpointtc

Instagram - @bulletpointtc

Website - https://www.bulletpointtheatre.co.uk/

Applied Theatre Podcast:

Twitter - @Apptheatrepod

Instagram - @AppliedTheatrePod

Email - [email protected]

Subscribe on Spotify, Apple & Google Podcasts and Youtube (w/subtitles) - Applied Theatre Podcast

Every Podcast » Applied Theatre Podcast » S01 E03 - Philip ‘J’ Morris & Keiren Hamilton-Amos - The Lightpost Company