Close Readings cover logo

Human Conditions: ‘The Second Sex’ by Simone de Beauvoir

11m · Close Readings · 10 Feb 09:00

Judith Butler joins Adam Shatz to discuss a landmark in feminist thought, Simone de Beauvoir’s The Second Sex (1949). Dazzling in its scope, The Second Sex incorporates anthropology, psychology, historiography, mythology and biology to ask an ‘impossible’ question: what is a woman? Focusing on three key chapters, Adam and Judith navigate this dense and dizzying book, exploring the nuances of Beauvoir’s original French phrasing and drawing on Judith’s own experiences teaching and writing about the text. They discuss the book’s startling relevance as well as its stark limitations for contemporary feminism, Beauvoir’s refusal to call herself a philosopher, and the radical possibilities released by her claim that one is not born, but rather becomes, a woman.

This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:

Directly in Apple Podcasts: https://apple.co/3pJoFPq

In other podcast apps: lrb.me/closereadings

Judith Butler is Distinguished Professor in the Graduate School at the University of California, Berkeley, and Adam Shatz is the LRB's US editor and author of, most recently, The Rebel's Clinic: The Revolutionary Lives of Frantz Fanon.

Get in touch: [email protected]

Hosted on Acast. See acast.com/privacy for more information.

The episode Human Conditions: ‘The Second Sex’ by Simone de Beauvoir from the podcast Close Readings has a duration of 11:56. It was first published 10 Feb 09:00. The cover art and the content belong to their respective owners.

More episodes from Close Readings

Political Poems: 'The Masque of Anarchy' by Percy Bysshe Shelley

Shelley’s angry, violent poem was written in direct response to the Peterloo Massacre in Manchester in 1819, in which a demonstration in favour of parliamentary reform was attacked by local yeomanry, leaving 18 people dead and hundreds injured. The ‘masque’ it describes begins with a procession of abstract figures – Murder, Fraud, Hypocrisy – embodied in members of the government, before eventually unfolding into a vision of England freed from the tyranny and anarchy of its institutions. As Mark and Seamus discuss in this episode, ‘The Masque of Anarchy’, with its incoherence and inconsistencies, amounts to perhaps the purest expression in verse both of Shelley’s political indignation and his belief that, with the right way of thinking, such chains of oppression can be shaken off ‘like dew’.

Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.

Sign up to the Close Readings subscription to listen ad free and to all our series in full:

Directly in Apple Podcasts: https://lrb.me/ppapplesignup

In other podcast apps: https://lrb.me/ppsignup

Read more in the LRB:

Seamus Perry: Wielded by a Wizard https://lrb.me/perrypp

Thomas Jones: Hard Eggs and Radishes https://lrb.me/jonespp

Hosted on Acast. See acast.com/privacy for more information.

Among the Ancients II: Plato


This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:

Directly in Apple Podcasts: https://apple.co/3pJoFPq

In other podcast apps: lrb.me/closereadings

Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books.

Get in touch: [email protected]

Hosted on Acast. See acast.com/privacy for more information.

Medieval LOLs: Dame Syrith

As Mary and Irina discussed in the previous episode of Medieval LOLs, fabliaux had an enormous influence on Chaucer, but outside of his work, only one survives in Middle English. Dame Syrith, a story of lust, deception and a mustard-eating dog, is medieval humour at its silliest and most troubling. Mary and Irina explore the surprising representations of old women, magic and consent in fabliaux, the poem’s possible role as a pedagogical tool, and medieval audiences’ love for the procuress trope.

Sign up to listen to this series ad free and all our subscriber series in full, including Mary and Irina's twelve-part series Medieval Beginnings:

Directly in Apple Podcasts: https://lrb.me/medlolapplesignup

In other podcast apps: https://lrb.me/medlolscsignup

Get in touch: [email protected]

Hosted on Acast. See acast.com/privacy for more information.

Human Conditions: ‘A House for Mr Biswas’ by V.S. Naipaul

In A House for Mr Biswas, his 1961 comic masterpiece, V.S. Naipaul pays tribute to his father and the vanishing world of his Trinidadian youth. Pankaj Mishra joins Adam Shatz in their first of four episodes to discuss the novel, a pathbreaking work of postcolonial literature and a particularly powerful influence on Pankaj himself. They explore Naipaul’s fraught relationship to modernity, and the tensions between his attachment to individual freedom and his insistence on the constraints imposed by history. 

This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:

Directly in Apple Podcasts: https://apple.co/3pJoFPq

In other podcast apps: lrb.me/closereadings

Pankaj Mishra is a writer, critic and reporter who regularly contributes to the LRB. His books include Age of Anger: A History of the PresentFrom the Ruins of Empire: The Intellectuals Who Remade Asia and two novels, most recently Run and Hide.

Get in touch: [email protected]

Hosted on Acast. See acast.com/privacy for more information.

On Satire: John Gay's 'The Beggar's Opera'

In The Beggar’s Opera we enter a society turned upside down, where private vices are seen as public virtues, and the best way to survive is to assume the worst of everyone. The only force that can subvert this state of affairs is romantic love – an affection, we discover, that satire finds hard to cope with. John Gay’s 1727 smash hit ‘opera’, which ran for 62 performances in its first run, put the highwaymen, criminal gangs and politicians of the day up on stage, and offered audiences a tuneful but unnerving reflection of their own corruption and mortality. Clare and Colin discuss how this satire on the age of Walpole came about, what it did for its struggling author, and why it’s an infinitely elusive, strangely modernist work.

This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:

Directly in Apple Podcasts: https://apple.co/3pJoFPq

In other podcast apps: lrb.me/closereadings

Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.

Get in touch: [email protected]

Hosted on Acast. See acast.com/privacy for more information.

Every Podcast » Close Readings » Human Conditions: ‘The Second Sex’ by Simone de Beauvoir