New Books in Literary Studies

In pre-modern Japan, Ise monogatari (also known as the Ise Stories or Tales of Ise) was considered to be one of the three most important works of literature in the Japanese language. Joshua S. Mostow‘s new book focuses on the reception and appropriation of these stories from the twelfth through seventeenth centuries. Paying special attention to the relationship of image and text in these works, Courtly Visions: The Ise Stories and the Politics of Cultural Appropriation (Brill, 2014) expertly interprets the Ise images to understand the very different ways that the stories were understood in different contexts. Courtly Visions pays careful attention to how different ways of framing class, gender, and religion shaped pre-modern reading and imaging of Ise, from a predominantly male salon in the ninth century, to aristocratic female readers of the Heian period, to a medieval courtier’s poems about a love affair, to a pair of imperial lines wrestling for power, to Noh theater, and beyond. The book is gorgeously illustrated with color images that are not only an immense pleasure to look at, but also serve as an important aspect of the book’s argument as Mostow guides us through visual readings of them. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

It is a cliche to suggest we are what we read, but it is also an important insight. In The New Literary Middlebrow: Readers and Tastemaking in the Twenty First Century (Palgrave-MacMillan, 2014), Beth Driscoll, from University of Melbourne, extends and critiques the work of Pierre Bourdieu to account for modern literary tastes and the literary field in which those tastes are embedded. The book attempts to explore and defend the idea of the middlebrow in literature. ‘Middlebrow’ is defined by eight characteristics, whereby it is middle class, it has reverence to elite cultures, and it is entrepreneurial, mediated, feminized, emotional, recreational and earnest. In the main it is situated within the tension between the aesthetic and the commercial. The book uses four case studies to explore how this tension, along with the idea of the middlebrow, plays out. In the first case study the role of Oprah Winfrey as a tastemaker and cultural intermediary is explored as part of an analysis of book clubs. The analysis shows how Oprah’s book club was important in establishing markets for books as well as being a site for the struggle over what is, and what is not, legitimate taste. This legitimacy is tied to elements of the middlebrow aesthetic, which has earnestness and self improvement as an important component. This component is both the source of struggle with more elite elements of the literary field and a source of changing reading practices, for example in the way Harry Potter is used in schools. The final two case studies, of book prizes and literary festivals, add to the defence of the middlebrow as a vital form of aesthetic production and cultural consumption for both understanding the future of reading and the future of the market for literature in the era of social media. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Melek Ortabasi‘s new book explores the work of Yanagita Kunio (1875-1962), a writer, folk scholar, “eccentric, dominating crackpot,” “brilliant, versatile iconoclast” and much more. The Undiscovered Country: Text, Translation, and Modernity in the Work of Yanagita Kunio (Harvard University Asia Center, 2014) expands how we understand and evaluate his work by contextualizing it in terms of translation studies, simultaneously informing how we think about (and with) translation. Translation was a method of resistance for Yanagita, offering a way to work against a “homogenizing national narrative” in the first half of Japan’s twentieth century. Ortabasi considers Yanagita’s work as a poet, a travel writer, a folk studies scholar, a linguist, and a pedagogue: in every case, whether literally or figuratively, Yanagita was also acting as a translator. The Undiscovered Country takes us into some amazing texts that include a collection of oral tales from a rural castle town in northern Japan, travelogues, methodological introductions to academic fields, works on regional dialectical names for snails (snails!), language-maps, glossaries, children’s literature (including a history of fire!), a television show, and much more. It’s a fascinating study for readers interested in both modern Japan and translation studies alike. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Wai-yee Li‘s new book explores writing around the Ming-Qing transition in seventeenth-century China, paying careful attention to the relationships of history and literature in writing by women, about women, and/or in a feminine voice. In a series of chapters that showcase exceptionally thoughtful, virtuosic readings of a wide range of texts, Women and National Trauma in Late Imperial Chinese Literature (Harvard University Asia Center, 2014) considers how conceptions of gender mediate experiences of political disorder. The first two chapters trace, in turn, the appropriation of feminine diction by men via a poetics of indirectness, and the use of masculine diction by women as a means of creating a space for political and historical engagement. The book continues from there to consider tropes of avenging female heroes, courageous concubines and courtesans, poet-historians and female knight-errants, chastity martyrs and abducted women, massacre and redemption. The conclusions to each chapter follow these seventeenth-century threads of discourse as they continue to weave themselves into the literature of modern China. It is a thoughtfully conceived and elegantly written study that serves simultaneously as a compellingly argued story and a reference packed with detailed readings of gorgeously translated primary texts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Rani of Jhansi was and is many things to many people. In her beautifully written book The Rani of Jhansi: Gender, History, and Fable in India (Cambridge University Press, 2014), Harleen Singh explores four representations of the famous warrior queen who led her troops into battle against the British. Analysing her various representations – as a sexually promiscuous Indian whore, a heroic Aryan, a great nationalist and a folk symbol of indigenous resistance – the book critically discusses what wider issues are stake in these depictions of such a mythical and marginal woman. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Bridget Conor’s new book, Screenwriting: Creative Labor and Professional Practice (Routledge, 2014), looks closely at the creative practice and profession of screenwriting for film and television in the US and UK. Situated within the critical media production studies paradigm, Screenwriting analyzes the history, current industrial practices, identities, and cultural milieu that surround this form of creative labor. Conor examines the professional myths that are often associated with screenwriting by looking back at its history during Hollywood’s golden age, beginning with the groundbreaking work of sociologist Hortense Powdermaker. Then, utilizing theoretical frameworks developed by luminaries of media production studies such as Angela McRobbie, John T. Caldwell, and David Hesmondhalgh, Conor outlines the contemporary labor scene for screenwriters. Through in-depth interviews with professional screenwriters, Conor underscores some of the commercial and creative tensions in the industry that often challenge these individuals’ professional autonomy and claims to authorship in their work. Lastly, Conor unveils some of the deep social inequalities that persist in this industry, many of which are unfortunately perpetuated though the numerous “how-to” manuals that serve to socialize budding screenwriters in the profession. Screenwriting also illuminates some of the fascinating changes being wrought by the Internet on screenwriters and their sense of autonomy in a new digital world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Lawrence Lipking‘s new book, What Galileo Saw: Imagining the Scientific Revolution (Cornell University Press, 2014) examines the role of imagination and creativity in the seventeenth century developments that have come to be known as the Scientific Revolution. Whereas some accounts suggest that this period involved the rejection of imaginative thinking, Lipking traces it through the works of Galileo, Kepler, Bacon, Newton, Hooke, and many others, demonstrating that the ability to envision new worlds is as crucial to their critical insights as rational thought.Each chapter of the book approaches a different discipline, from astronomy to natural history and the life sciences, exploring the intersection between imagination and the emerging ideas surrounding the scientific process. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Shengqing Wu’s gorgeous new book begins by exploring the image of the treasure pagoda to introduce readers to an aesthetics of ornamental lyricism in Chinese poetry at the turn of the twentieth-century. Modern Archaics: Continuity and Innovation in the Chinese Lyric Tradition, 1900-1937 (Harvard University Asia Center, 2014) then continues gorgeously, exploring practices and discourses of classical poetry in early twentieth-century China in beautiful prose that carries a powerful argument. Challenging some widespread assumptions about the practice of classical poetry in modern China, and simultaneously problematizing the relationship between the spoken and written word in modern Chinese literary discourse, Wu argues that Chinese lyric poetry from 1900-1937 saw the innovative development of a new aesthetic style, ideological commitment, and social practice in reaction to political, cultural, and historical necessities of the time. Paying careful attention to the formal aspects of these poems, the three main sections of Modern Archaics consider the relationship between history and lyricism in contexts of (1) historical trauma and loss; (2) the development of affective communities that treated lyric composition as an integral part of shared social practice; and (3) travel and translation. There’s also some wonderful material on gendered lyric composition and women’s history. It’s well worth reading for anyone interested in modern Chinese literature, the histories of poetry and/or translation, and literary theory. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Henry Stubbe and the Beginnings of Islam: The Originall and Progress of Mahometanism (Columbia University Press, 2014), Nabil Matar masterfully edits an important piece of scholarship from seventeenth-century England by scholar and physician, Henry Stubbe (1632-76). Matar also gives a substantial introduction to his annotated edition of Stubbe’s text by situating the author in his historical context. Unlike other early modern writers on Islam, Stubbe’s ostensible goals were not to cast Islam in a negative light. On the contrary, he sought to challenge popular conceptions that understood Islam in negative terms, and although there is no evidence that Stubbe entertained conversion, he admits many admirable characteristics of Islam, ranging from Muhammad’s character to the unity of God. The English polymath was well versed in theological debates of his time and therefore equipped all the more to write the Originall, given the benefit of his comparative framework, which in part explains why the first portion of his text devotes itself to the history of early Christianity. Strikingly, however, it seems that Stubbe never learned Arabic, even though he studied religion with a leading Arabist of his time, Edward Pococke. Indeed, one novelty of Stubbe’s work was precisely his re-evaluation of Latin translations (of primary texts) that were already in circulation. Stubbe’s contributions to scholarship also speak to the history of Orientalism–a word that did not yet exist at Stubbe’s time–or how scholars in the “West” more broadly have approached Islam. Stubbe’s Originall offers insights into present-day Western discourses that still struggle–at times with egregious incompetence–to make sense of Islam and Muslims. In this regard, Matar’s detailed scholarly account of Henry Stubbe and his carefully edited version of the Originall remains as timely as ever. Undoubtedly, this meticulously researched book will interest an array of scholars, including those from disciplines of English literature, History, and Religious Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Where does love come from and where will it lead us? Throughout the years various answers have been given to these questions. In Divine Love: Islamic Literature and the Path to God (Yale University Press, 2013), William Chittick, professor at Stony Brook University, responds to these queries from the perspective of the rich literary traditions of Islam. He reveals how some Muslims explained the origins, life, and goal of love through a detailed investigation of authors writing in Persian and Arabic mainly from the eleventh to twelfth centuries. For these authors, love is manifest through the relationship between God and creation in all of its various iterations. Commentary and explanation are drawn from numerous sources beginning with the Qur’an but most extensively from Rashid al-din Maybudi’s Qur’an commentary, Unveiling of the Mysteries, and Ahmad Sam’ani’sRepose of the Spirits. In our conversation we discussed the role of the Persian Muslim tradition, the cosmological roles of Adam and Muhammad, the centrality of the heart in the spiritual psychology, states and stations, the macrocosm and microcosm, and the suffering of separation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies