Joanna Lumley & The Maestro

One of the UK's most loved vocalists and broadcasters, Aled Jones, sits down with Joanna and Stephen to discuss the moment he unearthed a trove of unreleased music from his childhood. In this candid conversation, Aled reveals what it was like meeting Richard Branston at Virgin Records as a teenager, recording 16 albums in 4 years before his voice broke and becoming the 'radio son' of the veteran broadcaster Terry Wogan.

This week's mini episode comes to you as a pair. Stephen and Joanna discuss their favourite 'unsung heroes' - this time focusing on the strange and absorbing late works of Charles Koechlin. 'Les Bandar-Log' is part of a cycle of symphonic poems based on Kipling's Jungle Book, completed in 1940. The score touches on a range of early 20th-century styles, from Debussyan impressionism to 12-note technique, but somehow welds all the tongue-in-cheek references into a dazzling whole.

Which three composers tore up the rule book and changed music forever? Joanna and Stephen begin this episode with the cold-blooded murderer, Carlo Gesualdo - a dreadful man who composed sacred music. Known for plundering the depths of emotion in his madrigals, Gesualdo's 'word-paintings' broke the 16th century Venosan equivalent of the internet. We also discover how Beethoven reimagined the symphony and explore Stravinsky's daring new experiments in rhythm and orchestration.

We enjoyed speaking to Rob Brydon so much that we kept the tape rolling after the interview finished – much to our joy. In this extra mini-episode, Rob runs through the 'schlocky' teen movie he’ll never forget and how to start a conversation in the style of Richard Burton.

We're back! Starting a new series with comedian, actor and Welsh icon Rob Brydon who discusses the poetry of Bruce Springsteen, his life on stage and a burgeoning love for jazz. Sharing stories about early life in Porthcawl, Swansea and the wonderfully flamboyant 'Mr Crute', Rob tells us how his life took a turn towards musicals later in his career and how he's never looked back (even if his fingers are a little sore).

Joanna & The Maestro are overjoyed to be back, and this time they're bringing some friends with them. In a brand new series Joanna Lumley and composer and conductor Stephen Barlow once again invite listeners into their home for more fascinating, funny journeys into their lifelong shared passion; classical music.

Joining them for the ride are comedians, musicians, broadcasters and national treasures including Stephen Fry, Aled Jones and Anna Lapwood, who join our hosts on their mission to explore centuries of breath-taking music and celebrate the most talented composers to have ever lived.

Subscribe to hear our season launch next week with special guest Rob Brydon, talking everything from Miles Davis, Elvis and The Boss.

This mini episode sees Stephen having flashbacks to the most challenging piece of music he’s ever had to play, Joanna asks about composers who've been lost in time, and we investigate the first ever real opera... Got questions for Joanna and Stephen? Drop them a line [email protected]

It’s hard work talking about classical music all day. Perhaps we need an interval - no - not that kind of interval! In this episode Stephen explains how intervals are the building blocks of music, and Joanna reveals what stage performers really get up to in the interval break.

Do all classical pieces have to be long? Apparently not. Are there some brief classical hits? Yes indeed. Stephen and Joanna also discuss whether composers ever write music for their own funerals. Plus, a listener is distracted by a dog riding a horse. Seriously. Got questions for Joanna and Stephen? Drop them a line [email protected]

They were the most complex machines ever constructed (before the industrial revolution). The best are said to have “bite” and the biggest has over 33,000 pipes. We’re talking about the organ - aka “The King of Instruments”. Both Mozart and Bach adored these kaleidoscopes of sound, so when and why did they fall out of fashion? And what debt do we owe these monumental instruments today?